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    COVID-19 Music Relief

    Texas groups drum up support for struggling musicians during COVID-19

    Johnston Farrow
    Johnston Farrow
    Apr 15, 2020 | 9:27 am
    Rachel Gollay
    Rachel Gollay organized a GoFundMe campaign to help musicians.
    Photo by John Erwin

    Millions are out of work, and the Texas music industry is especially reeling, with no end in sight to venue closures. Thankfully, some hope is on the way for thousands of out-of-work musicians.

    Statewide, several organizations are working overtime to raise funds to support the many players that comprise local music scenes, so vital to the cities they call home.

    Dozens of different charitable efforts popped up in the wake of mass show and venue cancellations. The Texas Music Office, one of the major music organizations in the Lone Star State backed by Governor Greg Abbott, has been collecting the various fundraising and support efforts available to artists, including information on federally and state-backed programs. That includes small business loans through the U.S. CARES Act.

    Dallas-Fort Worth
    In Dallas, the Artist Relief Fund by Creating Our Future, a group of artists and arts advocates, are raising money to support those affected by closures and lost income. Those in the city can apply via the organization's online form.

    Hear Fort Worth, which set up its efforts through United Way of Tarrant County, jumped into action almost immediately with the Creative Industry Relief Fund. Artists who apply are eligible for a one-time $300 grant. Not coincidentally, the idea for the fund came from another successful initiative, the Fort Worth Artist and Service Worker Relief Fund, a GoFundMe donation campaign organized by local musician Rachel Gollay.

    “With gig after gig getting canceled, livelihoods are at stake,” Gollay wrote in a statement. “Empty bars, restaurants and venues mean meager funds to take home at the end of the night and little to nothing left to pay the bills. All donations will be equitably divided and transferred among those who request assistance.”

    A virtual concert organized through Billy Bob's Texas on April 1 helped raise money for the fund. Total community support had reached $20,000 with 83 individual grants by early April. The fund will stay open as long as donations continue to come in, organizers say.

    Houston
    In Houston, a husband and wife team — talent buyer Mark C. Austin and marketing and public relations professional Rachel Austin — launched the Houston Music Foundation, partnering with nonprofit organization Artists for Artists to provide direct relief to Houston-based musicians. Musicians facing financial hardship can apply for a one-time grant of $500 to pay for bills and living expenses.

    Within the first week of announcing, more than 500 artists applied for grants and donations amounted to over $20,000. To apply, artists that reside in Harris County are asked to visit houstonmusicfoundation.org.

    “Our goal is to get quick cash into artists’ hands,” Mark C. Austin says. “As an artist manager, as a guy that books hundreds of bands, I’m familiar with the economic set-up with musicians. I’m too familiar with how much $500 means to a working musician — after one month, two months, it starts getting real.”

    “I’m a mother, I have three boys, and just hearing some of the stories that people can’t buy groceries for their family and pay rent,” Rachel Austin says. “Mark and I didn’t want to sit this one out. We really wanted to make an effort to help people.”

    To assist the Houston Music Foundation, Antone’s Famous Po’ Boys and local rap legend Bun B relaunched the most delicious of fundraisers, the Hot Wang sandwich. Originally launched in September 2019 as part of the charitable “H-Town Originals” series along with Legacy Restaurant Groups Corporate Chef Alex Padilla, 50 percent of all sales of the Hot Wang sandwich will go back to the foundation for distribution via grants to musicians. Saint Arnolds Brewing Company also recently donated a portion of sales from their new Headliner beer towards the foundation.

    Austin
    The Austin Music Foundation, founded in 2002 to assist local artists, experienced the double whammy of the cancellation of South By Southwest, which led to a $355 million hit to the economy, and the closure of all concert and performance venues. They pivoted their approach to finding and directing their community to emergency resources.

    The foundation provides one-on-one consultation and online information sessions for musicians and has waived all fees to the Austin music community. They are providing educational programming and additional means to help artists get through these uncertain times.

    “Austin’s music community is enduring this crisis with remarkable fortitude and a sense of solidarity unlike anything I’ve ever seen,” says Jennifer Dugas, executive director for Austin Music Foundation. “The music industry is facing an unimaginable fallout from the global shutdown, the scope of which we may not fully understand for some time. When we come out of this, and we will, I believe our city will be at the forefront of a new way forward for the music business.”

    People can donate directly through the AMF website at www.austinmusicfoundation.org.

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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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