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Movie Review

A Simple Favor pushes glamorous stars from play dates to twisted fates

Alex Bentley
Sep 13, 2018 | 12:59 pm
A Simple Favor pushes glamorous stars from play dates to twisted fates
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Mixing genres in movies can be a tricky proposition. Certain combos like drama and comedy or horror and comedy tend to work well as the humor gives the audience some relief from the more serious elements of the film. But if filmmakers don’t get the proportions just right, they run the risk of alienating moviegoers.

That’s what happens in A Simple Favor, a film that squanders most of its considerable assets. Anna Kendrick plays Stephanie Smothers, a mild if tightly-wound mom who starts hanging out with Emily Nelson (Blake Lively) when their sons become friends at school. Emily is Stephanie’s polar opposite – glamorous, career-driven, and inattentive-at-best as a mom.

Still, the two start to get on famously over copious martinis during play dates. When Emily goes missing one day after asking Stephanie to pick up her son from school, Stephanie’s helper instincts kick into overdrive. In addition to trying to find out what happened to Emily, she starts spending almost her entire time with Emily’s husband, Sean (Henry Golding).

Directed by Paul Feig (Bridesmaids, the new Ghostbusters) and written by Jessica Sharzer, the movie never seems to find its comfort zone. The story seems to want to go to some very dark places, but whenever it gets too dark, the filmmakers buoy it up with some jokes. It’s a jarring effect that doesn’t let the mystery of the film take full hold.

Consequently, what actually happened to Emily never seems all that important. Matters aren’t helped by a rushed storyline that tries to push certain twists too quickly or doesn’t adequately explain other elements. By the time the third act rolls around, things have gotten so convoluted that it’s nearly impossible to tell who’s supposed to be good and who’s supposed to be bad.

Still, the magnetic personalities of Kendrick and Lively keep the movie watchable, as the interplay between the two of them are the best parts of the film. The same can’t be said for Golding, who follows up his landmark role in Crazy Rich Asians with a generic part that does nothing to showcase his skills. Other well-known actors like Linda Cardellini, Jean Smart, and Andrew Rannells are all but wasted in their minor roles.

Just like oil and water, mixing together a mystery thriller and comedy just doesn’t work, at least in this case. A Simple Favor had everything it needed to succeed, but winds up in the failure pile due to a lack of storytelling awareness.

Blake Lively in A Simple Favor.

Blake Lively in A Simple Favor
Photo by Peter Iovino
Blake Lively in A Simple Favor.
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Movie Review

Anne Hathaway caps busy movie year with mediocre thriller Verity

Alex Bentley
Oct 2, 2026 | 12:09 pm
Anne Hathaway in Verity
Photo by Alisha Wetherill
Anne Hathaway in Verity.

Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

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Verity is now playing in theaters.

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