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    Weekend Event Planner

    These are the 10 best things to do in Dallas this Labor Day weekend

    Alex Bentley
    Sep 1, 2022 | 6:00 am
    Perot Museum of Nature and Science presents “Becoming Jane: The Evolution of Dr. Jane Goodall”
    It's the final weekend for "Becoming Jane: The Evolution of Dr. Jane Goodall” at the Perot Museum.
    Photo courtesy of National Geographic

    Labor Day weekend can sometimes be light on events as people take one last opportunity for summer vacation, but this weekend across Dallas features a nice slate. There will be five big concerts, a trio of new local theater productions, a music festival featuring a Dallas favorite, and the end of an exhibition celebrating a renowned animal conservationist.

    Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, September 1

    Theatre Three presents Big Scary Animals
    In Big Scary Animals, an older white couple from the country moves to the city to be closer to their granddaughter and unknowingly settles in the gay neighborhood. What begins as polite dinner conversation with their gay, multi-ethnic neighbors careens out of control. The play is a hilarious collision of race, sex, guns, and sports that examines shifting generational beliefs and just how hard it is to raise a child regardless of who you are and where you live. The production will run through September 25 at Theatre Three.

    Undermain Theatre presents Lonesome Blues
    Lonesome Blues is the true story of the legendary bluesman Blind Lemon Jefferson: born blind, but ultimately able to express his deepest emotions through music. Discovered on a street corner in the Deep Ellum section of Dallas in 1925, Jefferson made more than 80 records over the next four years, becoming one the most prolific and influential performers of his generation and propelling the growth of rhythm and blues, soul, doo-wop, rap, and hip-hop. The production will run through September 17 at Undermain Theatre.

    Friday, September 2

    The Black Academy of Arts and Letters presents Riverfront Jazz Festival
    The 5th annual Riverfront Jazz Festival will feature three days of performances from over 30 different artists, including Erykah Badu, Cameo, Dianne Reeves, Boney James, Eric Benet, Avery Sunshine, Hiroshima, Robert Glasper, and more. The festival runs through Sunday at The Black Academy of Arts and Letters.

    In This Moment in concert
    Hard rock band In This Moment is known as much for their stagecraft as they are for their music. Even a small look at the live performances they've put on in their nearly 20-year career shows a penchant for religious iconography, makeup, and dark clothing, the better to get their fans in the mood for their music. They'll play at South Side Ballroom in support of their new EP, Blood 1983, which commemorates the 10-year anniversary of their 2012 album, Blood.

    The Core Theatre presents The Debt That Led to Home
    The Debt That Led to Home is a poignant look into the humanity and dignity that can be found in the hardest places. It follows a freshly graduated writer looking for a story who interviews a duo of homeless men. On the way to discovering herself as a writer, they all discover the meaning of home. The production will run through September 25 at The Core Theatre in Richardson.

    Saturday, September 3

    Peter Hook & The Light in concert
    It's hard to beat the track record of Peter Hook, who helped form two highly-celebrated British bands — Joy Division and New Order — back-to-back in the late 1970s/early 1980s. At this concert, his latest band, Peter Hook & The Light, will present Joy Division: A Celebration, in which the group will perform Joy Division’s seminal two albums, Unknown Pleasures and Closer, in their entirety, with additional Joy Division rarities and an opening set of New Order material. The concert will be at House of Blues Dallas.

    Imagine Dragons in concert
    Anyone who claims that rock is dead hasn't paid attention to the success of Imagine Dragons. Since they released their debut album 10 years ago, they've been at the top of the Billboard charts with all six of their albums, including the recently-released Mercury - Act 2, and songs, including mega-hits like "Radioactive," "Believer," "Thunder," and "Enemy." They'll play at Dos Equis Pavilion.

    Robert Plant & Alison Krauss in concert
    Music can sometimes make for some odd pairings, and the connection between former Led Zeppelin singer Robert Plant and bluegrass artist Alison Krauss doesn't seem like a natural one. But in 2007 they collaborated on the Grammy-winning album Raising Sand, and 14 years they revisited the fruitful partnership with 2021's Raise the Roof. They'll play at Texas Trust CU Theatre at Grand Prairie.

    Sunday, September 4

    Lauv in concert
    Electropop singer Lauv hasn't had a long career, releasing How I'm Feeling in 2020 and All 4 Nothing last month, but he's worked with some heavy hitters. He's collaborated with the likes of Julia Michaels, Troye Sivan, Conan Gray, and BTS, and written songs for Charli XCX, Backstreet Boys, and Celine Dion. He'll perform at The Pavilion at Toyota Music Factory in Irving.

    Monday, September 5

    Perot Museum of Nature and Science presents “Becoming Jane: The Evolution of Dr. Jane Goodall” closing day
    You can take advantage of the long Labor Day weekend to check out “Becoming Jane: The Evolution of Dr. Jane Goodall” before it comes to an end at the Perot Museum of Nature and Science. The special exhibition celebrates the world-renowned conservationist and ethologist, exploring her life from her early years as an intrepid young woman with a dream to learn about animals in Africa, to establishing herself as a renowned scientist in Gombe, Tanzania, to her present role as an activist and mentor for creating a better world for life on Earth.

    Imagine Dragons will play at Dos Equis Pavilion on September 3.

    Imagine Dragons
    Imagine Dragons/Facebook [https://www.facebook.com/ImagineDragons]
    Imagine Dragons will play at Dos Equis Pavilion on September 3.
    festivalsevent-plannerconcertstheatermusicgalleries
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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