Photo courtesy of The POOL at Dallas Power & Light/Facebook
Variety isn't just the spice of life; it seems it's also the key to partying like a rock star. And thanks to a plethora of places to drink, listen to music, and just have a good time, Dallas ranks among the top 10 places to party in the country.
That's according to Wanderu, a booking agency for train and bus travel, which surveyed the Yelp API and added up the number of grown-up entertainment venues to determine the cities with the most options, which Wanderu translated into the biggest party hubs in the U.S.
With 1,056 bars, 100 music venues, and 77 dance clubs, Dallas ranks the 9th best party town in the nation. We've also got 11 beer gardens, 12 country dance halls, 15 jazz and blues venues, 33 pool halls, 45 karaoke bars, and a piano bar for good measure.
Claiming the number No. 1 spot, based on variety of options, is New York City, followed by Los Angeles, San Francisco, Chicago, and San Diego. Houston is sixth, while Austin ranks twelfth. Texans are party animals, says Wanderu.
"The race for the top spot was tough and, as expected, it came down to the age-old question of what city is better, New York or Los Angeles," according to Wanderu.
"While LA came out as the top destination for dance lovers, karaoke enthusiasts, live music fans, and pool shooters, NYC’s almost-double number of bars gave it a significant boost, making it the top party hub in the United States."
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.
Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.
Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.
What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.
Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.
Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.
But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.
In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.
While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.
