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    Movie Review

    Fear Street Part Two: 1978 camps it up in second part of trilogy

    Alex Bentley
    Jul 8, 2021 | 3:28 pm
    Fear Street Part Two: 1978 camps it up in second part of trilogy
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    Sequels for horror movies have been standard since the 1980s when franchises like Halloween, Friday the 13th, and A Nightmare on Elm Street each churned out multiple entries. The connection between the subsequent films, and the resulting quality, often varied wildly, something that is not the case with the second of Netflix’s unique horror trilogy, Fear Street Part Two: 1978.

    Whereas the first film was an homage to the original horror parody, Scream, Part Two pays tribute to Friday the 13th by taking place mostly at a summer camp, Camp Nightwing. Shadysiders and Sunnyvalers continue their never-ending rivalry at the camp, with kids from the two cities engaging in a variety of competitions and pranks.

    The camp, however, just so happens to be on the site where the accused witch Sarah Fier was killed in 1666, and the curse she put on the land on that date infects Tommy Slater (McCabe Slye), who proceeds to go on a killing spree. Among those terrorized are Tommy’s girlfriend, Cindy Berman (Emily Rudd), her sister Ziggy (Sadie Sink), camp counselor Nick Goode (Ted Sutherland), and many others.

    Written and directed again by Leigh Janiak, with help this time from co-writer Zak Olkewicz, the film advances the overall Sarah Fier storyline while taking on the feel of the traditional slasher movie. Per tradition for those types of films, having sex almost immediately leads to someone being killed, and the killer is an unstoppable force with his chosen weapon – in this case an axe – even after he has seemingly been vanquished.

    What’s most impressive about this film and the series in general so far is how much care has been taken in telling a good story, and not just relying on the bloody murders to carry the day. The plot is deceptively simple, but the filmmakers make sure to get the audience invested the characters. Save for a couple of scenes, the film has a whole new group of characters, and they become just as interesting thanks to the time devoted to telling us who they are.

    The actual horror part of the film is filled with standard issue jump scares foretold by ominous musical cues, but we already know they’re not trying to reinvent the wheel. Just like the first film, Part Two is filled with a plethora of era-appropriate songs, so much so that you wonder what they’re going to do in Part Three when they can’t artificially set the tone with rock or pop songs since it’s set in 1666.

    Except for Sink, whose fiery red hair and equally fierce spirit played as big a part in Stranger Things as they do here, the cast is once again filled with unfamiliar faces. But the casting department did its job well, as each person fulfills their purpose strongly, especially Rudd, Slye, Sutherland, and Ryan Simpkins.

    Many of the actors from the first and second films will be playing multiple characters in the finale, due on July 16, and given how well the filmmakers have done so far, there’s little doubt they will be able to integrate the characters successfully. Making good horror movies, and especially sequels, has proven difficult for many, but Janiak and her team are showing how it can be done.

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    Fear Street Part Two: 1978 debuts on Netflix on July 9.

    Emily Rudd and Sadie Sink in Fear Street Part Two: 1978.

    Emily Rudd and Sadie Sink in Fear Street Part Two: 1978
    Photo courtesy of Netflix
    Emily Rudd and Sadie Sink in Fear Street Part Two: 1978.
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    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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    The Invite is now playing in theaters.

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