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    The CultureMap Interview

    Dallas band The O's talk touring, hometown songs and sweating at Double Wide

    Dixon Milner
    Apr 18, 2013 | 12:15 pm

    Local duo The O’s thrives on an air of mystery, blending bluegrass sounds with indie vocals and pop-song structures. There may only be two of them — Taylor Young and John Pedigo — but they play all the instruments heard on their records.

    Formed in 2008, the band has released three albums (including the latest, Thunderdog, on April 16) and toured around the world. They are very connected to all things Dallas, from the music scene to charity events to appearances on local sports radio station the Ticket. Clearly they love the city and feel the city’s love in return.

    The O’s continue developing their sound on Thunderdog, which they celebrate April 19 at the Granada Theater. Unfamiliar listeners should check out “Outlaw” and “Dallas” off the new album and “We’ll Go Walkin” and “Tennessee Coalminer” from their second album, Between the Two.

    Recently we spoke with Young and Pedigo about their third album, touring the country and the world, and songs about Dallas.

    CultureMap: What kind of music would you say y’all play? Would you call it bluegrass?

    The O’s: It’s technically not bluegrass; technically we play pop songs. We play pop songs with an acoustic guitar and a banjo. And some other instruments, like drums, so that’s not bluegrass.

    CM: How did you get into the bluegrass sound or instruments?

    John Pedigo: I’ve been playing rockabilly country forever, and I was heading in that way, anyway. At the time I wanted to go a little quieter, and it all seemed to kinda fall together.

    Taylor Young: I was a drummer for 15 years prior and was just learning guitar. We were drinking beers, and John threatened to buy a banjo. We started throwing songs at each other.

    CM: What’s it like playing bluegrass-sounding pop music in Texas?

    The O’s: There's a broad section of music that melds together in Dallas. One second we can be at Adair's, and we'll know the band. Then we'll go to Double Wide, and it'll be a punk band. We like that.

    We still don't really know what kind of music we play. Sometimes we are an indie band with fiddles; sometimes we are the bluegrass band at a country show. We are from Dallas, Texas, so we have all the Texan tendencies, but for indie rock shows, we are just the twangy band. At a country show we're the emo band.

    CM: Where did your name come from?

    The O’s: We were out cocktailing one night, and we decided to start this band since [Pedigo] had ordered a banjo. We needed a band name, and we sat at Vickery Park until a band name came to us. That was from 6 pm to 2 am. Then we enjoyed some to-go tacos.

    The best part is that everyone has their own idea of where that name comes from. We like to keep some mystery in it. Lots of people try to guess what it means. We are both type O blood; that's the only logical guess. One guess was that it was short for potatoes, and that the "potate" was silent.

    CM: What’s your favorite venue to play?

    The O’s: Outside of Dallas, it’s Pappy and Harriet's in Pioneer Town, California, near Joshua Tree. It’s a movie set city that Gene Autry used to use. It’s an Old West town slash façade, but there's a bowling alley and shops. It has one of those long old sand main streets. Right around the corner there's this great club with awesome food and great people. A lot of bands play that place.

    As far as locally, for a smaller venue, we like Double Wide. It you want to get drunk, sweaty and loud, then it’s for you. For a larger venue, it would be the Granada, specifically on April 19, for our record release party.

    CM: Why do you play so many shows in Europe?

    The O’s: At the beginning of the band we realized the importance of festivals and getting in front of a lot of enthusiastic music fans at one time and how big a part of the culture that is in Europe and the UK. So that was a big goal of ours. In 2009, we got on the Internet and started booking shows and met a lot of people. Now we have the most amazing friends over there who help book that stuff now. We are going back over in June, to play a couple of festivals.

    CM: Why do you list Oak Cliff and Dallas separately on the tour schedule?

    The O’s: Oak Cliff is its own thing, not bad or good. The Kessler isn't part of Dallas; it's in Oak Cliff. We have the mighty river separating us and Oak Cliff. It also houses the greatest hamburger around: Wingfield's.

    CM: What was it like to fund an album via Kickstarter?

    The O’s: Humbling. We did want to do right by the Kickstarter backers. It gave us an edge to writing. If we had that many people that believed in us making this third album, then that was hundreds of people we didn't want to let down. Kickstarter was so new to us that through the process we learned about Kickstarter [laughs].

    We don't do everything for everyone else, but we did want to do a good job. It was better than a label that's going to recoup money from us.

    CM: On the new album you have a song about Dallas. There aren’t that many songs about Dallas. Was that important for you to write?

    The O’s: A really awesome blues guitarist listened to it. He was going on with songs about Dallas, and this was the first positive one he'd heard. That song is definitely a positive song about Dallas.

    From all our traveling around the world and around Texas and around the nation, people have opinions about the cities of Texas and where the music comes from. People have a lot of opinions about Dallas, and we want to let them know how we feel about Dallas. We consider ourselves the ambassadors of Dallas. We try to get free stuff from that.

    CM: What influences do you have, in your beginning or more recently?

    TY: I’m listening to Cat Stevens for the first time in my life, and he's kind of blowing my mind.

    JP: My first real influence was the Pixies. The first album I got myself was Bossanova, and that inspired me to play music. And then I got into unusual stuff, then grunge, then rockabilly, and then it led to this.

    TY: My go-to album is Rendezvous by Luna. And the first two The O's albums.

    CM: Is there anything else you wanted to cover or wanted fans to know?

    JP: I wear a 32 waist jeans. And a 10.5 EE size boot.

    TY: I'm 9.5 EE in boots, if any sponsors are reading this. I like movies, and I like badass Oreo cake balls. We’ll have those at the show. And we'll also have brand-new T-shirts for sale.

    We’ve been doing this interview from our parked car. I've never sat at the corner of Greenville and Lovers this long. Lotta hots. This is the corner of hot.

    Taylor Young and John Pedigo of The O's recently released their third album, Thunderdog.

    The O's third album Thunderbird
    Photo courtesy of The O's
    Taylor Young and John Pedigo of The O's recently released their third album, Thunderdog.
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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 9:13 am
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
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    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Frankenstein and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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