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    Movie Review

    Cha Cha Real Smooth from Apple TV+ slides right into your heart

    Alex Bentley
    Jun 17, 2022 | 9:10 am
    Cooper Raiff and Dakota Johnson in Cha Cha Real Smooth.play icon
    Cooper Raiff and Dakota Johnson in Cha Cha Real Smooth.
    Photo courtesy of Apple TV+

    Coming-of-age stories tend to focus on teenagers, as the high school years and puberty and everything else related to that time can contain massive amounts of change. But what happens after someone graduates from college can be just as confusing, as you’re no longer considered a kid but you’re also not fully an adult.

    Writer/director/actor/Dallas native Cooper Raiff expertly explores that fraught time period in his sophomore film, Cha Cha Real Smooth. Raiff plays Andrew, a 22-year-old college graduate without a plan forced to move back home with his mom (Leslie Mann), stepfather Greg (Brad Garrett), and younger brother David (Evan Assante), making a little bit of money working at a cheap mall food chain called Meat Sticks.

    While accompanying David to a friend’s bat mitzvah, Andrew becomes an impromptu party starter, trying to liven things up. He does such a good job that he’s recruited by other Jewish mothers to actually do the job at future parties. He’s more than happy to do so, especially as Domino (Dakota Johnson) and her autistic daughter Lola (Vanessa Burghardt), with whom he hits it off at that first bat mitzvah, are regular attendees at the celebrations.

    If it were like a lot of other movies, Cha Cha Real Smooth would push hard on the will they/won’t they question between Andrew and Domino. But the 25-year-old Raiff has a subtlety to his filmmaking that belies his young age. He takes his time setting up the story, establishing Andrew’s so-nice-it-hurts personality and the barely-contained depressive demeanor of Domino. Every time they get together is a small building block, adding up to something completely satisfying.

    And while the bond between Andrew and Domino is immediate and obvious, Raiff layers on multiple other elements to flesh out both characters. Andrew is at ease as both a party starter and when helping his brother plan his first kiss or Lola come out of her shell, but he also has an underlying hostility for his stepfather and bullies at the parties. Domino has experienced a lot at a relatively young age, and her search for answers is an ongoing one that just happens to rope in Andrew.

    While there’s nothing overly complicated about the story, it’s difficult to overstate how impressive Raiff’s filmmaking is. At a time in life when most aspiring filmmakers are making low-budget short films, Raiff demonstrates a sharp focus to his storytelling. There is never a moment when he fails to connect the dots between scenes, loses the emotion due to poor editing, or falls prey to easy plot mechanisms. The film may seem simple on the surface, but it’s far from it.

    Raiff as an actor is interesting to watch. He has a habit of speaking with his teeth showing the majority of the time, like he’s in a constant half-smile. In addition to his upbeat personality, this visual makes him highly watchable. Johnson makes for a nice scene partner for him, as she’s noticeably restrained yet still compelling. Other standouts include Mann and, making her movie debut, Burghardt.

    There’s an ache to the story of Cha Cha Real Smooth that’s highly relatable for anyone who struggled to find their way in the world in their twenties. In the able hands of a filmmaker like Raiff, the movie is one that opens and breaks your heart in equal measures.

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    Cha Cha Real Smooth is playing in select theaters and on Apple TV+.

    Cooper Raiff and Dakota Johnson in Cha Cha Real Smooth.

    Connor Raiff and Dakota Johnson in Cha Cha Real Smooth
    Photo courtesy of Apple TV+
    Cooper Raiff and Dakota Johnson in Cha Cha Real Smooth.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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