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    Deep Ellum Club News

    Lizard Lounge to spawn little lizard in Deep Ellum

    Teresa Gubbins
    May 7, 2014 | 9:28 am

    The Lizard Lounge, Dallas' temple of electronic dance music, is spawning a baby lizard, and it's going into one of the hottest neighborhoods in the city: Deep Ellum.

    Owner Don Nedler has secured the space at 2911 Main St., where previous tenants have included Eden Lounge and Santiago Cantina.

    "We love what's happening in Deep Ellum — how can you not?" Nedler says. "You have old clubs like Trees and newer places like Three Links and Black Swan. And I love that it's becoming a dining destination.

    The new club is smaller than Lizard Lounge and therefore can serve as a venue for smaller shows featuring up-and-coming performers and DJs.

    "That's a mainstream audience that needs some late-night options, and I feel like a boutique dance hall would do really well."

    Nedler looked at a few spots in Deep Ellum before finding this jewel of a space, which includes a 3,000-square-foot interior and a spacious rooftop deck.

    "I liked it for several reasons," he says. "The deck is amazing. It's a free-standing building with parking, which is unusual. Also, it's near but not in the middle of an entertainment district. That's a formula with which we've succeeded in the past."

    His intent is to provide an alternate smaller space where customers can go on nights that the Lizard Lounge is not open.

    "We wanted to create something to complement what we're already doing," he says. "We have two faithful audiences: the Lizard Lounge and The Church, our gothic/industry-music nightclub-within-a-nightclub that we host every Thursday and Sunday night.

    "But we needed another venue. The people who like The Church don't have a lot of options. So we'll provide a place where they can go on nights of the week other than Thursday and Sunday."

    Since it opened in 1991, the Lizard Lounge has welcomed every meaningful act in dance music, from Moby to Crystal Method to Deadmau5, often before they broke out big. It has also over the years hosted rock shows in its parking lot featuring acts such as 311 and Barenaked Ladies, with the downtown skyline as a backdrop.

    The new club, which Nedler has yet to name, is smaller than the Lizard Lounge and therefore can serve as a venue for smaller shows featuring up-and-coming performers and DJs.

    "We'll move the boutique dance acts in there, and it also gives us a chance for shows on Tuesday or Wednesday, since the Lizard Lounge isn't open those nights," Nedler says. "We love the idea of having a place for our customers on other nights of the week."

    Key to his plans is the acquisition of a dance-hall permit, the outmoded document required by the City of Dallas to allow for dancing on the premises.

    "I've already applied," he says. "The definition of 'dance hall' has changed. Dance halls are different now. It's no longer a thing where two people dance on the dance floor. Dancing erupts spontaneously all over the place. But we're going to do it legally and get the permit."

    That said, it won't be a loud place. He'll build in quiet zones where people can have a drink and not be overwhelmed by the music. Over the next few months, he'll redo the sound system and refresh the interior, while hosting the occasional spontaneous event. And this weekend, he'll host a preview party on Saturday night, with info to come on the Lounge's Facebook page, to give his faithful legions a sneak peek.

    "But no dancing!" he says. "Until we get the permit, I cannot allow dancing."

    unspecified
    news/entertainment

    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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