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    Movie Review

    Searching makes smart use of technology for modern mystery

    Alex Bentley
    Aug 30, 2018 | 2:21 pm
    Searching makes smart use of technology for modern mystery
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    At first glance, the filmmaking technique of Searching seems to be an unnecessarily distancing one. Literally every second of the film is viewed as if looking at a computer screen, so that none of the actors ever appear to be acting for the camera. It’s the same technique utilized by the Unfriended horror movie series, which is produced by the same company, Bazelevs Production.

    This time, instead of trying to scare the audience, they’ve turned to a mystery, with arguably much better results. John Cho plays David Kim, who, along with his daughter, Margot (Michelle La), is struggling to get by after the untimely death of his wife, Pamela (Sara Sohn). The struggle gets even more difficult when Margot goes missing after a late-night study group.

    Desperate to find his daughter, David tries to track her movements using the best resources available — her computer and the Internet. With the help of the detective assigned to the case, Rosemary Vick (Debra Messing), he doggedly pursues every clue he can find, often coming up with answers to questions he didn’t know he should have.

    Perhaps it’s the ubiquitousness of being on a computer or a smartphone every day, but after a settling-in period, the film seems to give the audience a perceived sense of control. Writer/director Aneesh Chaganty, along with co-writer Sev Ohanian, do an amazing job of making the act of clicking around and typing on a computer seem as compelling as any traditional narrative could be.

    They’re helped by a variety of video options available, most notably Facetime. Although slightly unbelievable — does anyone actually use Facetime on a computer? — its usage allows the filmmakers to give the characters just enough, well, face time so that the story retains the requisite emotion.

    The believability factor is upped even more by the film, with one notable exception, using real websites and devices instead of fake ones like many other movies do. It’s much easier to put yourself in the shoes of the characters when they’re using Google or scrolling through Facebook and Instagram on their Macbook or iPhone.

    Best of all, though, the filmmakers don’t let the gimmick of the film get in the way of telling a good story. The twists and turns it takes throughout the course of its 102-minute running time are as surprising and effective as any conventional film, and perhaps even more so given the setting.

    Much has been made about the all-Asian cast of Crazy Rich Asians, but there’s something even more notable about having an Asian family at the center of a movie like this. Their ethnicity is a minor but still important element of the film, and thanks to the performances of Cho, La, and Sohn, the situations they experience are as close to universal as you can get.

    Though it might not age well given the speed that the world changes, Searching is an of-the-moment film, one that makes great use of modern-day technology to tell an enthralling story.

    John Cho in Searching.

    John Cho in Searching
    Photo by Sebastian Baron
    John Cho in Searching.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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