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    Movie Review

    New Adam Sandler movie Hustle wears love for NBA on its sleeve

    Alex Bentley
    Jun 8, 2022 | 9:06 am
    Juancho Hernangomez in Hustle.play icon
    Juancho Hernangomez in Hustle.
    Photo courtesy of Cassy Athena Netflix

    When sports movies get made, they’re rarely, if ever, all about the sport itself. Like other types of movies, the sport is the conduit toward telling a story that’s personal or political or whatever other type of subject matter you can attach to it. The new Netflix movie Hustle deals with a rarely-glimpsed side of professional sports, scouting, and how that job impacts both the scout and the players they covet.

    Adam Sandler plays Stanley Sugerman, a renowned scout for the Philadelphia 76ers. He’s been with the team for over 30 years, and he’s long hoped that owner Rex Merrick (Robert Duvall) will hire him as a coach. Just as he’s about to get his chance, Rex dies, and his son, Vince (Ben Foster), takes over the team. Viewing Stanley as too valuable as a scout, he puts him out in the field again to try to find the next great star.

    Stanley goes to Mallorca, Spain, where he accidentally comes across a street game where Bo Cruz (Juancho Hernangomez) is dominating while playing in work boots. Immediately thunderstruck by his raw ability, Stanley moves heaven and earth to try to get Bo seen by the powers-that-be in the NBA, making a lot of personal sacrifices along the way.

    Unlike Sandler’s other movies he’s made as part of his blockbuster Netflix deal, Hustle is not a goofy comedy. Instead, it’s a relatively earnest attempt to examine the life of this one particular scout and the superstar-in-the-making he manages to find. Directed by Jeremiah Zagar and written by Will Fetters and Taylor Materne, the film attempts to navigate the typical sports movie arc without Bo ever taking part in a game that counts.

    Instead, Stanley is the put-upon underdog whose talents are belittled by cocky people like Vince, while Bo has to learn to rein in his temper as he goes up against increasingly skilled players. The filmmakers set the scene for the duo’s various ups and downs effectively, with a lot of high-flying when Bo is playing street games and a healthy amount of skepticism when he moves onto indoor courts for tryouts.

    A lot of the believability of the story comes from the presence of a ton of real NBA players, coaches, executives, and TV personalities. Hernangomez himself has played in the league since 2016, and among the many cameos are ones by Julius Erving, Mark Cuban, Dirk Nowitzki, Luka Doncic, Tobias Harris, Trae Young, Jordan Clarkson, Doc Rivers, Kyle Lowry, and Seth Curry. Additionally, broadcaster Kenny Smith plays an actual character, Leon Rich, who’s a former teammate of Stanley, and Anthony Edwards of the Minnesota Timberwolves plays Kermit Wilts, a rival prospect to Bo.

    It’s probably best for non-NBA fans not to do any digging into Hernangomez’s actual career, or they’ll discover that he has been a journeyman in the NBA, playing for five different teams and only averaging 5.4 points per game in his career. That’s where the movie magic comes into play, making Bo seem like a dominant player even when the real guy has so far shown to be a middling talent, at best. Ray Allen in He Got Game, this is not.

    That said, he proves himself to be a decent actor, acquitting himself well in the scenes where his basketball skills aren’t the only thing on which he needs to rely. Sandler, as he showed in 2019’s Uncut Gems, is capable of much more than the foolishness in his comedies. This role finds him somewhere in-between typical Sandler and Oscar-worthy, but it works for the film. Smith is actually the surprise of the film, bringing some heft to what could have been just a vanity part.

    Hustle will likely play best to basketball junkies who will revel in seeing all the NBA talent on screen, but it makes for an entertaining experience no matter how much one knows about the sport. It won’t go in the pantheon of sports movies, but it’s far from an embarrassment, either.

    ---

    Hustle debuts on Netflix on June 8. It is also playing in select theaters.

    Juancho Hernangomez in Hustle.

    Juancho Hernangomez in Hustle
    Photo courtesy of Cassy Athena/Netflix
    Juancho Hernangomez in Hustle.
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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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