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    Movie Review

    Snatched delivers dumb laughs in the best possible way

    Alex Bentley
    May 11, 2017 | 4:28 pm
    Snatched delivers dumb laughs in the best possible way
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    The best comedians can wring laughs out of almost any topic, no matter how dark. In fact, it’s often that darkness that gives people permission to laugh since the alternatives would be to cry or scream, and who wouldn’t rather laugh than scream? Amy Schumer’s new movie, Snatched, could be portrayed as a harrowing thriller, but with tweaks and nods toward absurdity, it instead becomes one of the funnier movies of the year so far.

    Schumer plays Emily Middleton, a self-absorbed woman who doesn’t seem to be going anywhere in life. When her boyfriend abruptly breaks up with her, she convinces her mom, Linda (Goldie Hawn), to accompany her on a non-refundable trip to Ecuador.

    Once there, Emily’s self-absorption continues to rear its ugly head when an Australian man, James (Tom Bateman), seems to take a shine to her. It’s not long, however, before he lures her and Linda into a situation to be kidnapped. The kidnappers hold them for ransom, with Emily’s nerdy and agoraphobic brother, Jeffrey (Ike Barinholtz), seemingly their only hope for rescue.

    It may sound like a backhanded compliment, but the best thing about Snatched is that you don’t have to think about it too much. The film absolutely revels in its dumb jokes, making fun of everything from clumsy attempts at self-cleaning to straight-up killings. But director Jonathan Levine, writer Katie Dippold, and the cast know the difference between acting dumb and actually being dumb.

    In other words, you won’t feel guilty for laughing at their stupidity, something that can’t be said for a lot of other comedies. The film is also helped by keeping things going at a brisk pace. Many of the twists and turns may not make much sense, but you’re too busy laughing at the next joke to worry about it.

    Schumer’s penchant for playing characters who care mostly about themselves can wear a little thin, but her commitment to the role overrides its vapid nature. Hawn, taking on her first movie role in 15 years, hasn’t missed a beat. She’s allowed to stay mostly calm while Schumer goes off the rails, but somehow she earns just as many laughs, if not more.

    Snatched is one of those films that begs to be seen in a movie theater, as the communal aspect of sharing belly laughs with strangers is priceless. It may not last in your consciousness for more than a couple of days, but the experience will have been worth it.

    Amy Schumer and Goldie Hawn in Snatched.

    Amy Schumer and Goldie Hawn in Snatched
    Photo by Justina Mintz/Twentieth Century Fox Film Corporation
    Amy Schumer and Goldie Hawn in Snatched.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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    The Housemaid is now playing in theaters.

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