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    Meet and Greet

    Dallas' Rachel Lindsay charms us all on Bachelorette season premiere

    Kaitlin Steinberg
    May 22, 2017 | 10:05 pm
    Bachelorette Rachel Lindsay with her suitors
    Bachelorette Rachel Lindsay with her suitors.
    Photo courtesy of ABC

    As the 13th season of The Bachelorette commences, host Chris Harrison trots out his canned introduction: “Never have we seen anything like the outpouring of love and support for our new bachelorette, Rachel Lindsay.”

    This time, though, it might actually be true.

    It’s 2017, and “Bachelor Nation” and all those still lonely enough to be watching this show after 33 seasons, myself absolutely included, have been waiting 15 years for a person of color to helm the show. You guys, we had a black president before we had a black person deemed capable of commanding an audience for a dating show.

    I don’t want this season to be all about the color of Rachel’s skin when she’s one of the few stars of this show who genuinely seems smart, successful, savvy, and interesting, but this casting decision was a long time coming, so let’s take a moment to celebrate Rachel. And later, we’ll drool over all the sexy black suitors who ABC rounded up for this milestone of diversity on television (and also one each of a Colombian-American and an Indian-American, because baby steps).

    Once Rachel, the 32-year-old attorney from Dallas, settles in, the audience is treated to the obligatory introductions of a handful of suitors. Highlights include a pro-wrestler named “Pretty Boy Pitbull Kenny King,” who you just know will be making ring jokes for the entirety of his time on the show, and Blake, a personal trainer who is seemingly obsessed with his own manhood. Actual quote: “Women have told me about the amazingness of my penis.”

    There’s also Josiah, a prosecuting attorney who reveals that his brother hung himself and that he, Josiah, had to cut his brother down from the tree when he was freaking 7 years old. And then he got arrested for burglary when he was 12, which set him on a path toward a legal career. This show just got super real. I wasn’t ready for that yet, Chris Harrison. Damn.

    Oh, and we also meet Lucas, a cartoon character come to life. I hate him. More on him later.

    Annnnyway, Rachel is ready to go back to the Bachelor mansion, and she thinks she needs some advice from some of the people who know her best: her friends and family. Just kidding, it’s some of the ladies from her season of The Bachelor, of course, cause after fighting over the same man for six weeks, y’all might as well be sisters, right? Half of Nick’s ladies have returned to give Rachel advice, since, you know, they’ve all been so wildly successful in love. Also, why is Raven so jaundiced? Did Nick give her hepatitis?

    And then the limo exits commence. Each season, the limo exits get more and more outrageous. Some of these guys are keeping it simple and sincere. Some, like Brady, choose to break the ice by bringing a block of ice and literally breaking it with a hammer.

    Blake, aka Mr. Talk-About-My-Dick-Constantly, comes in with a full marching band, which makes me question the legitimacy of his claims. What are we overcompensating for here, buddy? Also on the roster of props and gimmicks, we have a guitar; a Polaroid camera; a vacuum (still not sure what the joke was there); an Erkel costume; a squeaking penguin costume; an ambulance; Bible quotes; brownies; and an incredibly creepy doll called Adam Jr., who turns out to be my favorite ennui-filled, French speaking diversion of the episode.

    Just when all the guys are starting to wonder if anyone there is crazy, Lucas, a corporeal Roger Rabbit doing an impression of Jim Carrey in The Mask, steps out of the limo. Did I mention I hate him? I hate him.

    After explaining that he’s not here to play around (ready for commitment, marriage, etc.), Colombian hottie Bryan grabs Rachel sensually, pulls her in and plants a big, ol’ kiss on her. I hope Bryan keeps speaking Spanish and professing his willingness to commit, because it makes my ring finger twitch and my ovaries flutter.

    As the night drags on, the men start circling Rachel like sharks. They’re pulling the “Excuse me, but can I steal her for just a second?” move left and right, and poor Rachel is totally overwhelmed. Meanwhile, Whaboom — I mean Lucas — the human equivalent of old silly putty covered in lint and Axe body spray, is trying to put on a show for the dudes, but literally no one cares about his middle-school-theater-kid-who-just-drank-12-Red-Bulls routine.

    Toward the end of the evening, Rachel decides she’s seen enough of her men to hand out the first impression rose. And the winner is ... Colombian hottie Bryan! If Rachel doesn’t end up with him, can I have him?

    Later, the rose ceremony commences, and Rachel says goodbye to no one you cared about anyway, with the possible exception of Mo, who was too nervous to talk to Rachel and just got hammered instead. We’ve all been there, buddy.

    Next week, maybe we’ll find out what has Adam Jr. so filled with existential dread. And maybe Whaboom will finally shake something loose in his head and be carted away in an ambulance, never to return. One can only hope.

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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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