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    Alleged Reality TV Wrongdoing

    Dallas contestant and 9 others slap American Idol with $250 million discrimination lawsuit

    Claire St. Amant
    Jul 29, 2013 | 3:56 pm

    Ten former contestants are suing American Idol and its sponsors for racial discrimination. Dallas-born singer Akron Watson is among the plaintiffs alleging wrongdoing by Fox Broadcasting, Coca-Cola, AT&T and Ford Motor Company in a class-action complaint for $250 million.

    The lawsuit — all 429 pages of it — was filed July 24 in a U.S. District Court in Southern New York and also lists plaintiffs Jaered Andrews, Corey Clark, Jacob John Smalley, Donnie Williams, Terrell and Derrell Brittenum, Thomas Daniels, Ju'Not Joyner, and Chris Golightly.

    All the plaintiffs are African-American males with prior arrests who were booted from the show based on their criminal record, even if they were never convicted of a crime.

    All the plaintiffs are African-American males who were booted from the show based on their criminal record, even if they were never convicted of a crime.

    The suit opens with a quote from Thurgood Marshall, the first black justice of the U.S. Supreme Court, speaking about the experience of the black man in America. "The dream of America as the great melting pot has not been realized for the black man; because of his skin color he never even made it into the pot," the quote reads in part.

    Watson was 23 years old when he auditioned for season six of American Idol in 2007. His rendition of Sam Cooke's "Change Is Gonna Come" earned him a so-called golden ticket and trip to Hollywood for the next round of auditions.

    But he never made it on the plane. A producer called Watson two days before the trip and told him he was no longer in the competition.

    Watson was arrested in April 2003 for possession of marijuana, a misdemeanor. Although Watson says he disclosed his criminal history and the producers never mentioned the arrest when kicking him off the show, he still believes it is the reason for his dismissal.

    "I earned my way in, and you knew about my background, I have no clue why you wouldn't let me go and perform," Watson told People magazine in 2007.

    In the suit, Watson's attorney, James Freeman, offers an alarming reason as to why his client was led on. By allowing contestants with arrest records onto the show, "the plaintiffs' identities could be used to scandal-monger Nielsen ratings while reinforcing the age-old stereotype of 'the black criminal,'" the suit reads.

    "After illegally obtaining the contestants' criminal background information through a process known as contestant vetting, [the defendants] chose to systematically disqualify and publicly humiliate — with maximum fanfare — virtually every top-ranking black American Idol contestant who had a record of arrest (no matter how petty the alleged crime and no matter whether there was a conviction or an acquittal)."

    The suit goes on to say that white contestants who had criminal records were "championed as models of redemption," including those who had been convicted of armed bank robbery and felony drug possession. At least seven out of nine white contestants with criminal records went on to sign major record deals and/or have respectable careers in the music industry, the suit says.

    "It is irrefutable that over the course of the last decade, American Idol's producers, owners, network and sponsors have applied one set of 'contest rules' to black participants and an entirely different set of rules to white contestants," the suit reads. " ... This is exactly the type of unequal treatment that the Civil Rights Acts were intended to remedy."

    The 10 plaintiffs face a difficult road in proving what they allege was "a colossal hoax" with disparate treatment based on race. In 2012, a judge threw out a racial discrimination lawsuit based on casting decisions for the reality dating show The Bachelor due to First Amendment protections for free speech.

    Dallas native Akron Watson is among the American Idol contestants alleging racial discrimination.

    Former American Idol contestant Akron Watson
    Photo courtesy of Mary Collins Talent Agency
    Dallas native Akron Watson is among the American Idol contestants alleging racial discrimination.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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