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Movie Review

Action and emotions carry Those Who Wish Me Dead through the fire

Alex Bentley
May 13, 2021 | 3:38 pm
Action and emotions carry Those Who Wish Me Dead through the fire
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Even the most complicated action movies tend to have a singular focus. If you’re making a crime thriller, the action is about the crime. If you’re making a movie about firefighters, the action is about the danger of the fire. The new film Those Who Wish Me Dead divides its focus, trying to fit a bit about both of those worlds into its running time, and barely succeeding at making a coherent whole.

Angelina Jolie stars as Hannah, a wildland firefighter who’s been consigned to a fire tower watchpoint as she recovers from a traumatic recent experience. She and her group of firefighters are a close-knit bunch who are also tight with the local rural community, including Ethan (Jon Bernthal), a sheriff’s deputy who runs a wilderness survival school with his wife Allison (Medina Senghore).

Their isolated world soon collides with the criminal underground when Owen (Jake Weber) and his son Connor (Finn Little) come to town, hoping to find refuge with Ethan, Owen’s brother-in-law. They’re on the run from Jack (Aiden Gillen) and Patrick (Nicholas Hoult), two killers who are trying to prevent Owen from releasing damaging information about the people for whom they work.

Directed by Taylor Sheridan and written by Sheridan, Michael Koryta (who wrote the book on which the film is based), and Charles Leavitt, the film is a mixed bag of storytelling. Where the filmmakers succeed the most is establishing the bonds of the various relationships in the film.

In relatively short periods of time, the connection between Owen & Connor and Ethan & Allison become meaningful parts of the story. Hannah is shown to be an extremely empathetic character, something that helps her greatly as the film progresses. Heck, even the killer duo of Jack and Patrick have an unspoken link that is unusual in a world where people tend to only look out for themselves.

But the disparate parts of the story ultimately become a bit much for the film to handle. The crime part of the story never really makes sense, as they never say exactly what information Owen has or who employs Jack and Patrick. There’s a lot of innuendo and intrigue, including a random meeting with Arthur (Tyler Perry) that hints at a larger story that got edited out of the movie if only because having Perry show up for one scene doesn’t compute.

However, you don’t have to understand the story to get into the suspense of the third act of the film, which includes not just the killers menacing everybody in sight, but also a raging forest fire. Sheridan and his team stage almost all of these scenes well, even if the computer-generated fire fails to inspire the awe that it should.

The acting in the film is uniformly good, probably too good for the type of film it is. Jolie, despite a few over-the-top moments, remains a commanding screen presence. Bernthal and especially Senghore do a lot with relatively small roles. Little is likely to get a lot more work thanks to his nuanced performance. Gillen and Hoult are way overqualified for their respective roles, but the fact that they are elevates their characters to more than they might have been.

Those Who Wish Me Dead is not a film that will stand the test of time, but it’s a solidly entertaining action film with a number of compelling performances, much more than can be said about other recent films.

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Those Who Wish Me Dead opens in theaters and on HBO Max on May 14.

Finn Little and Angelina Jolie in Those Who Wish Me Dead.

Finn Little and Angelina Jolie in Those Who Wish Me Dead
Photo by Emerson Miller
Finn Little and Angelina Jolie in Those Who Wish Me Dead.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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