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    Movie Review

    Ready or Not hides the scares in search for comedy

    Alex Bentley
    Aug 20, 2019 | 12:25 pm
    Samara Weaving in Ready or Notplay icon
    Samara Weaving in Ready or Not.
    Photo by Eric Zachanowich

    When a movie comes out of nowhere to be a success, you can be sure other filmmakers or studios will try to find a way to copy that success. Sometimes they pay heed to what made the first movie work, but more often they merely try to get the flavor of the original so that audiences will think they’re going to get the same experience.

    It’s obvious from the start that Ready or Not is trying to give the flavor of Get Out, as Grace (Samara Weaving) is set to marry Alex (Mark O’Brien) at the estate of his rich family. Some of the family, including mom Becky (Andie MacDowell), father Tony (Henry Czerny), and brother Daniel (Adam Brody), are welcoming, but there’s just something a bit off about all of them.

    Grace finds out just how off-kilter they are when, post-wedding, the family gathers to play a game. An old family tradition with supernatural elements dictates that, should a new member of the family draw a card calling for them to play hide-and-seek, the family must kill the new member or risk death themselves. Unaware of their nefarious intentions at first, Grace soon catches on and does her best to defend herself.

    Directors Matt Bettinelli-Olpin and Tyler Gillett and writers Guy Busick and Ryan Murphy (no, not that Ryan Murphy) structure the film so that comedy, rather than suspense, is at the forefront. Much of the acting is way over-the-top, superfluous characters are dispatched in brutal but funny ways, and the plot in general is treated in a light manner.

    That approach works for a while, but the lack of intrigue starts to hinder the film’s effectiveness. Grace is plucky, but the number of times she escapes and manners in which she does so get increasingly suspect. There are only so many clever gags the filmmakers can include before it becomes obvious they’re trying to cover up holes of their own making.

    The actors were apparently given free rein to indulge in theatricality, a method that works better for some than others. Weaving and Brody come off the best, with Weaving’s maniacal screams and Brody’s understated delivery both being appropriate for what their respective characters are enduring. MacDowell is good, but could have used a bit more menace, while Czerny needed to dial down the hamminess about 10 notches.

    For late-summer entertainment, Ready or Not is not a horrible option, but it’s unlikely many people will go seeking for it again in the future.

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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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