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    Movie Review

    Teen girl romance gets an update in modern but lightweight Crush

    Alex Bentley
    Apr 27, 2022 | 11:39 am
    Teen girl romance gets an update in modern but lightweight Crush
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    Teen comedies tend to fall in one of two categories: They’re either sweet, relatively wholesome stories about finding oneself or discovering love for the first time, or they’re ones that push the limit when it comes to sex, drugs, alcohol, and other things that teens are not “supposed” to do.

    The new Hulu film Crush tries to split the difference, with varying degrees of success. Paige (Rowan Blanchard) is an aspiring high school artist with dreams of going to Cal Arts. She long ago came out to her ultra-supportive single mother (Megan Mulally), who’s perhaps a bit too supportive, having all sorts of frank sexual discussions with and around Paige.

    Paige has long held a crush on her classmate, Gabriella (Isabella Ferreira), although she can barely form a sentence around her. That changes when Paige decides on the spur of the moment to try out for the school track team despite being supremely awkward. But instead of being paired with Gabriella as she hoped, the coach has Gabriella’s sister, AJ (Auli’i Cravalho), mentor her instead.

    The film, directed by Sammi Cohen and written by Kirsten King and Casey Rackham, features a by-the-numbers story despite featuring multiple gay/queer characters. Who Paige will end up falling for couldn’t be clearer than if they had put the person’s name in flashing red lights on the screen. The only difference is that the love triangle involves three girls instead of the typical heterosexual pairings.

    The film is not without its charms, though. One side plot involves Paige’s best friend Dillon (Tyler Alvarez) and his girlfriend Stacey (Teala Dunn), who are running against each for school president. Their friendly-but-competitive banter about the election and their insatiable lust for each other make for some of the funniest parts of the movie.

    Other parts are underexplored. The school has been the target of multiple graffiti works by a person who goes by “King Pun,” with many, including administrators, thinking it’s Paige. Paige resolves to find the real culprit, but her search is waylaid by a number of things, and by the time the actual King Pun is revealed, it’s both obvious and underwhelming.

    The filmmakers fill the movie with lots of explicit sexual jokes, profanity, drugs, and alcohol, making it a hard R – or TV-MA, since it’s on Hulu. There’s nothing inherently wrong with doing that, but it’s kind of an odd choice since the movie is otherwise a light high school comedy with a lead character whose personality doesn’t match the lewdness.

    Blanchard is a rising star who’s had parts in TV shows like Girl Meets World, The Goldbergs, and Snowpiercer, and she does decently well here. Her role is mostly one-note, though, something a better teen movie would have remedied. Cravalho, who voiced the titular role of Moana, is arguably the best known of the young stars, and she has a brightness about her that shines through. Ferreira, Alvarez, and Dunn make the most of their respective parts, and deserve to be seen more as well.

    While Crush doesn’t rise above the status of “pleasant distraction,” it’s great that it features gay characters who live in a world free from any obvious stress about having to come out or deal with homophobia. The story surrounding them may not be great, but the representation and sentiment about how the world should be definitely is.

    ---

    Crush debuts on Hulu on April 29.

    Rowan Blanchard in Crush.

    Rowan Blanchard in Crush
    Photo courtesy of Hulu
    Rowan Blanchard in Crush.
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    Movie Review

    Charli XCX attempts to seize 'The Moment' in new mockumentary

    Alex Bentley
    Feb 5, 2026 | 9:15 am
    Charli XCX in The Moment
    Photo courtesy of A24
    Charli XCX in The Moment.

    There have been plenty of music documentaries and biopics that show how the life of a music star can be a trying one, with fans, record label executives, and hangers-on all wanting a piece of a certain singer or band. Charli XCX knows the pressures as well as anyone thanks to back-to-back hit albums, but instead of addressing her life with a self-aggrandizing promo film, she’s gone the unexpected route with the mockumentary, The Moment.

    The singer plays a fictionalized version of herself who’s coming off of “Brat Summer,” a cultural phenomenon that followed the release of her 2024 album, Brat. In addition to a planned tour, she and her team are trying to come up with other ways to capitalize on the moment, ideas that sometimes include her input and sometimes don’t. The one that becomes the driving force of the story is a concert film that will be directed by the in-demand filmmaker Johannes (Alexander Skarsgård).

    Even though Charli XCX had already planned out the visuals, props, and other elements of the tour with good friend Celeste (Hailey Gates), Johannes slowly but surely pushes his ideas to be used instead. As that part of her life starts to slip from her grasp, she starts to lose it in general, agreeing to endorse a Brat-themed credit card, taking an ill-advised spa trip to Ibiza, and more.

    Written and directed by Aidan Zamiri (who’s directed two Charli XCX music videos) and co-written by Bertie Brandes, the film should in no way, shape, or form be interpreted as giving viewers an accurate idea of who the singer really is. Aside from the presence of well-known actors like Skarsgård and Rosanna Arquette and comedic actors like Kate Berlant and Jamie Demetriou, everything in the film is heightened sufficiently to understand it shouldn’t be taken seriously.

    Still, it’s clear that fans of Charli XCX or those who participated in Brat Summer will be more invested in the film than others. Knowing that Rachel Sennott’s cameo likely stems from their friendship following Charli XCX doing the score for Sennott’s film, Bottoms, or that she enjoyed early fame from the inclusion of her song, “Boom Clap,” in “a movie about two kids with cancer,” as her character puts it, adds some depth to the film.

    One of the funniest things about the film is the lack of a showcase of Charli XCX’s music. She doesn’t sing a single note in the entire film, and any songs of hers that are heard are incidental to the story. There is, however, a ton of oppressive flashing titles and frenetic imagery during the various transitions in the film. If you are even slightly affected by rapid lights and/or movement, it might be best to avoid the film entirely.

    As George Clooney can attest from Jay Kelly, it’s more difficult to play a version of yourself than you might think, and Charli XCX deserves credit for playing into rumors of her “bitchiness” in this film. Upcoming roles in other films will prove whether she’s truly a good actress or not, but she has a presence that serves this movie well. Skarsgård, who seems to be having a moment of his own in the real world, is the clear winner for best supporting actor of the film, scoring in almost every scene he’s in.

    The Moment may not be as effective a mockumentary as something like This is Spinal Tap, but it still has enough memorable moments to make it worth seeing for both fans and non-fans alike. If that’s not enough Charli XCX for you, she’s also created the soundtrack for Emerald Fennell’s Wuthering Heights, which will be in theaters on February 13.

    ---

    The Moment opens wide in theaters on February 6.

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