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    Movie Review

    Springsteen inspires in lightweight but effective Blinded by the Light

    Alex Bentley
    Aug 15, 2019 | 12:33 pm
    Springsteen inspires in lightweight but effective Blinded by the Light
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    Whether coincidental or purposeful, Hollywood is in a stretch where studios are making movies designed to be carried by the music of popular singers or bands. In the last 10 months, we’ve seen biopics like Bohemian Rhapsody and Rocketman, along with films like Yesterday and now Blinded by the Light, which use music to enhance unfamiliar characters.

    Blinded by the Light is “inspired by the true story” of Javed Khan (Viveik Kalra), a Pakistani teenager growing up in the town of Luton, England, in 1987. Javed loves writing lyrics for his friend Matt (Dean-Charles Chapman) and poems, but inspiration doesn’t truly hit until a Pakistani friend, Roops (Aaron Phagura), introduces him to the music of Bruce Springsteen.

    Javed soon takes every word Springsteen sings to heart, using them in assignments to impress his English teacher (Hayley Atwell) and to win over Eliza (Nell Williams), a girl he likes. They also help him deal with hard issues like overt racism and a period of unemployment in England that hits the country hard, including his father (Kulvinder Ghir).

    Directed and co-written by Gurinder Chadha (Bend It Like Beckham), the film is a lightweight drama that mostly sticks to feel-good elements. Javed has to deal with multiple instances of discrimination and is growing increasingly disenchanted with the stifling ways of his family, but all of his troubles seem to find an answer by listening to Springsteen again.

    Chadha introduces fantasy elements in multiple scenes, blurring the line of reality just enough to make us wonder if what we’re seeing is meant to be taken at face value. Sometimes it’s obvious, as in sequences where Javed listens to Springsteen’s music while lyrics are projected on buildings and structures around him. Other times, characters start singing in a way that’s only halfway in the style of a musical, with some people participating and others just staring at the spectacle.

    Unlike the music of Queen, Elton John, and The Beatles, the music of Bruce Springsteen doesn’t quite have a sing-along nature. Only a few of songs included, like “Dancing in the Dark,” “Hungry Heart,” and “Born to Run,” have remained popular enough through the years to be familiar. But Chadha does an effective job of showing that it’s Springsteen’s deep and personal lyrics, in contrast with the poppiness of '80s singers like Debbie Gibson or Tiffany, that makes his music more meaningful and lasting.

    Save for Atwell, there’s not one familiar face in the cast, but that doesn’t stop them from making a great impression. Kalra is rightfully the star of the film, as he has an ability to adapt to a wide variety of emotions. Williams only serves as a romantic partner for Javed, but she still brings an element that sets her apart. And Phagura steals almost every scene he’s in with his unbridled enthusiasm.

    To its credit, Blinded by the Light tackles some difficult topics while showing the joy that music can bring. Bruce Springsteen may not be everyone’s cup of tea, but the movie does a great job of demonstrating the impact his music can have on those willing to listen.

    Viveik Kalra in Blinded by the Light.

    Viveik Kalra in Blinded by the Light
    Photo by Nick Wall
    Viveik Kalra in Blinded by the Light.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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