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Texas Olympians

Meet Hezly Rivera, a 16-year-old Plano gymnast heading to the Olympics

Associated Press
Jul 4, 2024 | 10:30 am
Hezly Rivera

Plano's Hezly Rivera is headed to the Olympics.

Photo by Elsa/Getty Images

Hezly Rivera planned to spend a significant portion of this summer learning how to drive. The 16-year-old is going to have to postpone that learner's permit test for a bit. She's joining Simone Biles on the U.S. gymnastics team at the Olympics instead.

Heady territory for a self-proclaimed “underdog” who never expected to be here. Not that Rivera looked out of place competing against some of her idols at the U.S. Olympic trials. She earned her way onto the five-woman team by thriving over two days and eight tense rotations that tested the nerves of athletes whose resumes are packed with gold.

Rivera finished fifth in the all-around, tied for the top score on beam and placed a solid fourth on uneven bars, the two events where she's likely to salute the judges during team qualifying on July 28.

Still, the 2023 U.S. junior champion admits she was “shocked” when she heard her name called late Sunday night. She hoped she'd done enough to at least earn a spot as an alternate. Instead, she will walk onto the floor at Bercy Arena as part of a group that will be heavily favored to finish atop the podium.

'Just trust myself'
It's a moment Rivera didn't exactly anticipate after a shaky start in the run-up to the Olympic trials. She finished a distant 24th at the U.S. Classic in mid-May, failing to place better than 25th on any event.

Sure, weather issues that disrupted her travel plans to Hartford, Connecticut, messed with her head. But that was just an excuse.

The reality is she had a bad meet. That’s it. They happen. Rivera — who trains out of the World Olympic Gymnastics Academy in Plano — simply plowed forward. She buried herself in “pressure sets” at the gym and tried not to get ahead of herself.

“I was like, ‘OK, let’s just trust myself here and do what I always do in the gym,’” Rivera said.

And she did. The gymnast who started training senior elite-level routines well before she needed them found herself playing in confetti on the Target Center floor on Sunday night and hugging the women she's long looked up to, women who are no long stars, but peers.

“I definitely love competing with the senior crowd and all the seniors,” Rivera said. “You know, they’re all so sweet and supportive and always cheering you on, and the energy is just so big. So I really love that.”

And her somewhat unexpected arrival gives the oldest U.S. women's Olympic gymnastics team ever a welcome jolt of youth.

From idols to teammates
On a roster filled with 20-somethings from Biles (27) to reigning Olympic champion Sunisa Lee (21), Rivera, who celebrated her 16th birthday less than a month ago, is a throwback to a time — not so long ago — when the U.S. Olympic roster was stuffed with teenagers.

“I feel so old compared to her,” Lee said with a laugh. “I can't imagine how Simone feels.”

Biles — who briefly met Rivera before the 2016 Olympics while Rivera was still in elementary school — joked it might be up to the rest of the team to find a way to get her behind the wheel ahead of Paris. Biles was probably kidding. She's not, however, when she says she's impressed by the maturity Rivera showed during a meet that's every bit as high stakes as what awaits in France.

“We’re really excited to kind of show her the ropes,” Biles said. “And at least she doesn’t have to do it alone. She has four veterans that have been there before.”

A place Rivera has long wanted to go, a place she is going ahead of schedule. She sat transfixed when Biles won the Olympic title at Rio de Janeiro in 2016. During the 2020 Games, she envisioned being in that position by Los Angeles in 2028.

Fate — top contenders Shilese Jones, Skye Blakely, and Kayla DiCello were forced to withdraw after getting hurt in Minneapolis, creating an opportunity — and Rivera's drive and preternatural talent had other plans.

Seizing her chance
“She's just so calm, cool and collected,” said U.S. women's national team strategic lead Alicia Sacramone Quinn, who was on the three-person selection committee. “She had a few meets as a junior that were rough and you need those rough meets to build some character and build that experience and she came out and I asked her ‘Are you nervous?’ And she's like, ‘Nope.’”

Rivera even had the presence of mind to compliment Quinn on her outfit, a hint that she wasn't exactly getting caught up in the enormity of the moment, something Rivera admits gets her “all scrambled and stuff.”

