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    Movie Review

    Brittany Runs a Marathon is a winning film with engaging characters

    Alex Bentley
    Sep 4, 2019 | 4:23 pm
    Jillian Bell in Brittany Runs a Marathonplay icon
    Jillian Bell in Brittany Runs a Marathon.

    Unless you are particularly blessed, chances are there have been times in your life where you’ve felt inadequate, out-of-shape, or lonely — if not all three. There have been films that have addressed these kinds of issues in the past, but Brittany Runs a Marathon tackles them in an unusually frank manner.

    Jillian Bell stars as Brittany, an overweight woman scraping her way by in New York City. She has a low-level job at a theater, uses humor to deflect from almost any real human interaction, and shares an apartment with Gretchen (Alice Lee), who’s skinny and status-obsessed.

    When her doctor says she needs to change her lifestyle to be healthier, Brittany takes inspiration from her neighbor Catherine (Michaela Watkins) and decides to give running a chance. Buoyed by positive results and new friendships with Catherine and Seth (Micah Stock), she soon sets a goal of running in the New York City Marathon.

    Written and directed by Paul Downs Colaizzo and inspired by the true story of one of his friends, the film is equal parts funny and dramatic. With Bell in the role, Brittany is able to mine humor from almost any situation, and the character’s insecurities — and her reactions to those insecurities being exposed — lead to some uncomfortable scenes that most filmmakers would avoid.

    Colaizzo isn’t interested in making the typical studio film full of pratfalls or other comedy lowlights. Instead, he layers in the drama of real life to paint a full portrait of Brittany and the supporting characters. Among the topics brought up in the film are a custody battle, same-sex parenthood, financial woes, and more, each treated as things of genuine interest rather than a way to propel the plot forward.

    Ultimately, it’s the relationships in the movie that make it a winning film. Bell, Watkins, and Stock make for an engaging trio, with each getting moments of true introspection. Bell also works well with Utkarsh Ambudkar, who plays a freeloading house sitter, and Lil Rel Howery, who plays Brittany’s brother-in-law with whom she video chats often.

    Bell, who’s mostly played supporting roles in the past, shines as the lead. She gave full commitment to the role, losing weight during filming so that she could take the same journey as Brittany. But more importantly, her personality is magnetic, drawing viewers to her no matter what’s happening to the character.

    Whether or not Brittany actually accomplishes her goal in Brittany Runs a Marathon is beside the point. The film inspires, thanks to its focus on both internal and external change, and how each needs the other for true success to come.

    movies
    news/entertainment

    Listen up

    Underground hi-fi 'listening bar' Shyboy opens in downtown Dallas

    Stephanie Allmon Merry
    Mar 2, 2026 | 3:10 pm
    Shyboy
    Photo courtesy of Shyboy
    Shyboy lounge is new on Main Street in downtown Dallas.

    A new lounge is turning up the volume beneath the streets of downtown Dallas: Shyboy, billed as Dallas' first "hi fi bar," will debut at 1313 Main St., in the subterranean level of The Drakestone building.

    According to a release, opening weekend events will take place March 4-7.

    The new nightlife concept comes from The Headington Companies, the folks behind the Joule hotel and other Main Street developments.

    "Inspired by hi-fi listening bars around the world, with roots in Tokyo’s post-WWII 'jazz kissas,' Shyboy offers a social and listening experience unlike any other nightlife space, with progressive, genre-bending programming, signature hi-balls and cocktails, and two state-of-the-art OJAS sound systems, designed by Devon Turnbull," says the release. (Turnbull's speakers have been used in projects with Mark Ronson, Public Records in Brooklyn, and more.)

    Jazz kissas are cafes that specialize in the playing of and listening to recorded jazz music; here, jazz is played for active listening rather than as background serenade.

    Piggybacking on that idea, Shyboy will offer "an immersive environment where design, lighting, and atmosphere are treated as essential elements of the performance, inviting guests into a unique experience that blurs the line between listener and participant," they say.

    The 3,000-square-foot underground space, once a bank vault in the historic Davis Building (renovated and rebranded as The Drakestone residential building in 2017), will house one of the most advanced sound systems in the city within its historic concrete "bones." Interiors were designed by acclaimed Dallas-based 5G Studio Collaborative.

    The venue includes two distinct spaces. The main room functions as a social listening environment, where towering speakers double as sculptural focal points beneath curved underground ceilings.

    A second chamber, called The Vault, is designed as a more intimate lounge for private events, sound classes, performances, and art exhibitions. The Vault’s entrance features an installation from artist Lachlan Turczan’s Optical Resonance series, which uses water and light to visibly respond to sound waves, the release says. The room also includes a newly commissioned reflective sculpture by Florentine artist Duccio Maria Gambi.

    Shyboy’s inaugural month will include a lineup spanning house, deep grooves, soul, and global dance sounds. Opening weekend, March 4-7, will welcome talent like JT Donaldson (Shyboy music director), Dallas legend Red Eye, Sound Advice Vol. 1, Skeme Richards, Patrice Scott + Brandon Epocha, and Wamono Nights.

    The calendar later in the year will feature appearances by celebrated DJs and producers such as Theo Parrish, Derrick Carter, Eli Escobar, Kai Alcé, and the Los Angeles-based listening collective In Sheep’s Clothing.

    Shyboy’s cocktail menu starts at $13, and the bar will serve soft-serve ice cream.

    Throughout March, there will be no cover charge for entry; for more information, visit the venue's website.


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