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    Zombie Attacks

    World War Z is a weighty drama disguised as a summer blockbuster

    Alex Bentley
    Jun 21, 2013 | 12:00 am
    World War Z is a weighty drama disguised as a summer blockbuster
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    Zombie movies have been around for almost as long as the medium itself, but it wasn’t until George Romero’s Night of the Living Dead that they started to go relatively mainstream. Still, they’ve mostly been the province of B-movies or horrors, with the occasional comedy thrown in, like Warm Bodies earlier this year.

    So to have the subject matter be treated as an action drama, as it mostly is in World War Z, is rare, if not unprecedented. It follows former U.N. employee Gerry Lane (Brad Pitt), who gets sucked back into duty as a professional fixer after a mysterious viral outbreak that reanimates the dead spreads throughout the globe.

    Pitt is great in the lead role, as long as you’re able to ignore him looking like Brad Pitt, the movie star with flowing hair.

    Director Marc Forster and the trio of screenwriters barely give the audience a chance to settle into their seats before unleashing wave after wave of zombies. In so doing, the tension is palpable right from minute one, and it almost never takes a break for the rest of the two-hour running time.

    But the focus is not really on the zombies, in that no individual attack is given that much more precedence over another. Rather, the question over how a virus like that could spread so far so quickly is at the forefront, with Gerry serving as the means to discovery.

    Most movie zombies have been depicted as slow-moving and lumbering, so the fact that the living dead in this film move with great speed and agility is a tad shocking. But unless you’re a purist who takes change as sacrilege, the newfound quickness serves the movie well, upping the anxiety level considerably.

    The film does take more than a few leaps of logic, most notably in the way Gerry is able to globetrot with relative ease. We’re led to believe that almost the entire world has gone to hell in a handbasket overnight, so the deference with which Gerry is treated no matter where he goes and how he’s able to find many different means of transportation takes a bit of suspension of disbelief.

    But if you’re willing to go along for the ride, the film delivers a number of stellar set-pieces, including the opening attack, a visit to a military base in South Korea, and an ultra-tense journey inside a research lab in Wales. They’re aided by the idea that the zombies attack based on sound, so any tiny fluctuation ratchets up the fear level.

    Pitt is great in the lead role, as long as you’re able to ignore him looking like Brad Pitt, the movie star with flowing hair, as opposed to Brad Pitt, the actor who disappears inside a role. The set-up of the film doesn’t allow many other actors to be highlighted, but a few, like James Badge Dale and Israeli actress Daniella Kertesz, do stand out.

    World War Z isn’t perfect, but it does treat the downfall of most of civilization with the gravity it deserves, something other blockbusters this year have whiffed at. It’s a weighty drama disguised as a summer tentpole movie, making for a nice change of pace.

    Brad Pitt's character has the ear of some pretty powerful people.

    Brad Pitt in World War Z
    Photo courtesy of Sony Pictures
    Brad Pitt's character has the ear of some pretty powerful people.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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