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    Movie Review

    Springsteen inspires in lightweight but effective Blinded by the Light

    Alex Bentley
    Aug 15, 2019 | 12:33 pm
    Springsteen inspires in lightweight but effective Blinded by the Light
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    Whether coincidental or purposeful, Hollywood is in a stretch where studios are making movies designed to be carried by the music of popular singers or bands. In the last 10 months, we’ve seen biopics like Bohemian Rhapsody and Rocketman, along with films like Yesterday and now Blinded by the Light, which use music to enhance unfamiliar characters.

    Blinded by the Light is “inspired by the true story” of Javed Khan (Viveik Kalra), a Pakistani teenager growing up in the town of Luton, England, in 1987. Javed loves writing lyrics for his friend Matt (Dean-Charles Chapman) and poems, but inspiration doesn’t truly hit until a Pakistani friend, Roops (Aaron Phagura), introduces him to the music of Bruce Springsteen.

    Javed soon takes every word Springsteen sings to heart, using them in assignments to impress his English teacher (Hayley Atwell) and to win over Eliza (Nell Williams), a girl he likes. They also help him deal with hard issues like overt racism and a period of unemployment in England that hits the country hard, including his father (Kulvinder Ghir).

    Directed and co-written by Gurinder Chadha (Bend It Like Beckham), the film is a lightweight drama that mostly sticks to feel-good elements. Javed has to deal with multiple instances of discrimination and is growing increasingly disenchanted with the stifling ways of his family, but all of his troubles seem to find an answer by listening to Springsteen again.

    Chadha introduces fantasy elements in multiple scenes, blurring the line of reality just enough to make us wonder if what we’re seeing is meant to be taken at face value. Sometimes it’s obvious, as in sequences where Javed listens to Springsteen’s music while lyrics are projected on buildings and structures around him. Other times, characters start singing in a way that’s only halfway in the style of a musical, with some people participating and others just staring at the spectacle.

    Unlike the music of Queen, Elton John, and The Beatles, the music of Bruce Springsteen doesn’t quite have a sing-along nature. Only a few of songs included, like “Dancing in the Dark,” “Hungry Heart,” and “Born to Run,” have remained popular enough through the years to be familiar. But Chadha does an effective job of showing that it’s Springsteen’s deep and personal lyrics, in contrast with the poppiness of '80s singers like Debbie Gibson or Tiffany, that makes his music more meaningful and lasting.

    Save for Atwell, there’s not one familiar face in the cast, but that doesn’t stop them from making a great impression. Kalra is rightfully the star of the film, as he has an ability to adapt to a wide variety of emotions. Williams only serves as a romantic partner for Javed, but she still brings an element that sets her apart. And Phagura steals almost every scene he’s in with his unbridled enthusiasm.

    To its credit, Blinded by the Light tackles some difficult topics while showing the joy that music can bring. Bruce Springsteen may not be everyone’s cup of tea, but the movie does a great job of demonstrating the impact his music can have on those willing to listen.

    Viveik Kalra in Blinded by the Light.

    Viveik Kalra in Blinded by the Light
    Photo by Nick Wall
    Viveik Kalra in Blinded by the Light.
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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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