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    Concert Spillover

    Dallas feels the groove from Austin PsychFest music festival

    Kelly Dearmore
    Apr 25, 2013 | 8:43 am
    Dallas feels the groove from Austin PsychFest music festival
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    For years, Dallas-Fort Worth music lovers have enjoyed the effects of the annual Austin-based extravaganzas South by Southwest and Austin City Limits. We don't have to suffer through massive crowds and even larger lines for beer while sitting through dozens of bands we don't want to see just to catch a 40-minute set from one of our favorite acts. That's because nearly all stop by Dallas on their way to or from the Texas capital.

    In the very recent past, the edgy, somewhat dangerous Fun Fun Fun Fest has begun to provide the same positive outpouring of nationally touring talent. This year, the Austin PsychFest — now in its sixth, stellar year — can officially be added to the list of Austin festivals that benefit North Texan music fans.

    To sum it up, these are some the concerts coming to Dallas-Fort Worth thanks to Austin PsychFest spillover.

    Thursday, April 25

    Black Mountain, Besnard Lakes and Suuns at Dada
    All three of these bands play at PsychFest, and Vancouver's Black Mountain headlines this sweet bill in Dallas. But it's another Canadian band that people shouldn't miss. Besnard Lakes, led by Jace Lasek and his wife, have yet to release a bum album. Their brand-new record, Until in Excess, Imperceptible UFO, is perhaps the best yet. As with the other shows on this list, expect the walls to rattle from the synth- and guitar-driven soundscapes emanating from the stage.

    Friday, April 26

    Man Or Astroman? at Dada
    One of the stranger acts to come out of Alabama — that we can think of, at least — is the psycho, surf-rock-loving group who are touring to promote the addictive Defcon 5...4...3...2...1, the group's first proper release in 12 years. Any band that's led by dudes named Starcrunch and Birdstuff is probably worth catching live, especially if they're known to shred the stage.

    Clinic and No Joy at Dan's Silverleaf in Denton
    Continuing the international trend of bands coming through this week, England's post-punk crew has a new set of tunes to play, thanks to the excellent Free Reign LP. For fans of the Doors or the Black Angels, this is a band you need to know if you don't already. Dan's is an excellent setting for this show. Get there early enough to catch the set from No Joy, the Montreal-based band of shoegazers that just released the very epic Wait to Pleasure.

    Boris at Rubber Gloves Rehearsal Studio in Denton
    This band of Japanese women brings the noise. Rubber Gloves Rehearsal Studio is a perfect venue for Boris, as the walls seem to be damn near indestructible. With an experimental catalog that goes back to 1996, Boris experiments with its sound, creating a psychedelic vibe. It's not noise; it's deafening bliss. Don't miss killer local opening acts Pinkish Black and Bludded Head. Good luck to you and your set of senses.

    Saturday, April 27

    Black Rebel Motorcycle Club at House of Blues
    One of the headliners of PsychFest, Black Rebel Motorcycle Club is supporting its newly released, addictive record, Specter at the Feast. Although it's less dark and more anthem-esque than past offerings, these American garage-rock heroes know when to groove and when to thrash. Seeing them outdoors late at night in a festival setting would be cool, but the set at House of Blues likely will feature a light display that rivals the tunes. Stay safe out there.

    Sunday, April 28

    Os Mutantes at The Kessler
    Canada and Japan aren't the only foreign lands represented in Texas this week. Brazil's Os Mutantes ("The Mutants," in English) brings a mystical brand of experimental psych-folk to The Kessler stage. Touring in support of new album Fool Metal Jack, the veteran crew (a rather large outfit, actually) puts a swirling spin on what many know as "world music." The band certainly knows what it's doing by now, as members started performing in the late-1960s, though they did take a lengthy hiatus. This group knows where to find the groove.

    Canada's Besnard Lakes created perhaps the best album so far this year.

    Photo by Richmond Lam
    Canada's Besnard Lakes created perhaps the best album so far this year.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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