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Sigma No

Neighbors takes tame route to fraternity debauchery

Alex Bentley
May 9, 2014 | 12:00 am
Neighbors takes tame route to fraternity debauchery
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The premise for Neighbors seems inspired enough: A young couple with a baby are happy in their neighborhood until a fraternity from the local university buys the house next door, turning their suburban paradise into a nonstop party zone.

Things start off well, with Mac and Kelly Radner (Seth Rogen and Rose Byrne) attempting to butter up the frat brothers, led by Teddy (Zac Efron), by attending one of their parties and doling out a secret marijuana stash.

When it’s funny, it’s hilarious, but Neighbors always seems to be hedging its bets rather than going all out.

Naturally, though, the couple can’t leave well enough alone, with a minor misunderstanding devolving into an all-out war between the neighbors that will come to involve all manner of debauchery and destruction.

Funnily enough, part of the reason the film doesn’t reach its full potential is because it actually tries to go more than skin deep on its main characters. Mac and Kelly experience real problems of a married couple, while Teddy and his cohort Pete (Dave Franco) are both given enough scenes to fully understand their backgrounds and what their motivations in life are.

But in a film that seemed to promise a barrage of people behaving badly, these diversions into seriousness are actually kind of a buzzkill. There are certain kinds of movies where knowing what drives the characters is a necessity, but this is not one of them.

When it does get down and dirty, it does so with gusto. Among the highlights are the frat brothers raising funds by making homemade dildos, Mac and Kelly tag teaming to drive a wedge between Teddy and Pete, and a finale filled with fireworks.

Still, the movie feels relatively tame compared with other movies involving fraternities like Animal House or Old School. When it’s funny, it’s hilarious, but the film always seems to be hedging its bets rather than going all out.

The star of the movie is indisputably Efron, who shows a lot more range than one would expect out of someone playing a party frat leader who has shirt off half the time. But he manages to surprise, unlike Rogen, who tries to once again work the schlubby doofus persona, to little effect.

Like many comedies before it, the best parts of Neighbors can be seen in the trailers. When you’re aiming for R-rated hilarity, that should never be the case.

Zac Efron in Neighbors.

Zac Efron in Neighbors
Photo by Glen Wilson
Zac Efron in Neighbors.
unspecified
news/entertainment

Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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