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    Movie Review

    Thor: Love and Thunder is good for some laughs but little else

    Alex Bentley
    Jul 7, 2022 | 9:26 am
    Thor: Love and Thunder is good for some laughs but little else
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    The powers-that-be with the Marvel Cinematic Universe may have inadvertently devised their own demise. From 2008’s Iron Man to 2019’s Avengers: Endgame, they built the universe toward an end goal. True, the journey contained in those 22 films was at times disjointed and often exhausting, but the reward that Endgame offered made everything worth it.

    But because “Phase Four” of the MCU, which reaches its sixth film with Thor: Love and Thunder, has contained little-to-no cohesion, it makes it seem like there is no plan whatsoever, with the studio just throwing anything at the wall to see what sticks.

    Last we left Thor (Chris Hemsworth), he was off to explore the universe alongside the Guardians of the Galaxy. The film opens with them still together, but they separate early so that Thor and his stone-made friend Korg (Taika Waititi) can find out why a villain named Gorr the God Butcher (Christian Bale) has dedicated himself to killing as many gods in the universe as he can.

    They return to New Asgard to find not only Valkyrie (Tessa Thompson) fighting shadow creatures unleashed by Gorr, but also Thor’s old love Jane Foster (Natalie Portman), who has somehow managed to repair and wield Thor’s hammer Mjolnir, making her a type of god herself. Together, they travel from planet to planet to try to stop Gorr’s rampage.

    Written and directed by Waititi, the film is heavy on humor but extremely light on a comprehensible story. In fact, for at least half of its running time, the film is a full-on comedy, using Thor’s haughty obliviousness as a jumping-off point. Funny situations involving celebrity cameos, an odd voiceover by Korg, a meeting filled with different gods led by Zeus (Russell Crowe), and more keep the laughs coming.

    But the more jokes Waititi includes, the more it seems like he’s using them to cover up the fact that he has no idea how to make his story work. After an effective — if slightly confusing — introduction of Gorr, the villain’s motivations quickly become muddled. He seems to pick-and-choose his victims at random and then, when Thor essentially serves himself up on a golden platter, toys with him instead of dispatching him as easily as he does others.

    And then there’s the whole Jane conundrum. Not officially seen since Thor: The Dark World, her history with Thor is retconned in an interesting mid-film sequence. But because she hasn’t been around in any of the movies since 2013, it’s difficult to work up any big feelings about her and Thor, even when an extra layer of drama is put on her. It’s fun to see her in Mighty Thor mode, but like much of the rest of the film, it comes off as window dressing instead of something truly meaningful.

    Hemsworth is certainly at home playing up the goofy side of Thor, and if he were allowed to be the lead in an actual comedy, there’s little doubt he’d do well. Portman and Thompson exude the strength their characters require, but they’re not given enough opportunities to show it. Bale is as method as ever as Gorr, but to say that the character feels truly menacing would be a lie.

    Some may take the funny parts of Thor: Love and Thunder and give the film more credit than it actually deserves. But its uninspired story, a villain who makes little sense, and other missteps show that the MCU has a long way to go before it regains its mojo.

    ---

    Thor: Love and Thunder opens in theaters on July 8.

    Natalie Portman and Chris Hemsworth in Thor: Love and Thunder.

    Natalie Portman and Chris Hemsworth in Thor: Love and Thunder
    Photo by Jasin Boland
    Natalie Portman and Chris Hemsworth in Thor: Love and Thunder.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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