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Vinyl Is Alive and Well

The 9 best record stores in Dallas-Fort Worth to celebrate Record Store Day

Alan Ayo
Apr 17, 2013 | 12:25 pm

If you keep up with trend, you may be under the impression that record stores, along with records, have gone the way of the Dodo bird. Not necessarily.

Vinyl especially is experiencing a reemergence. According to Vinylhunt.com, global vinyl sales are at their highest since 1997: $151 million of vinyl sold last year, up more than 50 percent from 2011. Really, if you love collecting music, take a look at the list of special releases from artists of all sizes, shapes, flavors and eras, in honor of upcoming Record Store Day on Saturday, April 20.

Whether new sounds, inexpensive old ones or rare collectibles, much of the inventory in these top Dallas-Fort Worth record stores won’t be available for very long beyond this Saturday. So get some fresh air and expand your music selection — without clicking.

Good Records
Every day is Record Store Day at Good Records on Greenville Avenue. Owned by Tripping Daisy/Polyphonic Spree/Preteen Zenith frontman Tim Delaughter, Good Records is to Dallas what Amoeba Music is to Los Angeles: a music mecca, with a delicious selection of limited-edition vinyl, box sets and fascinating used stuff. Inside, acoustic stage “Live from the Astroturf” hosts 12 hours of live music. Store opens at 7 am Saturday for the collector rush.

Ernest Tubb Record Shop
Ernest’s original shop opened in Nashville in the ’40s and is nothing short of legendary in the world of traditional country. In Fort Worth, Ernest Tubb Record Shop owner Jerry Kay Weeks has been at it more than 20 years at this location. The shop specializes in traditional country, honky tonk, swing, Texas Red Dirt country and gospel, with hundreds of vinyl titles for $1 and special collectibles. For Record Store Day, Weeks is giving away red 45’s by Dale Watson, singing “I Lie When I Drink” and “Thanks To Tequila,” while supplies last. Oh, and live music from the Brazos Valley Boys from 1-4 pm.

Mad World Records
Record stores in Denton are part of the lifeblood of the town. Mad World is well-known and smartly stocked. Live music starts up at 5 pm Saturday, with Spooky Folk, Kurt Baker and more.

Recycled Books Denton
The music collection at Recycled Book in Denton is also regionally famous, and the stores hosts live music Saturday from noon-5 pm, starring well-known RTB2 frontman Ryan Thomas Becker, Tony Ferraro and local spice faves Mariachi Quetzal. For Record Store Day, everything in the store is 15 percent off — books too.

Cloud 8 Records
Tucked inside Dolly Python on Haskell Avenue is collector (and Eight Track Museum curator) Bucks Burnett’s operation, Cloud 8 Records. Burnett counts Tina Weymouth and Chris Frantz of Talking Heads fame among his close friends, and Burnett was recently Pete Townshend’s special guest on The Who’s Quadrophenia Anniversary U.S. Tour. There are some magnificent finds hidden at Cloud 8.

Bill’s Records
Bill’s Records has been a Texas institution for more than three decades. His original location at Spring Valley Road was a bit larger, but it still has all the great idiosyncrasies, a music stage in the back and, most important, Bill himself behind the counter damn near every day. Fittingly, Bill celebrates his birthday on Record Store Day with 12 hours — and 26 bands’ worth — of live music.

Forever Young Records
At 11,000 square feet, Forever Young Records in Grand Prairie claims to be the third largest independent record store in the country. It’s an impressive experience: It’s structured entirely to resemble a huge jukebox (including a full Wurlitzer replica entryway), and the vinyl inventory comprises around 30 percent of its total stock. At roughly 5:30 am Saturday, collectors can line up outside to get a lottery number good for dibs on the most wanted limited-edition stuff. Among the hot items: an orange and red 7” vinyl of Iggy Pop’s “No Fun,” with the Black Keys on the flip side covering the same song. Only 7,000 exist, exclusively for Record Store Day 2013.

