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Cultural Icons

Texas university offering first course dedicated to pop icon Selena

Trey Gutierrez
Jun 30, 2020 | 9:07 am
Selena Quintanilla singer
The class, which begins this fall, will use the late-pop star’s image to explore the Tejana/o identity in Texas and beyond.
Selena/Facebook

It took 25 years, but late musical icon Selena Quintanilla now has a Texas college course exploring her life and career. Beginning fall 2020, the University of Texas at San Antonio will begin offering Selena: A Mexican American Identity and Experience.

The course will employ the pop star’s image, use of language, and the media coverage surrounding her career and death (she was murdered by her former fan club president in 1995) to map out the historical trajectory of Tejana/o Mexican-Americans in Texas.

“When I got to UTSA five years ago, I was surprised that someone hadn't already done a class like this,” says the course’s instructor, Sonya M. Aleman, associate professor of Mexican American studies at the University of Texas at San Antonio.

“To me, it makes perfect sense that there would be [a class] where Selena's the springboard to talk about issues of representation, identity, and race and racialization. “

Though complex and far-reaching, the course’s focus, Aleman believes, is best encapsulated by an iconic line from the 1997 biopic Selena starring Jennifer Lopez. In the film, actor Edward James Olmos, portraying Quintanilla’s father, Abraham, laments that Mexican Americans have to be “twice as perfect as anybody else.”

“We got to be more Mexican than the Mexicans,” Abraham says in the movie, “and more American than the Americans, both at the same time!”

Aleman expands on this idea, saying: “The experiences that come from being bicultural, bilingual ... blending those two and being something else — a third hybrid option — deserves to be studied as much as any other subject."

Originally from Cotulla, Texas, the academic believes San Antonio is the ideal city to host her course. “Here’s a place Selena was rooted in, a place that shaped her, uplifted and supported her going international."

However, that doesn’t mean students are guaranteed an easy A. “In returning to UTSA, I see students who have not had the opportunity to engage in any kind of Mexican American Studies curriculum through their K through 12 [education]," says the professor. "My hope is for students to transfer the love they have for Selena into a better appreciation for their own identity and the history of struggle that their community is rooted in.”

Aleman views her upcoming class as the flagship course for UTSA’s newly established Race, Ethnicity, Gender, and Sexuality Studies Department, which will begin its second academic year as an officially recognized department this fall.

“I see the Selena course as advocating for the value my discipline produces,” she says. “Look to the current moment. These conversations we’re now having about police brutality rooted in racial profiling. Our society hasn’t equipped itself to deal with these issues. Departments like mine are places where students can get the language and know-how, and have the context for why these movements happen. For me, Selena is the perfect kind of starting point.”

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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

---

Misty Green is now playing in theaters.

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