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Movie Review

The Secret Life of Pets 2 trips itself up with divided focus

Alex Bentley
Jun 7, 2019 | 9:29 am
The Secret Life of Pets 2 trips itself up with divided focus
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Even in the franchise-heavy era in which we live, greenlighting a sequel for a film is still a risky proposition. Filmmakers have to make sure that they are moving characters forward so that they're not doing the exact same thing as in the first film but not change them so drastically so as to alienate what made them lovable in the first place.

This is usually a moot point for animated films, which are almost guaranteed to do big business if they get to the sequel stage, but it also can't be taken for granted. That might be the lesson that the makers of The Secret Life of Pets 2 learn, as they have delivered an enjoyable film that's also more than a little lazy in the story department.

Things start off well enough as Max (Patton Oswalt, taking over for the now-toxic Louis C.K.) and Duke (Eric Stonestreet) get used to their owner, Katie (Ellie Kemper), not only getting married but having a child, as well. Upheavals like this are a timeworn staple to access different character levels, but instead of taking their time with the developments, directors Chris Renaud and Jonathan del Val and writer Brian Lynch speed through the events in a matter of minutes.

Having dispensed with that story arc, the filmmakers make the ill-fated decision to split the focus of the film. Max, Duke, and their family head for a vacation on the farm, where the dogs learn life lessons from the grizzled dog Rooster (Harrison Ford). Gidget (Jenny Slate), tasked by Max with looking after his favorite toy, promptly loses it in a den of cats and must figure out how to get it back. And Snowball (Kevin Hart) is convinced by newcomer Daisy (Tiffany Haddish) to help rescue a tiger from a circus.

The result in following characters in multiple directions is that the film feels less like a movie and more like three episodes of a TV show mixed together. Each story has its fun moments, but the lack of cohesion between the three makes it feel as if there wasn't a point in making the film in the first place.

Still, it's enjoyable to hang out with each of the characters again, especially because each of the voice actors are so distinctive. This is not usually the case in animated films, but it's tough to argue that Oswalt, Hart, Stonestreet, Haddish, Slate, and more bring that extra special element that makes their characters more interesting. Points should also go to the animators, who make some gorgeous imagery, something that's a bit unexpected from the team behind the Despicable Me series.

The Secret Life of Pets 2 is far from a bad movie, but it offers no real imagination in the storytelling department. If there is to be a third film, they'd do well to get the gang back together again and see what mayhem arrives.

Max (Patton Oswalt) and Rooster (Harrison Ford) in The Secret Life of Pets 2.

Max (Patton Oswalt) and Rooster (Harrison Ford) in The Secret Life of Pets 2
Photo courtesy of Illumination Entertainment and Universal Pictures
Max (Patton Oswalt) and Rooster (Harrison Ford) in The Secret Life of Pets 2.
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Movie Review

New biopic 'Jimmy' salutes Jimmy Stewart's service in World War II

Alex Bentley
Nov 6, 2026 | 11:41 am
KJ Apa in Jimmy
Photo courtesy of Papaian Studios
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Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.

Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

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Jimmy is now playing in theaters.

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