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Movie Review

Romance and tragedy make a potent mixture in Chemical Hearts

Alex Bentley
Aug 19, 2020 | 4:30 pm
Romance and tragedy make a potent mixture in Chemical Hearts
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Teenage romances are a tricky thing to pull off. On one hand, the allure of young love is something that is universal, and thus eternal. On the other, the lasting power of teenage relationships is notoriously low, so putting stock into them, even in the fantasy world of movies, is a fool’s errand.

Chemical Hearts, based on the 2016 novel Our Chemical Hearts by Krystal Sutherland, is a tragic love story where most of the tragedy happens before the two main characters meet. Henry (Austin Abrams) is a high school senior whose longtime goal was to become the editor of his school newspaper. His plans are altered when Grace (Lili Reinhart), a transfer student, joins the staff and is named co-editor by the faculty advisor.

Grace, who uses a cane following a car accident, is initially sullen and withdrawn, but gradually opens up thanks to Henry’s kindness and persistence. As the two grow closer, the reasons for Grace’s gloominess become clearer, putting a crimp in their burgeoning relationship. Henry must try to navigate Grace’s ever-changing moods, while Grace tries to keep herself from falling to far into the darkness.

The film is the sophomore effort by writer/director Richard Tanne, who also wrote and directed Southside by You, which detailed Michelle and Barack Obama’s first date. This one takes a little while longer to get going, but once Tanne establishes Henry and Grace’s bond, it grabs hold of the viewer and doesn’t let go. Even through the barrier of Grace’s physical and mental pain, the chemistry of the two characters is evident.

Still, the trauma resulting from Grace’s car crash puts a cloud over the entire story, which is as much about her depression/PTSD as it is about the growing feelings between her and Henry. The complicated nature of her feelings about Henry become all the more complex when you bring in the other parts of her life, which contain events that are unenviable, to say the least.

The film is not quite as successful when it comes with dealing with Henry’s quirky group of friends, who work alongside Henry and Grace at the newspaper. One, Muz (C.J. Hoff), is a cypher who only seems to exist to show that Henry has a male friend of some type. The other, La (Kara Young), is gay, and is given her own will they/won’t they romance with Cora (Coral Peña). However, the film doesn’t quite have enough energy to spend on their relationship, so it comes off as inclusion merely for the sake of inclusion.

Abrams has built up a nice resumé in the last few years, starring in the underrated Brad’s Status and impressing in guest roles on both Euphoria and This is Us. He’s not a dynamic performer, but he’s steady and reliable, which makes him interesting. Reinhart, best known as Betty on Riverdale, turns in a nuanced performance here that makes her someone to watch in the near future.

Romance tinged with tragedy is a staple of young adult movies in recent years, and Chemical Hearts fits right in with the best of them. It never tries to be much more than what it needs to be, delivering a story that touches the heart in multiple ways.

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Chemical Hearts debuts exclusively on Amazon Prime Video on August 21.

Austin Abrams and Lili Reinhart in Chemical Hearts.

Austin Abrams and Lili Reinhart in Chemical Hearts
Photo courtesy of Amazon Studios
Austin Abrams and Lili Reinhart in Chemical Hearts.
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Movie Review

Horrific filmmaking makes DC villain Clayface less appealing

Alex Bentley
Oct 22, 2026 | 1:01 pm
Tom Rhys Harries and Naomi Ackie in Clayface
Photo by Parisa Taghizadeh
Tom Rhys Harries and Naomi Ackie in Clayface.

The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

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Clayface opens in theaters on October 23.

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