CD Source
CD Source celebrates its 20th this winter and touts an inventory of 125,000 CDs and 11,000 vinyl titles. On Saturday, the store hosts 12 hours of live music, starting with the songbird voice of Becky Middleton at 9 am, followed by local biggies Fox and the Bird, Home By Hovercraft, Dead Flowers and many more. Along with music, we hear free food will also be in abundance. The store opens at 7 am Saturday, and owner Lance Price also tells us he’s getting in “double the quantity of special releases we got in last year.”

Movie Trading Co
Although not every metro location of Movie Trading Co is participating in Record Store Day, the one on Greenville Avenue has a fine music selection, and it is offering “buy two get one free” on all used CDs and vinyl, as well as special-order editions released for Saturday.

Mad World Records in Denton is well-known and smartly stocked.

Mad World Records in Denton
Mad World Records Facebook
Mad World Records in Denton is well-known and smartly stocked.
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Movie Review

The End of Oak Street can't live up to its Spielberg inspirations

Alex Bentley
Aug 13, 2026 | 12:50 pm
Ewan McGregor and Anne Hathaway in The End of Oak Street
Photo by Daniel McFadden
Ewan McGregor and Anne Hathaway in The End of Oak Street.

Steven Spielberg is the iconic director of the last 50 years, so it’s no surprise that many other filmmakers have borrowed from his classic films. But most of the time those come in the form of references or homages, not straight up theft, which is what it feels like watching The End of Oak Street play out in front of your eyes.

Set in the early 1980s in an idyllic suburban neighborhood of an unnamed city, Denise (Anne Hathaway) and Greg (Ewan McGregor) are parents to two teenagers, Audrey (Maisy Stella) and Brian (Christian Convery). They’re also possibly heading toward divorce, as Audrey is secretly writing a novel with a thinly-veiled plot about their life, and Brian is cagey about having to earn extra money with a pizza delivery job.

That all gets put on the backburner when a mysterious event takes their entire neighborhood back to the time of dinosaurs. Armed with little more than a shotgun and sledgehammer, Audrey and Brian do their best to keep the family safe in their house. But the longer the ordeal goes on, circumstances force them out onto the streets and into the increasing danger that’s all around them.

Written and directed by David Robert Mitchell, the film tries immensely hard to be like the Spielberg movies its filmmaker clearly adores, but fails at almost every turn. It never earns the broken family in ‘80s suburbia vibes that were prevalent in E.T., going all in right away in the opening scene with a neighborhood block party that feels forced. Other elements like a bully who has it out for Brian, the family dog that disappears, and an angry neighbor come across as the tropes they are and not as organic parts of the plot.

When it finally gets to its dinosaur sequences, they pale in comparison to those found in Jurassic Park. The strange manner in which the dinosaurs appear is a big part of that, but the action involving them forgoes ominous moments that could build tension for those that play up gore in an unexpected way for a PG-13 movie. Many of the attacks have so little emotional meaning that they come off as comical, which is entertaining but in a hollow way.

As if those weren’t enough, Mitchell - perhaps at the behest of producer J.J. Abrams (who made his own Spielbergian film, Super 8) - tries to honor Spielberg in other ways. Just like in Jaws, he employs the use of a split diopter lens, which keeps characters in both the foreground and background in focus. But instead of using it judiciously, it’s brought out in three separate scenes, including a laughable one with the four family members where it turns into overkill.

Hathaway, coming off of a role in The Odyssey that could earn her an Oscar nomination, is the best part of this film. But even her evident skills are dragged down by the ridiculousness of the story, which requires hysterics that even she can’t sell. McGregor can normally be counted on for a good performance, but he gives several line readings with strange cadences that make his already-underwritten character come off worse. Stella and Convery are okay, but their roles are unmemorable overall.

Mitchell and his team can never settle on exactly what type of film they were trying to make, and so even though The End of Oak Street has a few moments that work, they’re surrounded by many others that don’t. In trying to emulate Spielberg - there’s even a blatant Back to the Future (produced by Spielberg) rip-off towards the end - all Mitchell has done is show how difficult it is to be the master.

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The End of Oak Street opens in theaters on August 14.

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