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    Movie Review

    Extremely unfunny The Binge is too high on its own concept

    Alex Bentley
    Aug 26, 2020 | 12:41 pm
    Extremely unfunny The Binge is too high on its own concept
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    The key to any good film is having a vision of what you want to show the audience. It doesn’t matter what the genre is; if you only have a general concept and nothing else, your film will rarely work. The makers of the new Hulu film The Binge obviously never got past the idea stage when they set out to make it.

    A take-off of the horror film The Purge, The Binge takes place in a highly-fictional world where all alcohol and drugs have been banned except for one day a year when anyone 18 or older is allowed to binge to their heart’s desire. Griffin (Skyler Gisondo) doesn’t have a huge desire to participate, but his best friend Hags (Dexter Darden) is all for it, so Griffin goes along for the ride.

    What ensues is boilerplate material when it comes to teen comedies, as Griffin and Hags run into all sorts of trouble trying to make it to the biggest party of Binge Day. Other issues include Griffin missing opportunities to ask Lena (Grace Van Dien) to prom; Principal Carlsen (Vince Vaughn), who happens to be Lena’s father, out to ruin everyone’s good time; and Andrew (Eduardo Franco) continually leading Griffin and Hags astray.

    Directed by Jeremy Garelick and written by Jordan VanDina, the film works neither as a parody of The Purge nor as a teen comedy. In fact, it barely works as a movie at all. The slapdash effort put into the film shows right from the start, as they use generic footage for interstitial scenes, insert random sex jokes to make the script “edgy,” and skip any kind of plot development for the sake of more wildness.

    The film is so actively unfunny that it’s a wonder anyone making it thought it would work at all. The characters have no connection, and the situations they’re subjected to are so over-the-top that they have no entertainment value. The only reason it remains watchable is due to the sheer charisma of Gisondo, Darden, and, to a lesser degree, Vaughn.

    The one memorable scene is a musical number near the end of the film, but by that point it only registers as mild amusement compared to the complete lack of humor in the rest of the movie. The sequence leans hard into the euphoria and hallucination that comes with the booze and drugs the boys have taken over the course of the film, and it’s so ridiculous that you can’t help but at least chuckle.

    Both Gisondo and Franco had memorable supporting roles in 2019’s Booksmart, which had such a similar base story to this film that The Binge pales in comparison. Gisondo is interesting in small bursts, but he doesn’t work as a leading man, at least not here. Darden is slightly better, but even his enthusiasm can’t save the horrid lines he has to deliver.

    The Binge should serve as a cautionary tale for how not to make a movie, much less a comedy. Even a silly story with little at stake must take some kind of form or it to work.

    ---

    The Binge debuts exclusively on Hulu on August 28.

    Skyler Gisondo in The Binge.

    Skyler Gisondo in The Binge
    Photo courtesy of Hulu
    Skyler Gisondo in The Binge.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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