Movie News

Drive-in movie concept sets up shop on grassy East Dallas field off US-75

They'll open with Grease and Raiders of the Lost Ark.

Photo courtesy of Rooftop Cinema Club

A drive-in company with three locations in Texas is coming to Dallas. Called Rooftop Cinema Club, it'll set up an outdoor theater in East Dallas, at 2999 N. Carroll Ave.

According to a release, the Dallas location is called Drive-In at The Central — it's off US-75, where the ACS building used to be before it got imploded in 2015 — and will open August 25. The schedule of films and tickets are available Thursday, August 13.

This will be the company's fourth drive-in theater to open in Texas since March, following locations in Houston and San Antonio.

Rooftop Cinema Club started as a single rooftop in London in 2011 and has now three venues in the UK, plus venues in Los Angeles, New York, San Diego, and Houston. The rooftop venues have it pretty good, with state-of-the-art projectors, personal headphones, deck chairs, and blankets.

The Texas drive-ins are not on rooftops. Owner-founder Gerry Cottle says in a statement that they're reviving the tradition of the drive-in to accommodate the desire for socially distanced entertainment. There are more in the works for other U.S. cities.

"The return of this great American institution continues to grow in popularity as we've seen at our other Texas drive-ins," Cottle says. "[These] aren't week-long pop-ups, they are here to stay as long as people need this as a safe escape during this uncertain time."

Hmm, so maybe it'll be month-long pop-ups.

They'll host two screenings per night, seven nights a week, and all ages are welcome.

They'll debut with Grease and Raiders of the Lost Ark, and continue with a mix of modern and classic films geared towards family, friends, or date night.

Family-friendly flicks such as Frozen II and The Sandlot will screen first at around 8 pm. The second screening of the night begins at 11 pm with films such as A Star is Born, Love Jones, A Nightmare on Elm Street, and Bohemian Rhapsody.

Tickets are as follows:

8 pm: $28 or $35 per vehicle, regardless of occupancy, depending on parking preference – either closer or further from the screen.
10:30-11 pm: $22 and $28, Sunday-Thursday, and $28 or $35 Friday-Saturday, also depending on parking preference.

You can bring your own snacks and drinks, or order concessions, food, and drinks from Rooftop Cinema Club or on-site food truck partners. All orders are made online and guests will be notified for pick up, to avoid time outside their cars. Concession items will include popcorn, candy, and soda.

Cars will enter the venue off North Carroll Avenue, where they’ll greet a 52-foot movie screen, and be ushered to a 10-foot by 15-foot parking space. All vehicles are spaced up to 10 feet apart. Audio can be picked up through local FM stereo in the car, or guests can bring a portable radio.

Safety rules include requirements to follow your usher's directions on where to park, and to watch the movie from within your vehicle, truck bed, or hatchback. Lawn chairs, picnic blankets, and other seating outside the vehicle are not allowed at this time.

Masks, face coverings, and social distancing are required anytime you step outside your car for any reason, whether it's using the restroom or buying snacks.

The schedule of films through September 6 is as follows:

August 25: Grease, Raiders of The Lost Ark
August 26: Sonic The Hedgehog, A Star Is Born
August 27: Selena, Dazed and Confused
August 28: Dirty Dancing, Friday
August 29: Jurassic Park, A Nightmare on Elm Street
August 30: The Little Mermaid, Pulp Fiction
August 31: Frozen II (Community Screening), Love Jones
September 1: Toy Story 4, Poetic Justice
September 2: Shrek, Bohemian Rhapsody
September 3: The Greatest Showman, Grease
September 4: The Lion King (2019), Friday
September 5: Jurassic Park, Texas Chainsaw Massacre
September 6: The Sandlot, Joker

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Movie Review

Bob Odenkirk is back as the everyman-turned-hero in new movie 'Normal'

Photo courtesy of Magnolia Pictures

Bob Odenkirk in Normal.

Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

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Normal opens in theaters on April 17.

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Drive-in movie concept sets up shop on grassy East Dallas field off US-75

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