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    Movie Review

    The Big Sick rescues romantic comedies from their cheesy doldrums

    Alex Bentley
    Jun 29, 2017 | 2:45 pm
    The Big Sick rescues romantic comedies from their cheesy doldrums
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    When it comes to the concept of honesty in movies, you usually have to grade on a curve. Just by the very nature of films, few — if any — can be considered completely true, as elements must be changed or condensed in order to make a particular story work on the big screen.

    That said, you’ll rarely find a movie that feels closer to the truth than The Big Sick, which takes a real life dramatic situation that’s very personal for the writers and turns it into one of the funniest and best movies of the year. Co-writer Kumail Nanjiani (who wrote the movie with his now-wife, Emily K. Gordon) plays a slightly altered version of himself, a Pakistani stand-up comedian who’s struggling to fend off his parents’ attempts at an arranged marriage.

    Meanwhile, he hits it off with Emily (Zoe Kazan), but can’t share his happiness with his family because she is white, and he can’t tell her about his misgivings because of his family’s strictness. When a mystery illness lands Emily in the hospital, Kumail devotes himself to her care, even after the arrival of her parents (Ray Romano and Holly Hunter).

    Were this any other kind of romantic comedy, the story would throw up a series of artificial barriers keeping Kumail and Emily apart, only to come back together with one last big romantic gesture. But because they are essentially telling their own love story, Nanjiani and Gordon never feel the need to rush things or make up an element that doesn’t ring true.

    Consequently, the film is a joy from beginning to end. It takes care to establish Kumail’s relationships with Emily, his family, and his fellow comedians (hilariously played by Aidy Bryant, Bo Burnham, and Kurt Braunohler), giving each of them the necessary time to become fully developed. That dedication pays off in richly earned laughter, tears, and other emotional reactions along the way.

    If you only know Nanjiani from his work on Silicon Valley, Portlandia, or other supporting roles, you may not be prepared for the depth he brings to this role. Yes, he’s playing himself, but that can sometimes be even harder for an actor, as there can be a temptation to overplay or underplay things. Instead, he nails every beat, showing himself in a new light that could spell even bigger things for his career.

    Equally great work is put in by the supporting cast, especially Kazan, Romano, and the legendary Indian actor, Anupam Kher. Kazan seems to be the queen of offbeat romantic comedies, and she puts her stamp on this one. Romano proves again that he’s much more than his sitcom persona, and Kher, a veteran of over 500 movies, is a solid presence in what could have been a clichéd role.

    The Big Sick is a multi-layered film that has much to offer for any kind of filmgoer. Coming out smack-dab in the middle of blockbuster season, it runs circles around those franchises with its heart and humor.

    Zoe Kazan and Kumail Nanjiani in The Big Sick.

    Zoe Kazan and Kumail Nanjiani in The Big Sick
    Photo by Sarah Shatz
    Zoe Kazan and Kumail Nanjiani in The Big Sick.
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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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