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    Movie Review

    Baz Luhrmann's Elvis fails to shake up the myth of music legend

    Alex Bentley
    Jun 22, 2022 | 1:38 pm
    Austin Butler in Elvis.play icon
    Austin Butler in Elvis.
    Photo courtesy of Warner Bros. Pictures

    Doing a “standard” biopic about Elvis Presley in this day and age would be a fool’s errand; as the biggest selling solo artist of all time, his life and everything in it has already been dissected a million times over. That includes movies and documentaries specifically about him, others that use that use his larger-than-life presence as part of another period story, and still others that use his now-iconic face and voice in ways that have nothing to do with his life.

     

    If anybody can be counted on to not do the typical biopic, it’s writer/director Baz Luhrmann, last seen on the big screen with 2013’s The Great Gatsby. Best known for fantastical films like Romeo + Juliet and Moulin Rouge!, his visual style would seem to be a great fit to show the life of the King of Rock ‘n’ Roll. Unfortunately, as the overlong Elvis shows, it’s one thing to have style, but if you don’t have the substance to back it up, you’re in for a bad landing.

     

    The film may be named Elvis, but Luhrmann and co-writers Sam Bromell, Craig Pearce, and Jeremy Doner are almost equally interested in the persona of his manager, Colonel Tom Parker (Tom Hanks). As depicted in the film, Parker — then the leader of a traveling carnival — learns about the up-and-coming Presley (Austin Butler) and sets his mind to making him a star. With his guidance, Elvis goes from a singing truck driver in Memphis to the biggest star in the world in a relatively short period of time.

     

    It's a generally accepted fact that there would be no Elvis as we know him today without Colonel Parker, but it still feels strange to make the movie be as much — or, arguably, more — about Parker than it is about Elvis. There’s also a lot — too much — that you have to infer about the relationship between Elvis and Parker, as Luhrmann is not inclined to dig deep into their bond. But he spends plenty of time on Parker’s gambling addiction, as if understanding that would unlock all the secrets in the story.

     

    At 159 minutes, the film is much too long, mostly because Luhrmann uses its long running time in odd ways. He becomes obsessed with individual moments, showing them in great detail from multiple angles and using different techniques to try to enhance them. But then he’ll skip over large periods of time, giving the audience little clue as to what happened in the intervening months or years. Also, if you’re prone to seizures, it’s best not to see the film as the number of edits it contains is mind-boggling.

     

    The biggest disappointment is that it never truly makes modern audiences understand why Elvis was as popular as he was. In a laughable scene the first time we see Elvis perform, girls in the audience are screaming the second that Elvis starts wiggling his hips. But there’s little context as to why they would be reacting in such a manner, especially to someone they don’t know, making it feel like Luhrmann is forcing the issue instead of getting to it organically.

     

    You also never feel why Elvis’ music was so transformative. Most performance scenes are chopped up into small pieces, so the impact of individual songs is lessened. And then Luhrmann makes the stylistic choice to include modern hip-hop reinterpretations of some songs on the soundtrack, seeming to give more import to those versions than the originals.

     

    And you can forget about finding out anything about Elvis’ personal relationships. His wife Priscilla (Olivia DeJonge) is present, but how their relationship started or what it meant in Elvis’ life is absent from the film. He is shown to have a friendship with B.B. King (Kelvin Harrison, Jr.) and that he had a reverence for music created by R&B singers, but the filmmakers never interrogate Elvis using Black music as a way to make himself a star.

     

    As for the main performances, there are times when Butler is absolutely electric. Perhaps even a little too handsome to play Elvis, he gives his all to the role, delivering a convincing performance along the way. Hanks’ acting will be polarizing; his choice of accent is downright strange and anything else he does is overshadowed by the heavy prosthetics he has to wear.

     

    It’s unclear who Elvis is supposed to be for, as it services neither the hardcore fans who grew up on his music, a younger generation that might be interested in learning more about the mythical musical figure, or film buffs who have enjoyed Luhrmann’s previous movies. It’s a strange, overstuffed slog of a film in desperate need of better filmmaking decisions.

     

    ---

     

    Elvis opens in theaters on June 24.

    Austin Butler in Elvis.

    Austin Butler in Elvis
      
    Photo courtesy of Warner Bros. Pictures
    Austin Butler in Elvis.
    movies
    news/entertainment

    Pickleball News

    Indoor pickleball concept from Georgia bounces into Frisco

    Raven Jordan
    Jul 7, 2025 | 7:06 pm
    Pickleball paddles
    Ace
    Pickleball paddles face off.

    There's a new indoor pickleball concept coming to Dallas: Called Ace Pickleball Club, it's a growing chain from Georgia, making its Texas debut in Frisco in an old BuyBuy Baby space at at 2930 Preston Rd. #600. According to a release, it opens July 12.

    Ace Pickleball was founded in Roswell, Georgia in 2023, and calls itself the only facility of its kind, delivering a member-focused approach and all-inclusive pricing.

    Professional-grade cushioned courts and a welcoming community create the optimal playing experience for all skill levels. The chain currently has 15 locations across the U.S. including Colorado, Oklahoma, and Illinois.

    They emphasize an inclusive community with unlimited open play, and offer clinics, tournaments, social events, and ball machine reservations. They also offer paddle demos so that members can test out the newest technology from a variety of brands to find their favorite.

    When they open, they'll offer free introductory pickleball clinics for beginners to go over the rules of the sport and feel more comfortable as they learn about the game.

     Ace Pickleball Club Ace Pickleball ClubAce Pickleball Club 

    Indoor facilities have an advantage in that they're impervious to weather so players can play year-round.

    The Frisco location is a nearly 33,000-square-foot facility with 11 full-size courts and one dinking court designed to welcome players of all skill levels. Memberships are $129 monthly with the first month free.

    Bringing the concept to Frisco is Juan Menchaca, a former corporate worker who is a pickleball player himself. When he and his wife relocated to the DFW area in May 2023, he brought with him a lifelong dream of opening a sports facility.

    Introduced to pickleball by his brother-in-law, who is now training to go pro in pickleball, Menchaca was instantly hooked by the game’s fast pace, simple rules, and strong sense of community.

    Opening a dedicated pickleball facility felt like the ideal first serve into the world of sports.

    “I saw the demand I knew Ace Pickleball Club was the right fit,” Menchaca says. “The model is perfect for all skill levels across the Frisco community. I’ve always wanted to create something people could rally around, and this not only provides that, but helps in bringing our community closer.”

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