There was no scrambling during trials, just the steely resolve of an athlete who peaked at the right time. There were tears afterward with her family, who moved from New Jersey to the Dallas area so Rivera could train at one of the premier gyms in the country.

She is well aware of the sacrifices others have made to get her to this point. The next six weeks are as much about those who have guided her as it is about anything else.

The young girl who got into gymnastics by attending a friend's birthday party long ago will step on the biggest stage in the world on a star-studded group in which she very much belongs.

So yeah, the driving lessons can wait. Anyone can get their license. Very few earn the opportunity Rivera — if somewhat unexpectedly — earned. And she knows it.

“I’m going to document everything ... keep memories of it and just be the happiest version of myself,” she said. “Because I made it here.”

gymnastics sports simone biles olympic trials
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Movie Review

New film I Want Your Sex somehow makes kinky activity boring

Alex Bentley
Jul 31, 2026 | 12:45 pm
Cooper Hoffman and Olivia Wilde in I Want Your Sex
Photo courtesy of Magnolia Pictures
Cooper Hoffman and Olivia Wilde in I Want Your Sex.

Writer/director Gregg Araki has been making provocative movies for nearly 40 years, releasing his debut - Three Bewildered People in the Night - in 1987. Most of them have had plotlines that revolved around sex in one way or another, and for his latest - his first film in 12 years - he’s putting it right there in the title, I Want Your Sex.

Elliot (Cooper Hoffman) is an aimless twenty-something who can’t even afford the rent for his apartment with best friend, Apple (Chase Sui Wonders). Thankfully, he finds a job at the gallery of artist Erika Tracy (Olivia Wilde), who is open with her sexuality both in her artwork and in her day-to-day life. That soon includes Elliot, whom she convinces to enter into a dominant-submissive relationship with her, with sessions taking place both at work and her home.

Elliot, who’s in a going-nowhere coupling with Minerva (Charli XCX), is more than willing to participate, both because it lets him feel something he doesn’t get normally and because Erika offers a perspective on sex that’s much different from people of his generation. But as he gets in deeper with her, he starts to lose a sense of himself, going down a path in which he finds himself talking to police detectives Zem (Johnny Knoxville) and Zola (Margaret Cho).

Araki does his level best to make I Want Your Sex into a broad comedy, and early on it seems as if he might succeed. The deadpan way that sexual objects appear in the film (a penis-shaped rug in Elliot and Apple’s apartment, a vagina artwork with chewed gum as the medium) make for amusing sight gags. He also makes Elliot the bewildered other in multiple twosomes, with Minerva being the funniest, as she’s way more interested in studying than his ham-fisted attempts at sex.

It’s clear that Araki wants the film to be a commentary on the generational differences about sex, but he fumbles his own idea. It starts with an on-the-nose conversation between Erika and Elliot, and continues with the various dalliances, which seem to be more about making Elliot look and feel ridiculous than giving true insight. Their encounters certainly open his mind about what sex can be, but their one-note nature makes them repetitive and frankly boring, odd considering the acts in which the two engage.

The uninspired storytelling makes the 90-minute film drag way more than it should. Araki includes a few other characters to try to vary the tone of the film, including gallery workers Zap (Mason Gooding) and Vikktor (Daveed Diggs), but their early promise yields little results. The framing device of Elliot’s interview with the detectives never works, especially because Araki completely neuters the personalities of Cho and Knoxville for seemingly no good reason.

The cast as a whole goes to waste. Hoffman is showing the promise of his late father (Philip Seymour Hoffman), and even though he’s appealing here, the material pulls him down. Wilde just made her own provocative movie about sex (The Invite), and this one pales in comparison despite her heightened performance. Wonders, Charli XCX, and Gooding are all young stars who deserve to be showcased much better than they are in this film.

A film called I Want Your Sex is announcing itself as daring and alluring, but this film contains almost none of those qualities. Instead, it’s a slog that only occasionally has something interesting to show or say, mostly relying on the power of its actors to hold viewers’ attention - and failing at even that.

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I Want Your Sex is now playing in select theaters.

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