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    Movie Review

    Twice the Rogen in An American Pickle equals a lot of laughs

    Alex Bentley
    Aug 5, 2020 | 8:56 am
    Twice the Rogen in An American Pickle equals a lot of laughs
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    Seth Rogen has specialized in a certain type of schlubby character throughout his career, a persona that seems little removed from his real identity. But he’s also a highly shrewd producer whose credits show a willingness to try a wide range of different projects. The two sides of Rogen collide in the high concept An American Pickle.

    Rogen starts off the film as Herschel Greenbaum, a man who immigrates to America from the fictional Eastern European nation of Schlupsk in 1920. In the film’s most out-there sequence, he finds work in a pickle factory, falls into a pickle barrel, is found alive 100 years later, and finds out that he has one last living relative, his great-grandson Ben (also Rogen).

    At first happy to have found each other, the two soon find themselves at odds thanks to a century’s worth of change. Herschel values tangible hard work, such as the process of making pickles, while Ben is an app developer, where the results are not so easily defined. The film pits the two against each other, with Herschel finding success with his old-fashioned ways and Ben running into roadblock after roadblock.

    Directed by Brandon Trost and written by Simon Rich, who adapted his own short story, the film is a mixture of over-the-top comedy and sentimentalism. Most of the film deals in heightened humor, like Herschel using literal trash to make his pickles, so the audience is primed not to take anything seriously. But the emotion of being part of a family layers on emotions, giving a sense of balance to a film that could have been all ridiculousness, all the time.

    While the reasons Herschel and Ben disagree are natural given the environments in which both grew up, the film makes a bit too much of their spats. This is especially true on Ben’s side, as it’s never clear why Ben is so resentful of Herschel. And while the shots taken at the hipsters in Brooklyn are funny, they’re no more insightful or interesting than similar jokes that have been made for the last 10 years or so.

    Remarkably, Rogen is much better as Herschel than he is as Ben. Using a vague Eastern European/Jewish accent and concealed by a voluminous beard, he’s boisterous but never hammy. The character’s path is ludicrous, but Herschel himself is fully-realized. However they achieved the goal of having two Rogens in one scene, it works like a charm throughout, with their interactions appearing seamless.

    An American Pickle requires its viewers to suspend a lot of disbelief, but those willing to go along for the ride will find much to entertain them. More could have been made of the concept, but twice the Rogen ensures the film works most of the way through.

    ---

    An American Pickle debuts exclusively on HBO Max on August 6.

    Seth Rogen and Seth Rogen in An American Pickle.

    Seth Rogen and Seth Rogen in An American Pickle
    Photo by Hopper Stone
    Seth Rogen and Seth Rogen in An American Pickle.
    movies
    news/entertainment

    Soccer Fever

    Dallas radio station The Ticket to expand soccer show during World Cup

    Alex Bentley
    May 12, 2026 | 3:42 pm
    The KickAround hosts Andy Swift and Peter Welpton
    Photo courtesy of Cumulus Media
    The KickAround hosts Andy Swift and Peter Welpton will be working overtime during the 2026 World Cup.

    The long-running radio soccer program The KickAround, which currently airs on Cumulus Media’s Sportsradio 96.7 and 1310 The Ticket every Saturday, will expand to a nightly broadcast during the upcoming 2026 FIFA World Cup.

    According to a release, every night during the quadrennial competition - which runs from June 11 to July 19 - hosts Andy Swift and Peter Welpton will provide recaps of the day’s matches, previews of upcoming fixtures, and real-time analysis of the biggest stories shaping the tournament.

    Coverage will include an enhanced focus on the U.S. Men’s National Team, with select match days featuring live, on-location broadcasts and fan events tied to U.S. games, they say.

    They'll be joined by longtime contributor and European soccer journalist Lars Sivertsen in studio to give the show an international perspective.

    In all, the program will produce 36 shows and 44 hours of original programming throughout the tournament.

    The KickAround started as a daily program during the 2014 World Cup in Brazil. Its success led to it becoming a weekly program later that year, and the show has since returned in expanded daily form for the World Cup every four years.

    With the United States serving as the main host of the 2026 World Cup, and with nine matches being played at AT&T Stadium in Arlington, the program expansion makes more sense than ever.

    "Interest this year is at an all-time high with key tournament games being played in Dallas-Fort Worth," said Jeff Catlin, Program Director, Sportsradio 96.7 and 1310 The Ticket, in a statement. "The KickAround will be a destination for Ticket listeners and both soccer fans and casuals.”

    The KickAround will air weeknights at 7 pm in addition to its regular 2-4 pm Saturday slot and select Sunday broadcasts. Special programming is also planned for the tournament final, including both a pregame preview show and post-match recap.

    For a complete programming schedule and to stream The Ticket, fans can go to theticket.com.

    att stadiumfifa world cupmediaradio showsoccersoccer programsports-fitness
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