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    Movie Review

    New Adam Sandler movie Hustle wears love for NBA on its sleeve

    Alex Bentley
    Jun 8, 2022 | 9:06 am
    Juancho Hernangomez in Hustle.play icon
    Juancho Hernangomez in Hustle.
    Photo courtesy of Cassy Athena Netflix

    When sports movies get made, they’re rarely, if ever, all about the sport itself. Like other types of movies, the sport is the conduit toward telling a story that’s personal or political or whatever other type of subject matter you can attach to it. The new Netflix movie Hustle deals with a rarely-glimpsed side of professional sports, scouting, and how that job impacts both the scout and the players they covet.

    Adam Sandler plays Stanley Sugerman, a renowned scout for the Philadelphia 76ers. He’s been with the team for over 30 years, and he’s long hoped that owner Rex Merrick (Robert Duvall) will hire him as a coach. Just as he’s about to get his chance, Rex dies, and his son, Vince (Ben Foster), takes over the team. Viewing Stanley as too valuable as a scout, he puts him out in the field again to try to find the next great star.

    Stanley goes to Mallorca, Spain, where he accidentally comes across a street game where Bo Cruz (Juancho Hernangomez) is dominating while playing in work boots. Immediately thunderstruck by his raw ability, Stanley moves heaven and earth to try to get Bo seen by the powers-that-be in the NBA, making a lot of personal sacrifices along the way.

    Unlike Sandler’s other movies he’s made as part of his blockbuster Netflix deal, Hustle is not a goofy comedy. Instead, it’s a relatively earnest attempt to examine the life of this one particular scout and the superstar-in-the-making he manages to find. Directed by Jeremiah Zagar and written by Will Fetters and Taylor Materne, the film attempts to navigate the typical sports movie arc without Bo ever taking part in a game that counts.

    Instead, Stanley is the put-upon underdog whose talents are belittled by cocky people like Vince, while Bo has to learn to rein in his temper as he goes up against increasingly skilled players. The filmmakers set the scene for the duo’s various ups and downs effectively, with a lot of high-flying when Bo is playing street games and a healthy amount of skepticism when he moves onto indoor courts for tryouts.

    A lot of the believability of the story comes from the presence of a ton of real NBA players, coaches, executives, and TV personalities. Hernangomez himself has played in the league since 2016, and among the many cameos are ones by Julius Erving, Mark Cuban, Dirk Nowitzki, Luka Doncic, Tobias Harris, Trae Young, Jordan Clarkson, Doc Rivers, Kyle Lowry, and Seth Curry. Additionally, broadcaster Kenny Smith plays an actual character, Leon Rich, who’s a former teammate of Stanley, and Anthony Edwards of the Minnesota Timberwolves plays Kermit Wilts, a rival prospect to Bo.

    It’s probably best for non-NBA fans not to do any digging into Hernangomez’s actual career, or they’ll discover that he has been a journeyman in the NBA, playing for five different teams and only averaging 5.4 points per game in his career. That’s where the movie magic comes into play, making Bo seem like a dominant player even when the real guy has so far shown to be a middling talent, at best. Ray Allen in He Got Game, this is not.

    That said, he proves himself to be a decent actor, acquitting himself well in the scenes where his basketball skills aren’t the only thing on which he needs to rely. Sandler, as he showed in 2019’s Uncut Gems, is capable of much more than the foolishness in his comedies. This role finds him somewhere in-between typical Sandler and Oscar-worthy, but it works for the film. Smith is actually the surprise of the film, bringing some heft to what could have been just a vanity part.

    Hustle will likely play best to basketball junkies who will revel in seeing all the NBA talent on screen, but it makes for an entertaining experience no matter how much one knows about the sport. It won’t go in the pantheon of sports movies, but it’s far from an embarrassment, either.

    ---

    Hustle debuts on Netflix on June 8. It is also playing in select theaters.

    Juancho Hernangomez in Hustle.

    Juancho Hernangomez in Hustle
    Photo courtesy of Cassy Athena/Netflix
    Juancho Hernangomez in Hustle.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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