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    Movie Review

    All Day and a Night tells familiar story with little unique flair

    Alex Bentley
    May 1, 2020 | 3:20 pm
    All Day and a Night tells familiar story with little unique flair
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    Although there are always exceptions to the rule, one’s circumstances growing up often dictate where he or she will end up in life. We are all products of the neighborhoods we grew up in, how wealthy or poor our families were, and the types of jobs our parents had, among many other factors.

    The new Netflix film All Day and a Night explores the upbringing of one particular African American boy, Jahkor (Ashton Sanders), and the impact it had on him. The film starts with Jahkor murdering a drug dealer over an unknown past slight, and proceeds to go back and forth in time to show various moments in his younger years and his time in prison after being convicted for the killing.

    Written and directed by Joe Robert Cole (co-writer of Black Panther), the film posits that Jahkor essentially never had a chance at escaping his current fate. His father (Jeffrey Wright) was a drug user and never missed an opportunity to teach a lesson to Jahkor through violence. His only role model was a drug dealer named Big Stunna (Yahya Abdul-Mateen II), and his best friend, TQ (Isaiah John), became an underling for another dealer.

    But Jahkor has a constant struggle between the angry man he has become and the type of person he wants to be. He has a baby with Shantaye (Shakira Ja’Nai Paye), and most of his moments with her show a different side than he puts on display with everyone else. He also has dreams of becoming a rapper, but he has limited resources for pursuing that goal.

    It’s difficult to tell the overall point that Cole is trying to make with the film. It’s certainly not news that many African Americans are susceptible to violence and drugs because of innumerable historical factors. Cole never seems to find a way to distinguish the story from other similar ones that have come before.

    Jahkor’s tale, while tragic on its own, doesn’t resonate in a way that would make it seem worth telling over that of any other similar character. Save for a few small moments, Jahkor has a one-note personality and rarely displays anything that would make him worthy of redemption.

    Sanders, who impressed as Chiron in the Oscar-winning Moonlight, certainly has a presence to him, but his performance seems to be in service of very little. Wright is a great actor, but he seems miscast both in age and temperament for his role. The most magnetic persona is Abdul-Mateen II, but he has relatively few scenes in which to show his talent.

    All Day and a Night takes place in a part of society that many of us will never know. While Cole does a great job of showing how dark and depressing that way of life can be, the film fails to give any true insight on why it’s that way or how it can be changed.

    Ashton Sanders and Jeffrey Wright in All Day and a Night.

    Ashton Sanders and Jeffrey Wright in All Day and a Night
    Photo by Matt Kennedy
    Ashton Sanders and Jeffrey Wright in All Day and a Night.
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    Movie Review

    Melodramatic movie Maddie's Secret digs into modern foodie culture

    Alex Bentley
    Jul 2, 2026 | 11:30 am
    John Early in Maddie's Secret
    Photo courtesy of Magnolia Pictures
    John Early in Maddie's Secret.

    Comedian John Early is one of those “that guy” actors, having appeared in shows and movies like Broad City, Neighbors 2, Portlandia, Late Night, and Search Party without ever being the lead. So he’s taken it upon himself to give himself bigger exposure by writing, directing, and starring in the new film, Maddie’s Secret.

    Early plays the titular female character who works as a dishwasher with her best friend Deena (Kate Berlant) at a food video content company called GourMaybe. When a homemade cooking video shot by her boyfriend Jake (Eric Cahill) goes viral, Maddie gets bumped up to on-camera talent, soon becoming the face of the company, much to the chagrin of rival Emily (Claudia O’Doherty).

    With that added exposure comes more scrutiny in the form of online comments, many of which point out Maddie’s fuller figure and clear enjoyment of the food she makes. This criticism triggers Maddie’s bulimia, a condition she thought she had under control. Not wanting to lose her coveted spot, Maddie tries to keep her bulimia from everyone around her, something that becomes increasingly difficult to do.

    If that sounds like an ABC afternoon special, that’s because that’s the vibe it seems like Early is going for. The film feels like a melodrama, with many of the actors speaking in unnatural cadences to make situations seem more intense than they actually are. That gives the film a natural comedic tilt, although Early makes sure to have everyone play their scenes straight, letting the ridiculousness of the story speak for itself.

    Early playing a woman is oddly not part of the joke. According to him, the performance is not him doing drag, and he never plays the role in an over-the-top manner or like he’s making fun of the character. In fact, it’s striking how earnestly he inhabits Maddie, as if he truly was trying to get into the skin of a woman who found herself in such a situation. Anything funny that comes from him is just part of the progression of the story.

    Setting the film in the world of food vlogging is the one area where Early seems to actively be going for jokes. Maddie and Emily come up with creations that seem reasonable and off-the-wall at the same time, like a Rotel dip made with French techniques. Characters also frequent real L.A. restaurants with punny names like Naughty Pie Nature, making fun of the food scene as much as they are exalting it.

    Early definitely holds the viewer’s gaze in his first lead role, allowing Maddie to become a fully-realized character. His scenes with Berlant and Cahill make the film, as each of the supporting actors commit to their roles and elevate Early’s writing. Other standouts include Connor O’Malley as the boss at GourMaybe, Kirsten Johnston as Maddie’s mom, and Vanessa Bayer in a late-film cameo.

    Because Early is not trying to make a full-on comedy, many may come away perplexed by Maddie’s Secret. But the film is clearly made with intention, giving a slight send-up of both 21st century food culture and a loving homage to the cheesy TV movies of the past.

    ---

    Maddie's Secret opens in select theaters on July 3.

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