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    Movie Review

    Montana Story showcases Big Sky country and complex emotions

    Alex Bentley
    May 27, 2022 | 9:00 am
    Haley Lu Richardson and Owen Teague in Montana Story.play icon
    Haley Lu Richardson and Owen Teague in Montana Story.
    Photo courtesy of Bleecker Street

    There are some areas of the United States that get depicted in movies a disproportionate number of times. Big cities like New York, Los Angeles, and Chicago hold sway not just because they’re so interesting, but because a large chunk of the population resides there. But as a small movie like Montana Story demonstrates, metropolitan areas don’t hold a monopoly on gripping stories.

    The film centers on Cal (Owen Teague) and Erin (Haley Lu Richardson), a brother and sister who have come home to the Montana ranch where they grew up after their dad has fallen into a coma. While Cal has stayed relatively close in Wyoming, Erin moved far away to New York, only staying in touch with her dad’s housekeeper Valentina (Kimberly Guerrero).

    With their dad seeming to have only a short time left, the siblings have to figure out not only how to deal with his estate, but with their own complicated feelings about him. It’s clear that both are still dealing with the effects of a trauma that their dad inflicted upon them years earlier, and being around him – even in comatose form – drags those raw emotions to the surface again.

    Co-directed and co-written by Scott McGehee and David Siegel, the film is light on plot. There are some allusions to Cal and Erin's father, who was a lawyer, helping to cover up bad environmental practices by mining companies, but there’s no larger overarching story that overshadows the family itself. Erin’s pain causes her to make grand plans to bring a 25-year-old horse named Mr. T back to New York with her, but the side plot is merely a conduit toward understanding the depth of her feelings.

    Befitting a state with the nickname “Big Sky Country,” the film showcases the vistas that few other areas of the world can boast. While the rural landscape could be described as desolate, it also offers a sense of quiet and calm that is at odds with the roiling emotions of the lead characters. Anytime the characters venture outside of the house, especially on one particularly long drive, a sense of balance comes to the film.

    Richardson and Teague display a bond that makes them instantly believable as brother and sister, and that immediate connection pays dividends as more is revealed about what happened to their characters earlier in their lives. They’re aided by supporting actors Gilbert Owuor, Guerrero, and Eugene Brave Rock, each of whom has a presence that automatically draws in the viewer.

    Montana Story is not a message film that’s out to make its audience contemplate some deep issue. It’s a simple but moving story about a family thrown back together under trying circumstances, and how they are able to move forward from this point in time.

    ---

    Montana Story is now playing in select theaters.

    Haley Lu Richardson and Owen Teague in Montana Story.

    Haley Lu Richardson and Owen Teague in Montana Story
    Photo courtesy of Bleecker Street
    Haley Lu Richardson and Owen Teague in Montana Story.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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