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    Game News

    Massive arcade with pinball and cocktails joins mix at Dallas' Trinity Groves

    Teresa Gubbins
    Aug 26, 2022 | 2:20 pm
    pinball video game
    Pinball is the biggest surprise trend right now.
    Free Play

    There's something new coming to Trinity Groves in West Dallas, and for once it's not a restaurant: It's Free Play, a popular local arcade chain, which will open at 3015 Gulden Rd., in the former 3015 at Trinity Groves event space.

    Free Play made its DFW debut with a first location that opened in Richardson in 2015. Three more locations have opened since, in Arlington, Fort Worth, and Denton.

    Each boasts dozens of games, some vintage from the 1980s, including titles such as Ms. Pac Man, Defender and Tempest. In addition to the games, the arcade includes a dining area with food, cocktails, and craft beers.

    All have a cool retro theme and a unique payment approach: As the name suggests, every video is set to "free play" mode, with patrons paying a single entry price for unlimited play on every game in the arcade.

    Their goal is to offer the best arcade games, in the best condition, to everyone. "No matter what it takes, we want you to walk into a retro arcade that has working games, running real components, just as they did when they were released," their mission says.

    Founder Corey Hyden says that opening an arcade in Dallas was a goal, and the Trinity Groves space — which was slated to become a kitchen equipment demo store, until that fell through during the pandemic — turned out to be ideal.

    "It's good for us, and it's good for Trinity Groves," Hyden says. "Our customers are the young gamers, we'll bring in that traffic to Trinity Groves, and meanwhile we're looking to broaden our appeal to everyone. They're launching more restaurants and it's about to be a beehive of activity."

    Dallas will be the largest Free Play yet.

    "It's officially a little more than 10,000 square feet, although I think it's even bigger," Hyden says. "Our biggest so far is Arlington, at 9,000 square feet."

    "But beyond the size, I think the coolest thing about the Dallas location is that there isn't a single wall or beam inside," he says. "It's a cool old grain silo building with a sloped roof. So we'll be able to use the space much more creatively. We'll be able to put more games, and big games we haven't put in any of our other arcades."

    They'll also feature what has been the biggest game trend in recent years: the good old-fashioned pinball machine.

    "Pinball is experiencing a huge resurgence not only in the U.S. but around the world," Hyden says. "There are now four to five manufacturers in the U.S. making machines, plus international manufacturers. It's been the biggest surprise in the arcade world."

    The other trend that Hyden has seen at his arcades is a stronger interest in cocktails, especially since the pandemic.

    "We'll always feature craft beers, but people have gravitated towards cocktails and we've improved our bar program, increasing the selection and quality of our cocktails," he says.

    He's hoping to be open by the holidays, with only one thing standing in the way: His mildly obsessive desire to make the Dallas location super tricked out.

    "We're planning on a ton of light shows, using everything we've learned about design, with more high-tech stuff including video matrix devices and cool A/V displays," he says. "The goal is to feature things that people haven't seen before."

    downtowncocktailsvideo
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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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