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Movie Review

Avengers: Endgame is everything Marvel fans could want and more

Alex Bentley
Apr 25, 2019 | 1:15 pm
Avengers: Endgame is everything Marvel fans could want and more
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What each viewer will want out of Avengers: Endgame depends on their devotion to the Marvel Cinematic Universe. I used to decry Marvel for compelling fans to see each and every one of the previous 21 movies to keep up with the larger storyline connecting them all. In this film, all of that prior knowledge finally comes to a head, and to say that it rewards loyal viewers is an understatement.

Picking up in the aftermath of Thanos’ (Josh Brolin) infamous snap that turned half of all living creatures into dust in Avengers: Infinity War, the surviving Avengers must regroup and see if there is any way forward. The road map ahead will require all of the brainpower of heroes like Tony Stark/Iron Man (Robert Downey, Jr.), Bruce Banner/Hulk (Mark Ruffalo), and Natasha Romanoff/Black Widow (Scarlett Johansson), combined with the brute strength of Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), and Carol Danvers/Captain Marvel (Brie Larson).

And that is about all that’s safe to say about the plot. However, given that there’s another Spider-Man movie coming out this summer, and plans have already been made for sequels to both Black Panther and Guardians of the Galaxy, it’s no spoiler to say that those characters — almost all of whom were killed in Infinity War — and others return in Endgame. But how they return is best left to discover upon viewing.

The film, as you can tell by the title, represents the end of an era for MCU Phase One characters like Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye (Jeremy Renner), no matter what actually happens to them individually. That naturally brings up a lot of emotion, but how directors Joe and Anthony Russo and writers Christopher Markus and Stephen McFeely deploy those feelings is a welcome surprise.

What the filmmakers, along with producer Kevin Feige, have learned over the course of these movies is that smaller is usually better. There’s a time and place for epic scenes — and this film contains the most epic of epic scenes — but the audience won’t care about the outcome of those battles if the filmmakers haven’t taken the time to allow us to connect with the characters.

Over and over again, Avengers: Endgame offers up small moments that contain huge amounts of emotion. These moments can be heartbreaking, hilarious, or infuriating, but they all serve the purpose of seeing each character — no matter their species — in a human light. That even goes for Thanos, and when you can make the audience feel empathy for a giant purple guy who’s destroyed half the universe, you know you’re doing something right.

Much of what happens could rightly be called fan service, but Feige and the other protectors of the MCU have proven, especially in the last three years, that they know how to shape scenes without ever forcing the issue. Thus, no matter how many times they call back to previous films or pair characters in unlikely but cheer-worthy ways, each moment feels earned and respectful of the audience’s intelligence.

A movie like this is as sprawling as they come, and yet they still find a way to incorporate almost every main character in a meaningful manner. There are a few notable misses, and Hawkeye still seems to get short shrift despite having his most usage to date, but it will be the rare fan who doesn’t come away satisfied with how his or her favorite character is used in the film.

Avengers: Endgame is everything Marvel fans could want and more. It will be interesting to see how the MCU moves into the future after the events in the film, but woe be upon anyone who doubts their ability to adapt and succeed mightily.

Robert Downey, Jr. in Avengers: Endgame.

Robert Downey, Jr. in Avengers: Endgame
Photo courtesy of Walt Disney Studios
Robert Downey, Jr. in Avengers: Endgame.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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