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    Movie Review

    Daniel Craig says goodbye to James Bond in No Time to Die

    Alex Bentley
    Oct 5, 2021 | 3:37 pm
    Daniel Craig says goodbye to James Bond in No Time to Die
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    The last we saw of James Bond, it was in 2015’s Spectre, an altogether disappointing affair that seemed to have more interest in looking backward than forward. It’s been a long road to get to the follow-up film, No Time to Die, not least because the release of the 25th official 007 movie was delayed 18 months due to the pandemic. But if that time between movies accomplished anything, it was to ensure the filmmakers didn’t repeat the mistakes of their predecessors.

    The film finds Bond (Daniel Craig, for the final time) living in semi-retirement bliss with Madeleine (Lea Seydoux), his love interest from Spectre. He gets drawn back in to the spy life after an unexpected attack, finding an MI6 that’s at once familiar and drastically different. People like M (Ralph Fiennes), Q (Ben Whishaw), and Moneypenny (Naomie Harris) are still in charge, but an agent named Nomi (Lashana Lynch) has usurped Bond’s position in more ways than one.

    Bond and Nomi essentially team up to find the source of the attack, which could be the imprisoned Blofeld (Christoph Waltz), somehow pulling strings from behind bars, or the mysterious Lyutsifer Safin (Rami Malek), who also has a connection to Madeleine. With help from American agents Felix Leiter (Jeffrey Wright) and Logan Ash (Billy Magnussen), they unfurl a plan that’s as dastardly as expected in a 007 film.

    Directed by Cary Joji Fukunaga and written by Fukunaga, Phoebe Waller-Bridge, and longtime Bond writers Neal Purvis and Robert Wade, the film is sprawling, not just in the number of locations it visits but in sheer length, clocking in at 163 minutes. It’s a lot to take in, but the filmmakers keep things relatively focused, taking the story in a straight line instead of veering off into unnecessary tangents. It appears as if they wanted to give Craig as big a farewell as possible, and he gets many showcases throughout the film.

    Even more so than usual, however, Bond shares the spotlight. The series has always given the character a female costar, usually as a love interest, but this time around the women are much more empowered. There’s much speculation whether the character of Nomi will take over Bond’s mantle, but whether that happens or not, she more than holds her own in the action department in this film. Ana de Armas shows up in a brief but impactful appearance as Paloma, a Cuban agent who assists Bond in his visit there.

    The action scenes are plentiful but not as breathtaking as in past films. Fukunaga and his team take their time getting to any significant sequences, with the opening credits coming a good 30 minutes into the film. Craig is as unflappable as ever, although the scenes don’t call for him to do quite as much as in past films. Bond’s famous gadgets only come into play a few times, but his dry wit while the action is going on is as present as ever.

    Opinions will differ, but for my money, Craig has made for a great Bond, making him brawnier than previous iterations but equally as suave and charming. The supporting cast are all fantastic, especially the standbys of Fiennes, Whishaw, and Harris. While the villain characters still don’t pop as much as they should, both actors are good, even Malek, whose acting style is an acquired taste.

    The James Bond/007 series has been the most enduring property in movie history, and it will be interesting to see what direction they go in now. No matter what they do, they’ve given Craig a great send-off in No Time to Die, even if it’s not as spectacular as some of his earlier entries.

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    No Time to Die opens in theaters on October 8.

    Daniel Craig in No Time to Die.

    Daniel Craig No Time to Die promo shot MGM
    Photo by Nicola Dove/MGM
    Daniel Craig in No Time to Die.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

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    Faces of Death is now playing in theaters.

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