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    Movie Review

    Laziness dooms Paws of Fury: The Legend of Hank to also-ran status

    Alex Bentley
    Jul 15, 2022 | 9:31 am
    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.play icon
    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.
    Photo courtesy of Paramount Pictures

    Live-action remakes are all the rage at Disney, which has dedicated itself to redoing all of its classic animated properties. But it’s not often you see the reverse — an animated remake of a classic live-action movie — and of all the movies you might think would be remade, one of the ones least likely to come to mind would be Mel Brooks’ 1974 black comedy, Blazing Saddles.

     

    And yet, that’s exactly what the new animated film Paws of Fury: The Legend of Hank, tries to do, although the connection between the two films is tenuous at best. In the film, the narcissistic Ika Chu (Ricky Gervais) leads a land dominated by cats, one in which each town is protected by a samurai. One such town, which just lost its fraidy cat of a samurai, stands in the way a great view for Ika Chu, and he vows to eradicate it altogether.

     

    He attempts to make that easier by appointing a dog, Hank (Michael Cera), as the town’s new samurai, hoping the townsfolk will revolt against him. Naturally, everyone warms to him right away, especially after he earns an early victory with the help of an aging samurai, Jimbo (Samuel L. Jackson). Soon, Hank and the town prove to much more formidable than Ika Chu ever expected.

     

    Directed by a trio of filmmakers and boasting five credited writers (although three of them are the original Blazing Saddles writers), the film is one of the laziest mainstream animated films in quite some time. The film is full of cheesy one-liners, the breaking of the fourth wall on multiple occasions, and more that seem greatly out of place. What works in an adult-oriented comedy doesn’t fly in a kids movie because all of the bite is missing, leaving the jokes with no clear audience.

     

    The filmmakers and writers just don’t seem to know how to make a broadly entertaining film. There are several clumsy attempts at making the movie relevant, vaguely calling out actions of hate and/or racism, but they don’t land at all. They throw in lots of anachronisms, inserting modern-day aspects among the ancient days of the samurai, but those scenes mostly confuse matters.

     

    Worst of all is the storytelling decisions in general. If you didn’t know going in that it was based on Blazing Saddles, there would be little way to tell other than the presence of Mel Brooks in a small role. And the use of samurai instead of simply Old West figures is supremely odd, and in a way insulting, like they’re trying to steal from a culture they know nothing about. Perhaps they didn’t want to use guns, but writers who were more clever could have found a better way around this obstacle.

     

    It’s difficult to keep up with Disney, Pixar, Illumination, and the like in the animation field, but the work put forth in this film is still relatively shoddy. The characters look fine, but none of them are so appealing that you can’t wait for the film to get back to them. And the fine details like hair and water are noticeably lacking compared with the superb graphics other studios produce.

     

    The lackluster parts of Paws of Fury: The Legend of Hank, including the story, the writing, the animation, and the presence of celebrity actors no kid could ever name, provide no good reason for its existence. Even kids are smart enough to know when they’re being served something mediocre, and this film is so subpar it doesn’t even qualify as that level.

     

    ---

     

    Paws of Fury: The Legend of Hank is now playing in theaters.

    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.

    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank
      
    Photo courtesy of Paramount Pictures
    Hank (Michael Cera) and Jimbo (Samuel L. Jackson) in Paws of Fury: The Legend of Hank.
    movies
    news/entertainment
    CULTUREMAP EMAILS ARE AWESOME
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    This week's hot headlines

    North Dallas neighbor named best city for renters in week's top stories

    CultureMap Staff
    Jul 26, 2025 | 10:00 am
    McKinney skyline
    Facebook/Visit McKinney
    McKinney is booming.

    Editor's note: This week's most-read Dallas headlines included a new report on the best city for renters, an exciting new steakhouse, a construction park developed with Dude Perfect, and more. Read on to see what you missed. Still need weekend plans? Here's some help.

    1. Booming North Dallas neighbor named best U.S. city for renters in 2025. A Dallas-area city is the place to be for renters: According to a report from apartment search website RentCafe, McKinney has earned the title as the No. 1 best U.S. city for renters in 2025.

    2. Dallas chef to open steakhouse in ex-Nick & Sam's near Preston Center. A steakhouse inspired by the open-fire grills of Latin America is coming to north Dallas: Called Casa Brasa, it’ll take over the former Nick & Sam’s at 8111 Preston Rd., in Preston Commons, a block south of Preston Center, at Centenary Road.

     Casa Brasa Casa Brasa, coming to Preston Road.  Courtesy rendering  

    3. Construction theme park developed with Dude Perfect digs into Grapevine. A new kind of entertainment experience is bulldozing into Grapevine: Called Dig World, it's a construction-themed adventure park that will open at 2200 W. Grapevine Mills Cir. at Grapevine Mills.

    4. Jakes Burgers returns to East Dallas with location on Greenville Ave. An iconic burger is coming to Dallas' Greenville Avenue: Jakes Burgers and Beer, the Dallas-based chain featuring burgers, fries, and beer, is opening a location at 4925 Greenville Ave., at the Energy Square development.

    5. Early days of pandemic become a powder keg in tense movie Eddington. Even though a number of productions have attempted to show what life was like during the early days of the pandemic, few have tried to truly reckon with the way lockdowns and restrictions changed people. Filmmaker provocateur Ari Aster does just that in Eddington.

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