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    The Bachelorette Recap

    This week's Bachelorette shows exactly how not to talk about race

    Kaitlin Steinberg
    Jun 26, 2017 | 10:38 pm
    Bachelorette episode 5, Rachel Lindsay
    Decisions, decisions. Bachelorette Rachel has much to think about.
    Photo courtesy of ABC

    If you recall, we left last week’s episode on a group date with the tension between Kenny, the pro-wrestler, and Lee, the wannabe country singer, escalating rapidly. Thankfully, we get an almost immediate Bryan interlude, during which he continues to charm Rachel’s socks off and make my ovaries flutter. Can we just stay here forever?

    Apparently not. While arguing by some lovely boats, Kenny calls Lee a “disingenuous snake” for telling Rachel that Kenny has an aggression issue. This descriptor gets shortened to “snakey,” and as Lee removes himself from the situation, Kenny waves and chants. “Bye, Snakey,” like that’s Lee’s new pro-wrestling moniker.

    Lee returns to the group and prances around in front of the other guys, proud that he’s been able to get under Kenny’s skin to this extent. When Rachel comes back into the fray, she announces that the group date rose will be going to Bryan, aka my future baby daddy.

    Kenny then feels obligated to give a speech, during which he says he respects Bryan because Bryan has done it “the right way,” without being a “snake” or a “bitch-ass dude.” Well said, buddy. Here, here!

    Lee replies with “F*#& you!” and Kenny goes off on him, though in a decidedly and very deliberately non-aggressive way, by which I mean he’s whispering “Lee, you’re a bitch. Fuck your cowboy boots.” The other guys stand by and alternately giggle and look very, very uncomfortable.

    The next day, the sun is shining in beautiful Bluffton, South Carolina, for Rachel’s one-on-one with Jack Stone. They go on a carriage ride through the town, then they eat raw oysters. Then we all die of boredom. Even my mom, who regularly watches this show with me, is bored to death by Jack Stone, and she likes everyone.

    They try to get more comfortable with each other by joining in a dance competition, and it’s clear there is zero spark there. Jack keeps trying to be sweet and flirty, but he’s just. so. awkward. At one point, he goes in for a kiss, and Rachel pulls back, telling him she’s sick and doesn’t want to get him sick, too. Ouch.

    Back at the frat house, Lee and Will have a chat about Lee’s issues with Kenny, and Will, a black man, tries to explain to Lee, a proven racist POS, that there is a long history of white dudes calling black men “aggressive,” and it’s kind of not okay. Lee accuses Kenny of “playing the race card,” and Will says that Lee is probably just ignorant. I think that’s actually giving Lee too much credit, because ignorance implies he could know better but doesn’t. Nah, man, Lee is just a jerk.

    At least he isn’t boring, though. Jack is back to putting me (and mom) to sleep on the evening portion of this date, so he becomes the first dude not to get a rose on a one-on-one. To Rachel’s credit, she manages to muster up some tears as she sends him home.

    And now we find ourselves, finally, at the week four rose ceremony, halfway into the week five episode. Rachel has decided to forego the cocktail party, because she knows exactly what she wants to do. She sends home Iggy and Jonathan. Jonathan, aka the Tickle Monster, gives her a little tickle “for the road.” And Iggy cries. Lee and Kenny are both still around to duke it out in the next destination of Oslo, Norway.

    The Norway dates begin with a one-on-one with Bryan, who is looking as gorgeous as ever. Rachel admits that while they’ve already got the physical connection down, she wants to see if they can develop an emotional connection. The two go to the top of Holmenkollen Olympic ski jump, and because they’re crazy, they decide to rappel down all 187 feet of it. Rachel helpfully points out that 187 is slang for the crime of murder, according to the California penal code.

    To no one’s surprise, the couple makes it out of this incredibly dangerous staged situation and have a serious talk about how their relationship is not, in fact, too good to be true. Rachel can’t figure out how someone so handsome and educated and 37 years old is still single. (I know why. It’s because he hasn’t met me yet.)

    Bryan tells Rachel he’s falling in love with her, and she seems convinced that maybe he can be that perfect, so she gives him a rose. Cause, come on, duh. He is perfection.

    Meanwhile, the date card comes, and, shocker, everyone is going on a group date except Lee and Kenny, who are going on the dreaded two-on-one. For those of you who don’t know, only one man can return from a two-on-one, so they tend to create some tension.

    At the group date, Rachel reveals that she wants “a man who knows how to use his hands,” so they play a traditional European game — handball. The bad news: It is completely unclear how this game actually works. The good news: All the men have to wear spandex onesies, so carry on, gentlemen!

    During the after-party, the men pull out all the stops trying to impress Rachel: love letters, jokes, signs from God. It’s all a bit much for the poor gal, until Peter comes along and is super suave. He starts kissing Rachel then stops and pulls the No. 1 good guy move, saying he just wants to talk to her more because they have such a great connection. Then they go make out in the hot tub, and after an uncomfortably long absence from the group, the two return, so Rachel can hand out the group date rose.

    If you thought Peter was going to get it, you are not alone. But the rose went to Will, the MVP of handball.

    The next morning, the guys all gather to say fond farewells to Lee and Kenny, who are pretty much going off to fight to the death in an old-fashioned duel. The date takes place in the Norwegian wilderness, replete with symbolic snakes. Rachel takes Kenny aside first, and they chat about how he thinks she could be a great role model for his daughter. Then he brings up Lee and their drama, and Rachel thanks him for his honesty.

    Next it’s Lee’s turn, and his hair is higher than ever — it’s a good half a foot in the air. Lee and his hair immediately start telling Rachel that when Kenny drinks, his dark side comes out. He claims that Kenny tried to pull him out of a van to confront him and that he essentially admitted to having a drinking problem. Rachel is understandably confused, so she goes full lawyer to get to the bottom of it.

    She tells Kenny what Lee said about him, and Kenny starts cackling in a very, um, frightening way as he walks back toward Lee, claiming that the country boy is about to “get washed under the tide of realness that is Kenny.”

    The previews for tomorrow night’s episode show Kenny bleeding and then crying and Rachel crying, so maybe, just this once, Chris Harrison will be right, and we really will witness the most dramatic rose ceremony ever. Stay tuned.

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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