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    Movie Review

    Romance and tragedy make a potent mixture in Chemical Hearts

    Alex Bentley
    Aug 19, 2020 | 4:30 pm
    Romance and tragedy make a potent mixture in Chemical Hearts
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    Teenage romances are a tricky thing to pull off. On one hand, the allure of young love is something that is universal, and thus eternal. On the other, the lasting power of teenage relationships is notoriously low, so putting stock into them, even in the fantasy world of movies, is a fool’s errand.

    Chemical Hearts, based on the 2016 novel Our Chemical Hearts by Krystal Sutherland, is a tragic love story where most of the tragedy happens before the two main characters meet. Henry (Austin Abrams) is a high school senior whose longtime goal was to become the editor of his school newspaper. His plans are altered when Grace (Lili Reinhart), a transfer student, joins the staff and is named co-editor by the faculty advisor.

    Grace, who uses a cane following a car accident, is initially sullen and withdrawn, but gradually opens up thanks to Henry’s kindness and persistence. As the two grow closer, the reasons for Grace’s gloominess become clearer, putting a crimp in their burgeoning relationship. Henry must try to navigate Grace’s ever-changing moods, while Grace tries to keep herself from falling to far into the darkness.

    The film is the sophomore effort by writer/director Richard Tanne, who also wrote and directed Southside by You, which detailed Michelle and Barack Obama’s first date. This one takes a little while longer to get going, but once Tanne establishes Henry and Grace’s bond, it grabs hold of the viewer and doesn’t let go. Even through the barrier of Grace’s physical and mental pain, the chemistry of the two characters is evident.

    Still, the trauma resulting from Grace’s car crash puts a cloud over the entire story, which is as much about her depression/PTSD as it is about the growing feelings between her and Henry. The complicated nature of her feelings about Henry become all the more complex when you bring in the other parts of her life, which contain events that are unenviable, to say the least.

    The film is not quite as successful when it comes with dealing with Henry’s quirky group of friends, who work alongside Henry and Grace at the newspaper. One, Muz (C.J. Hoff), is a cypher who only seems to exist to show that Henry has a male friend of some type. The other, La (Kara Young), is gay, and is given her own will they/won’t they romance with Cora (Coral Peña). However, the film doesn’t quite have enough energy to spend on their relationship, so it comes off as inclusion merely for the sake of inclusion.

    Abrams has built up a nice resumé in the last few years, starring in the underrated Brad’s Status and impressing in guest roles on both Euphoria and This is Us. He’s not a dynamic performer, but he’s steady and reliable, which makes him interesting. Reinhart, best known as Betty on Riverdale, turns in a nuanced performance here that makes her someone to watch in the near future.

    Romance tinged with tragedy is a staple of young adult movies in recent years, and Chemical Hearts fits right in with the best of them. It never tries to be much more than what it needs to be, delivering a story that touches the heart in multiple ways.

    ---

    Chemical Hearts debuts exclusively on Amazon Prime Video on August 21.

    Austin Abrams and Lili Reinhart in Chemical Hearts.

    Austin Abrams and Lili Reinhart in Chemical Hearts
    Photo courtesy of Amazon Studios
    Austin Abrams and Lili Reinhart in Chemical Hearts.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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