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Movie Review

Fear Street Part 1: 1994 a promising start to Netflix horror trilogy

Alex Bentley
Jul 5, 2021 | 4:01 pm
Fear Street Part 1: 1994 a promising start to Netflix horror trilogy
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Horror is such a copycat genre that there are few films that feel genuinely original. It’s no small irony, then, that some of the better entries are those that straight up acknowledge their unoriginality, using their time to make fun of or comment on the genre while still serving up some fun thrills.

That would appear to be the goal of the new Netflix movie Fear Street Part One: 1994, the first of three films based on R.L. Stine’s Fear Street series that will premiere over the course of three weeks. Writer/director Leigh Janiak has used the basics of the books to craft movies that pay homage to different classic horror films, cheekily starting with a takeoff on the original homage, Scream.

The film is set in the fictional Shadyside, aka Killer Capital, USA for the many murders that have taken place there over centuries. Some believe that a witch named Sarah Fier, who was burned at the stake in 1666, is the cause of the continued killings, inhabiting various people throughout the years to do her murderous deeds as a curse against those who did her wrong.

The latest to run afoul of Sarah are a group of teenagers led by Deena (Kiana Madeira), who’s still pining after her ex-girlfriend Sam (Olivia Scott Welch), who’s recently moved to neighboring Sunnyvale, which is very safe compared to Shadyside. Deena’s brother Josh (Benjamin Flores Jr.), who is obsessed with the killings, has a crush on Kate (Julia Rehwald), who has a flourishing side business selling pills to her classmates alongside her friend Simon (Fred Hechinger).

Janiak and her co-writer Phil Graziadei walk a tricky line in this first film, introducing the idea of Sarah’s curse while knowing there can be no resolution until the third film. The seemingly more natural idea would be to start in 1666 and go forward in time, but the filmmakers have bucked the norm to do things their own way.

It will be interesting to see how the others play out, because Part One: 1994 is definitely meant to feel like a ‘90s movie, with a lot of era-appropriate songs and a jokey quality similar to Scream. The various kills and a killer wearing a skull mask call to mind that film, too, but not in a bad way. The intent is clear right from the start, and the way the characters interact make it almost impossible not to have fun while watching them.

Save for a couple of people with minor roles – at least in this film – there are no recognizable names in the cast. But a lack of preconceived notions works for the young group, as each is free to create their own persona. Madeira and Rehwald are the best of the bunch, with each combining vulnerability and spunkiness that makes each of their characters memorable.

Each of the main actors will be in the next two films, although since the story is going backward in time, it’s unclear what form their parts will take. Fear Street Part Two: 1978 (which will be released on July 9) looks likely to be a Friday the 13th type of film, while Part Three: 1666 (released on July 16) will bring witches to the fore. If they’re as successful as this first film, horror fans will have cause for celebration.

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Fear Street Part One: 1994 is now streaming on Netflix.

Masked killer in Fear Street Part One: 1994.

Masked killer in Fear Street Part One: 1994
Photo courtesy of Netflix
Masked killer in Fear Street Part One: 1994.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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