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Movie Review

Mulan explores brave new territory for Disney live action remakes

Alex Bentley
Sep 3, 2020 | 11:57 am
Mulan explores brave new territory for Disney live action remakes
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For the most part, Disney’s grand experiment of making live action versions of their classic animated films has not been a success. Sure, it’s made them oodles of money, but creatively the movies have been less than fulfilling, either being little more than shot-for-shot remakes or uninspired retellings of stories we know and love.

When the trailer for the new Mulan came out, it was immediately clear that it would be something different. In fact, it bore little resemblance to the animated musical, with no hint of low-brow shtick or even songs. For all intents and purposes, it looked as if director Niki Caro and writers Rick Jaffa, Amanda Silver, Elizabeth Martin, and Lauren Hynek would treat the story with gravity and purpose.

I’m happy to say that is exactly what they delivered. The base story remains the same: When the Chinese Army conscripts one man from every family to fight against invaders, Hua Mulan (Yifei Liu) secretly steps in for her ailing father, Hua Zhou (Tzi Ma). Properly disguised as a man, Mulan joins the army and quickly impresses with her level of dedication and skill, especially when she goes up against fellow soldier Honghui (Yoson An).

The invaders have some truly intimidating people leading them, including the fearsome Bori Khan (Jason Scott Lee) and Xianniang (Gong Li), a witch who can transform into a bird. As Mulan rises in the ranks of the army, the invaders get ever closer to accomplishing their goal of overthrowing the emperor (Jet Li).

Caro and her team, taking inspiration from any number of fantastical Chinese action movies, go all-in with fight scenes that are both exciting and beautiful. The fluidity of the movements, the creativity of the staging, and more make the sequences a wonder to behold. For many, it will their first exposure to the type of scenes seen in films like Crouching Tiger, Hidden Dragon, and the accessibility of Mulan’s story makes it a great entry point.

While the film is kid-friendly, it’s not aimed strictly at children, as evidenced by its PG-13 rating. There is no blood, but the violence in the film is definitely stepped up over your typical Disney outing. It also stays true to the goal of building up a strong woman while still maintaining her femininity. Mulan is fierce, determined, devoted to her family, and alluring, with all of those elements combining to paint a full picture of a woman at a time when women were usually subjugated.

The film pays homage to the cutesy elements of the first film without actually going down that road itself. Gone is the dragon Mushu, both because he doesn’t mesh with the story at large and because he was considered culturally insensitive. The sidekick Cri-kee, an actual cricket in the original film, is reimagined as a slightly goofy fellow soldier named Cricket (Jun Yu), who brings humor to the film without undercutting the drama.

What many fans of the original may miss the most are the songs, but their absence makes complete sense. Having these particular characters break into song would break the spell that the rest of the film casts. Still, Caro and composer Harry Gregson-Williams know they can’t get rid of the familiar music completely, which is why snippets of music from the popular song “Reflection” are woven in throughout, and actual reflections of Mulan pop up at key moments in clever ways. There are also full versions of the song sung by Christina Aguilera in English (an updated one from her 1998 version) and Liu in Mandarin during the end credits (Aguilera also sings a new song, “Loyal Brave True”).

The film features familiar faces like Tzi Ma, Jason Scott Lee, Jet Li, Donnie Yen, and Rosalind Chao, but Liu is the star through-and-through. She brings everything you could want to the role and more, exhibiting the spirit of Mulan in multiple ways. Yoson An offers great support as a rival/slight love interest, and it’s easy to see him gaining more work in English should he desire it.

Mulan is easily the best live action remake Disney has put out, both because the story lent itself well to taking out cartoonish elements, and because the filmmakers put in the work toward making it stand out. Seeing it on the big screen would have been great, but streaming it through Disney+ is still worth every penny.

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Mulan is available on September 4 via Disney+ Premier Access, a premium price on top of the monthly subscription cost.

Yifei Liu in Mulan.

Yifei Liu in Mulan
Photo courtesy of Disney Enterprises
Yifei Liu in Mulan.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shuan can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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