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Movie Review

Won't You Be My Neighbor? shares Mister Rogers' legacy and love

Alex Bentley
Jun 8, 2018 | 2:28 pm
Won't You Be My Neighbor? shares Mister Rogers' legacy and love
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For anyone who grew up between 1968 and 2001, Mister Rogers’ Neighborhood and its star, Fred Rogers, will forever hold a place in the heart. His brand of straightforward, non-flashy entertainment for children was a shining beacon of hope in a cynical world.

Documentarian Morgan Neville (20 Feet from Stardom, The Music of Strangers) has honored Rogers and his legacy with his new film, Won’t You Be My Neighbor? Using a variety of interviews, including with Rogers’ widow, Joanne, and much of the show’s staff, Neville traces how Rogers went from a would-be Presbyterian minister to one of the most beloved television personalities of all time.

Very little, aside from perhaps the fact that Rogers was a lifelong Republican, will come as a surprise to anyone who had a chance to watch him over the years. He started his career with the belief that children would be better served by honest communication instead of bells and whistles, and his force of will enabled him to continue that mission on public television for over 30 years.

He embodied the saying “What you see is what you get,” in that the engaging and wide-open friendliness he portrayed on the show was exactly what he was like in real life. And because he was almost always true to his core beliefs and easygoing personality, his influence spread far and wide, including to members of Congress who opposed funding of shows like his.

The film is no hagiography, though, as Neville is not afraid to show some of Rogers’ warts. This includes not allowing Francois Clemmons, who played Officer Clemmons on the show, to live openly as a gay man if he wanted to remain on the program. And, according to one staff member, Rogers enjoyed a bawdy joke as much as the next person.

But, as seen through clips of the show and the corroborating interviews, Rogers’ good points far outweighed any bad. He had a way of approaching topics that would be taboo anywhere else in a manner that made them digestible and understandable for kids of all ages. His use of puppets and other relatable things allowed him to broach topics like death, divorce, and racial relations that most kids' programs wouldn’t touch with a 10-foot pole.

Calling someone or something “unique” has become cliché, but if the term applies to anyone, it belongs to Fred Rogers. He stood for truth and goodness in a world that often eschews those values, and he became iconic because of it. This film is a welcome reminder that we would all do well to be a little more like Mr. Rogers.

Fred Rogers in Won't You Be My Neighbor?

Fred Rogers in Won't You Be My Neighbor
Photo by Jim Judkis/Focus Features
Fred Rogers in Won't You Be My Neighbor?
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Movie Review

Korean monster movie Hope delivers thrills despite its lengthy runtime

Alex Bentley
Sep 9, 2026 | 12:30 pm
Hwang Jung-Min and Hoyeon in Hope
Photo courtesy of Neon
Hwang Jung-Min and Hoyeon in Hope.

Monster movies can take on all sorts of different flavors, from all-out mayhem to quieter ones where the monster can sometimes be the protagonist. The new South Korean film Hope splits the difference to a degree, delivering action-packed sequences while also attempting to understand the non-humans in a way.

The story starts in medias res, with an unseen creature having already done great damage to a huge bull and laying waste to much of a small Korean town. The local sheriff, Beom Seok (Hwang Jung-Min), tries to take control of the situation in the town, while a group of hunters led by Sung Ki (Zo In-Sung) travel into the nearby woods to see what they can find there.

Thus starts a nearly nonstop, 160-minute epic of each side trying (and mostly failing) to defend themselves against gigantic creatures who seem hellbent on destroying everything in their path. It’s not until 40 minutes into the film that the audience is shown one of the monsters in detail, and the less said the better about what it actually looks like, as the mystery behind it keeps the intrigue going.

That initial section of the film is the best, as Beom Seok — eventually joined by deputy Sung Ae (Hoyeon) — goes on a frantic hunt around the town, always just far enough behind the monster to keep from seeing it. The utter destruction he witnesses and his interactions with various locals are intense and oddly funny, with the hectic conversations he has laced with fear and incredulity over how different people choose to act.

Writer-director Na Hong-jin bounces back and forth between the people in the town and the group in the forest, doing his best to maintain the momentum of the first section. This approach works for a while as each group makes their own discoveries about the creatures and has run-ins with them that more often than not are ill-fated. Using a mixture of relatively good CGI, great production design, and an abundance of gore, the filmmaker shows he knows how to make an effective blockbuster-style film.

The trouble is, he doesn’t know when to stop. Somewhere around the two-hour mark of the movie, the story starts to become repetitive and Hong-jin introduces elements that don’t mesh well with what has come before. For some reason, he decides that some of the creatures should speak, a move that is baffling on several fronts. The biggest one is that they are voiced by English-speaking actors like Michael Fassbender, Alicia Vikander, and Taylor Russell, but each speaks a non-human language, rendering their performances moot.

Jung-min puts in a fantastic lead performance, one that requires him to vacillate between abject terror and in-control leadership. In-Sung is almost as good, although his character requires him to play one note over and over again. Hoyeon, who some may recognize from Squid Game, delivers an extra shot of energy when she enters the film, something she keeps going despite her character being forced to say some bad lines.

If Hong-jin had kept the focus Hope a little tighter, the sci-fi thriller might have ended up toward the top of this year’s films. But by choosing to extend the story into territories that don’t add much to the plot or make much sense, the filmmaker puts a damper on what was a fun and brutal monster movie.

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Hope is now playing in theaters.

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