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    Movie Review

    True History of the Kelly Gang has no truth and few thrills

    Alex Bentley
    Apr 22, 2020 | 9:43 am
    True History of the Kelly Gang has no truth and few thrills
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    Australian outlaw Ned Kelly is one of those historical figures whose life story transferred into the mythical almost immediately upon his death in 1880. The exploits of Kelly and his henchmen have been used as the basis for multiple films, including starring turns by both Mick Jagger and Heath Ledger.

    Now joining that list is True History of the Kelly Gang, based on the book of the same name, which makes no bones about how it is a fictionalized story based on Kelly’s life. Starring George MacKay as Kelly, the film almost goes the full cradle-to-grave approach.

    It details Kelly’s rough childhood with mom Ellen (Essie Davis); his time with a two-bit criminal Harry Power (Russell Crowe); continuous taunting by local policeman Sgt. O’Neill (Charlie Hunnam); and eventually the forming of his own gang to oppose another law enforcement figure, Constable Fitzpatrick (Nicholas Hoult).

    Written by Shaun Grant and directed by Justin Kurzel, the film revels in Kelly’s lurid story. Living in a shack in a desolate area of Australia, he and his family have nothing and their desperation gives him no opportunity to actually be a child. Those circumstances essentially dictate the rest of his life, as even when he tries to be good, his hand is forced by certain situations in which he finds himself.

    The filmmakers take their time with each section, but somewhere in the second hour, they lose the thread of what they’re trying to say. They bounce around from scene to scene, taking shortcuts in an attempt to force connections that don’t organically form.

    The biggest thing they never accomplish is building up the notoriety of Kelly and his gang. In fact, apart from one seemingly random murderous spree, the gang is never seen doing anything at all. The filmmakers spend tons of time trying to tell the audience exactly what kind of person Kelly was, and almost no time in showing why he was so feared.

    A huge deal is made of the dresses that some of the henchmen wear during their crimes, and possible romantic feelings between Kelly and a male friend are hinted at several times. However, it’s unclear if the filmmakers are trying to make some larger point about gender identity and sexuality, or if these things are merely another way to show how wild the gang was.

    MacKay is given free rein to go as over-the-top as he wanted, a technique that is almost diametrically opposed from his acclaimed role in 1917. His performance works at certain points, but it goes off the rails in the final act. Crowe and Hunnam do good work in limited roles, and Hoult is ideally cast in his smarmy role.

    True History of the Kelly Gang was not limited by anything that happened in real life, but perhaps it needed some limitations to create a bit more clarity. The dreary mood of the film is set early on, and it never finds its way to any excitement or suspense.

    ---

    True History of the Kelly Gang is available on April 24 via digital streaming and cable platforms.

    George MacKay in True History of the Kelly Gang.

    George MacKay in True History of the Kelly Gang
    Photo courtesy of IFC Films
    George MacKay in True History of the Kelly Gang.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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