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    Movie Review

    Selah and the Spades thinks high school is all drama and no fun

    Alex Bentley
    Apr 16, 2020 | 2:51 pm
    Selah and the Spades thinks high school is all drama and no fun
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    Movies about high school or kids of high school age are rarely experimental with their stories. They tend to deal with ideas like young love, budding sexuality, cliques, and bullying, things that are universal no matter where a person attended school. But every now and again, filmmakers attempt to stretch the boundaries of what a high school movie can be.

    That’s definitely the case with Selah and the Spades, which is set at a private school where different factions help the student body engage in vices like cheating in classes, illegal parties, gambling, and, of course, drugs and alcohol. That last vice is the purview of the Spades, led by Selah (Lovie Simone), who rules over her small kingdom with an iron fist with the help of her friend Maxxie (Jharrel Jerome).

    When a new student, Paloma (Celeste O’Connor), comes in, Selah takes her under her wing in a bid to groom her as the new leader of the Spades when Selah graduates. Her crusade, however, is complicated by the ambitions of the leaders of the other factions, a suspicious administration, and her own hubris.

    Written and directed by first-time feature filmmaker Tayarisha Poe, the film feels like a mixture between Dear White People and Heathers, although it has no interest in having fun. The usual high school film would use the presence of the factions’ vices to engage in all manner of hijinks, but those things are deadly serious in this film. More than one student winds up getting a beatdown when they don’t abide by the code of keeping the goings-on secret.

    More to the point, Poe is only truly interested in one faction – the Spades. She shows the factions meeting and interacting on multiple occasions, but everything revolves around Selah and her controlling personality. How the other factions go about their business is barely touched upon, but we get lots of details about what types of drugs the Spades sell, how they keep track of who orders what, and more.

    What the film doesn’t have is much narrative momentum. There are teases of a story, like allusions to a past incident that haunts Selah or the factions bickering about who’s really in charge. But none of it adds up to much and there doesn’t ultimately seem to be anything at stake. A moment toward the end that would be a game changer in any other film falls flat, feeling more like the status quo for these particular characters.

    Also, it’s unclear what to make of the fact that the faction called the Spades, a term that has been used as a slur toward African Americans, is made up entirely of black students. Did Poe, who herself is black, intend it as a reclaiming of the word? The film does not address any racial divisions that may exist at the school, although it’s notable that the headmaster, portrayed by Jesse Williams, is black.

    On the positive side, the majority of the actors come off well, delivering performances that never undermine the dramatic material. Simone, best known for the OWN series Greenleaf, has a cool confidence that makes Selah a force with which to be reckoned. Jerome, who won an Emmy for his role in When They See Us, makes the most of his time on screen. O’Connor and Anna Mulvoy Ten make roles that could have been one note into something much more interesting.

    Selah and the Spades is not an escapist film by any stretch, so it’s hard to say if it will have an appeal for the high school crowd or adults. But given that it’s premiering on Amazon Prime Video instead of in theaters, it might stand a chance to garner an audience looking for something new.

    ---

    Selah and the Spades premieres exclusively on Amazon Prime Video on April 17.

    Lovie Simone in Selah and the Spades.

    Lovie Simone in Selah and the Spades
    Photo courtesy of Amazon Studios
    Lovie Simone in Selah and the Spades.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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