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    Movie Review

    Alien: Covenant offers scares aplenty but very little substance

    Alex Bentley
    May 18, 2017 | 4:05 pm
    Alien: Covenant offers scares aplenty but very little substance
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    With the Alien franchise on the verge of turning 40, it’s time to reassess how it has succeeded over the years. Ridley Scott’s original 1979 film and James Cameron’s sequel seven years later did a great job of fusing together science fiction and horror in unexpected ways. The next two sequels were pale in comparison, though they too had their moments.

    With 2012’s Prometheus and now Alien: Covenant, Scott has gotten into the prequel business, building the story of how the world seen in the original film came to be. But since that essentially means detailing the history of the alien species, not the people who must combat them, the films need to deliver on the personal front in order to ensure that the horrors that inevitably await the humans have the desired impact.

    Alien: Covenant centers on the crew of the titular spacecraft, who are in the middle of a long journey to colonize a new planet. A malfunction causes them to awake earlier than planned and, in a parallel to Alien, they receive a transmission from a nearby planet that seems to be as habitable as the one to which they had originally planned to go.

    Any other details would venture into spoiler territory, but suffice it to say that the planet is nowhere near as safe as they hoped. And the crew deciding to go to this planet, of all planets in the universe, is nowhere near as random as you might think.

    The success of these prequels depends in how invested you might be in the Alien mythology. The beats of the story are highly familiar to fans — perhaps a bit too familiar — and so it’s the details that determine how good the film is. Scott and writers John Logan and Dante Harper do well in this regard for a while, but when it comes time to land it, things go off the rails.

    Once the killings start the film feels like your standard horror movie, with each subsequent death having an air of predictability to it. The only element that elevates it is the relationship between two very similar characters, but the jousting between them turns tiresome after a while, too.

    The cast, which includes Katherine Waterston, Billy Crudup, Michael Fassbender, Danny McBride, Demian Bichir, Carmen Ejogo, and others, is solid, but each seems to merely fulfill a certain type in the crew. The fault lies not in their acting abilities, but rather the way in which they are used.

    You can never say that if you’ve seen one Alien, you’ve seen them all, but Alien: Covenant offers almost nothing you haven’t seen before. With two more prequels planned, Scott and company will have to up their game for those films to be worth a trip to the theater.

    You do not want to come face-to-face with the alien in Alien: Covenant.

    Alien in Alien: Covenant
    Photo courtesy of Twentieth Century Fox
    You do not want to come face-to-face with the alien in Alien: Covenant.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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