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    Movie Review

    Montana Story showcases Big Sky country and complex emotions

    Alex Bentley
    May 27, 2022 | 9:00 am
    Haley Lu Richardson and Owen Teague in Montana Story.play icon
    Haley Lu Richardson and Owen Teague in Montana Story.
    Photo courtesy of Bleecker Street

    There are some areas of the United States that get depicted in movies a disproportionate number of times. Big cities like New York, Los Angeles, and Chicago hold sway not just because they’re so interesting, but because a large chunk of the population resides there. But as a small movie like Montana Story demonstrates, metropolitan areas don’t hold a monopoly on gripping stories.

    The film centers on Cal (Owen Teague) and Erin (Haley Lu Richardson), a brother and sister who have come home to the Montana ranch where they grew up after their dad has fallen into a coma. While Cal has stayed relatively close in Wyoming, Erin moved far away to New York, only staying in touch with her dad’s housekeeper Valentina (Kimberly Guerrero).

    With their dad seeming to have only a short time left, the siblings have to figure out not only how to deal with his estate, but with their own complicated feelings about him. It’s clear that both are still dealing with the effects of a trauma that their dad inflicted upon them years earlier, and being around him – even in comatose form – drags those raw emotions to the surface again.

    Co-directed and co-written by Scott McGehee and David Siegel, the film is light on plot. There are some allusions to Cal and Erin's father, who was a lawyer, helping to cover up bad environmental practices by mining companies, but there’s no larger overarching story that overshadows the family itself. Erin’s pain causes her to make grand plans to bring a 25-year-old horse named Mr. T back to New York with her, but the side plot is merely a conduit toward understanding the depth of her feelings.

    Befitting a state with the nickname “Big Sky Country,” the film showcases the vistas that few other areas of the world can boast. While the rural landscape could be described as desolate, it also offers a sense of quiet and calm that is at odds with the roiling emotions of the lead characters. Anytime the characters venture outside of the house, especially on one particularly long drive, a sense of balance comes to the film.

    Richardson and Teague display a bond that makes them instantly believable as brother and sister, and that immediate connection pays dividends as more is revealed about what happened to their characters earlier in their lives. They’re aided by supporting actors Gilbert Owuor, Guerrero, and Eugene Brave Rock, each of whom has a presence that automatically draws in the viewer.

    Montana Story is not a message film that’s out to make its audience contemplate some deep issue. It’s a simple but moving story about a family thrown back together under trying circumstances, and how they are able to move forward from this point in time.

    ---

    Montana Story is now playing in select theaters.

    Haley Lu Richardson and Owen Teague in Montana Story.

    Haley Lu Richardson and Owen Teague in Montana Story
    Photo courtesy of Bleecker Street
    Haley Lu Richardson and Owen Teague in Montana Story.
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    news/entertainment

    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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