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    Movie Review

    Multifaceted sequel to Guardians of the Galaxy strikes gold

    Alex Bentley
    May 4, 2017 | 5:10 pm
    Multifaceted sequel to Guardians of the Galaxy strikes gold
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    Even though it had the formidable power of Marvel Studios behind it, it’s easy to forget that when Guardians of the Galaxy came out in August 2014, it was far from a sure bet. In fact, that August release is telling, as the month is typically one in which studios release movies that they only have so-so feelings about. If the movie did well, then it would be labeled a surprise; if not, then it was just an experiment while Marvel bided its time until the next Avengers movie.

    What it ended up being was a phenomenon, becoming the third-highest grossing movie of 2014 and, at the time, third-highest grossing Marvel movie of all time. All of which is to say that the inevitable sequel could no longer “hide” in late summer. The franchise was now a star, and Guardians of the Galaxy, Vol. 2 would now be given a prime release date at the beginning of May.

    That sequel finds Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and Baby Groot (Vin Diesel) tasked again with saving the galaxy in their own unique way. In this case, it means protecting some high-powered batteries for one seriously golden race of people, only to have Rocket abscond with said batteries after the golden people's aloofness rubs him the wrong way.

    The Guardians’ attempt to escape from the golden people’s pursuit leads them into the orbit of Ego (Kurt Russell), who just so happens to be Star-Lord’s father. And I mean orbit literally, as Ego is an actual planet who can manifest himself in any form he wants, including the human one that fell in love with and impregnated Peter’s mother 34 years ago.

    The oddly satisfying thing about Vol. 2 is that, if you look at the big picture, not all that much happens. The film is mostly about individual relationships: Star-Lord and Ego; Gamora and her sister, Nebula (Karen Gillan); Rocket and Groot; Drax and Ego’s assistant, Mantis (Pom Klementieff); Yondu (Michael Rooker) and his former mentor, Stakar Ogord (Sylvester Stallone); and multiple permutations in between.

    How those relationships play out and change over the course of the movie is what drives the plot, with the bigger, galaxy-spanning aspects cropping up as a reminder that if our heroes don’t come together, catastrophic things could occur. Writer/director James Gunn does a fantastic job of juggling the various story balls so that almost everyone of import is given some kind of showcase over the movie’s 136 minutes.

    As with the first film, it’s the humor that sets Guardians apart from most other comic book movies. The strength of the relationships makes every funny line land that much harder. Importantly, though, the comedy never strays into farce, allowing the film to be serious when it needs to be, scoring the necessary emotional points at the right times.

    The film’s one big downside is the pure amount of CGI it has to use. The story takes place almost entirely in space or on multiple different strange planets, meaning that nearly every shot must be filmed using green screen technology. The artificiality of the technique is glaring from the get-go, and the only reason it isn’t completely distracting is the strength of the story and the cast.

    It is not a surprise that Guardians of the Galaxy, Vol. 2 is a rollicking good time, but it's too bad that it lacks that initial sense of discovery. The Avengers may be the name brand, but Star-Lord and company are nipping on their heels.

    The Guardians of the Galaxy are back to save the galaxy again in Guardians of the Galaxy, Vol. 2.

    Cast of Guardians of the Galaxy, Vol. 2
    Photo courtesy of Marvel Studios
    The Guardians of the Galaxy are back to save the galaxy again in Guardians of the Galaxy, Vol. 2.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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