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    Weekend Event Planner

    These are the 7 best things to do in Dallas this weekend

    Alex Bentley
    Aug 27, 2020 | 6:00 am

    While the majority of events around Dallas have either been postponed or canceled, there are a few that have popped up to offer the masses some entertainment while still adhering to the social distancing necessary during the coronavirus pandemic.

    Below are the best ways to spend your free time this weekend. While they're not all outside of the house, they all promise to provide a nice distraction from the everyday life.

    Thursday, August 27

    Rooftop Cinema Club: The Drive-In at The Central
    Dallas is getting another drive-in movie option this week thanks to Rooftop Cinema Club. Taking place at The Central in East Dallas, the drive-in will project movies onto a 52-foot screen with skyline views as the backdrop, with audio broadcast through the FM transmitter radio in cars. Moviegoers are welcome to bring their own food, but food and beverage are also being offered through a contactless system. Opening weekend movies include Selena, Dazed and Confused, Dirty Dancing, Friday, Jurassic Park, Nightmare on Elm Street, The Little Mermaid, and Pulp Fiction.

    Friday, August 28

    Twilight at the Tin Star
    Twilight at the Tin Star, taking place at Tin Star Theater in Trinity Groves, is an immersive art event that guests can experience from the safety of their vehicle in an in-the-round, drive-in theater setting. The performance features music by Danny Goldman and MAKE trio, and percussionist Austin Allen. Bruce Wood Dance will perform a site-specific work created by choreographer Gregory Dolbashian under the canopy of TETRA, an illuminated structural art piece by Colin Hendee.

    Improv Arlington presents Lavell Crawford
    Audiences are becoming increasingly familiar with Lavell Crawford’s giant-sized talent from his numerous television appearances. Crawford gained national exposure on NBC’s hit reality series Last Comic Standing, leading to his own half-hour standup special on Comedy Central. Crawford is best known for his recurring role on AMC’s Emmy Award-winning Breaking Bad. He'll perform five times through Sunday at Improv Arlington.

    Improv Addison presents Terry Fator
    Terry Fator is perhaps the first entertainer to combine the art of ventriloquism with singing celebrity impressions. His puppets, including Cowboy Walter, Emma Taylor, and Winston the Impersonating Turtle, effortlessly perform the singing styles of an eclectic group of stars, including Tony Bennett, Elvis, Maroon 5, Garth Brooks, Nat King and Natalie Cole, Roy Orbison, Etta James, and more. He'll perform five times through Sunday at Improv Addison.

    Saturday, August 29

    Legacy Hall presents End of Summer Luau
    Legacy Hall in Plano will present a safe and socially distant tropical getaway with an End of Summer Luau. The festive evening will feature a traditional Hawaiian pig roast, hula dancers, a fire performer, tiki cocktails, a limbo competition, and a performance by Summer of ’69, a Bryan Adams tribute band. Food is not included in the overall ticket cost; the pig roast is $18 when pre-purchased with an event ticket, or $22 at the door.

    CarBaret: Pee Wee's Big Adventure + Mr. Rid + Lily Taylor
    CarBaret, the pop-up drive-in theater/performance space at Brizo in Richardson will present a 35th anniversary screening of Tim Burton's cult classic, Pee Wee's Big Adventure. Prior to the screening, DJ Mr. Rid will present music and selected short films, and Lily Taylor featuring Black Taffy will play live music. Guests can order food from a drive-in menu that will be delivered to cars or chairs, featuring beer bratwurst, grilled kebabs, veggie tacos, and more. Guests can stay in their cars, on top of their cars, or in folding chairs near their cars.

    Sunday, August 30

    Dallas Museum of Art exhibition openings
    The Dallas Museum of Art will open two new exhibitions on Sunday: Love is the Message, The Message is Death, Arthur Jafa’s renowned film that juxtaposes representations of Black artists, scholars, athletes, and politicians with depictions of events ranging from faith-based transcendence to police brutality; and "Contemporary Art + Design," which presents recently acquired paintings, installations, jewelry, furnishings, and design objects made by artists from 11 countries that show new directions for the growth of the DMA's collection. Both exhibitions will remain on display through March 7.

    Rooftop Cinema Club: The Drive-In at The Central will show a variety of classic movies.

    Drive-In Theater Spring
    Photo courtesy of Rooftop Cinema Club
    Rooftop Cinema Club: The Drive-In at The Central will show a variety of classic movies.
    event-plannerconcertsmuseumsmovies
    news/entertainment

    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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    news/entertainment

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