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    Indie Star Showcase

    Digging for Fire's story is no match for the wattage of its actors

    Alex Bentley
    Aug 28, 2015 | 12:00 am
    Digging for Fire's story is no match for the wattage of its actors
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    Writer/director Joe Swanberg is a filmmaking junkie, having made nearly 20 feature-length films since 2005. But it hasn’t been until the past few years, starting with 2013’s Drinking Buddies, that he started to get real attention outside of the indie film crowd as he started populating his casts with relatively big-name actors.

    That trend continues, and then some, with Digging for Fire, the smallest film with the biggest cast you’ll ever find. Jake Johnson and Rosemarie Dewitt star as married couple Tim and Lee, who start the film house-sitting for Lee’s boss. While exploring the grounds, Tim happens upon a bone of unknown origin and a rusted-out gun, piquing his interest as to what else he might find if he digs a little deeper.

    While a studio film might turn the premise into a suspenseful murder mystery, Swanberg and Johnson, who’s credited as co-writer, instead use it as a study of personalities. Both Tim and Lee become obsessed with the idea of something, and how they deal with those obsessions propels the film forward.

    Swanberg usually lets his actors improvise most of their dialogue, and the hesitancy you often find in actual conversations can be seen throughout the film. Unfortunately, at least in this case, it doesn’t lend itself to anything all that interesting. A few situations crop up that could prove dramatic, but Swanberg doesn’t seem interested in pursuing that option very hard.

    Swanberg’s use of bigger name actors also becomes somewhat of a detriment to the film. Apart from the two leads, actors like Sam Rockwell, Orlando Bloom, Sam Elliott, Anna Kendrick, Brie Larson, Judith Light, Ron Livingston, Melanie Lynskey, Mike Birbiglia, Chris Messina, Jenny Slate and Jane Adams all show up, sometimes for just a few lines. The presence of so many recognizable stars proves to be a distraction, as you wind up concentrating on the actors and not the characters they’re supposed to be playing.

    Still, the quality of the actors can’t help but elevate the film even when there’s no discernible reason for them to have been cast. Johnson is not a typical leading man, but his charm wins out in the end. Dewitt, as she’s shown on multiple occasions, is magnetic, so even her small moments resonate. Of the large supporting cast, Larson and Rockwell stand out the most.

    Swanberg’s oeuvre of filmmaking takes some getting used to, and Digging for Fire is neither the best nor the worst example. It never really goes anywhere, but that’s kind of the point.

    Mike Birbiglia, Jake Johnson and Sam Rockwell in Digging for Fire.

    Mike Birbiglia, Jake Johnson and Sam Rockwell in Digging for Fire
    Photo courtesy of The Orchard
    Mike Birbiglia, Jake Johnson and Sam Rockwell in Digging for Fire.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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