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Movie Review

Broad stereotypes undercut message of movie musical Everybody's Talking About Jamie

Alex Bentley
Sep 8, 2021 | 2:04 pm
Broad stereotypes undercut message of movie musical Everybody's Talking About Jamie
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While movie adaptations of stage musicals have remained popular through the years, it feels like 2021 has become the year of the musical. It started with In the Heights, which will soon be joined by Dear Evan Hansen, Lin-Manuel Miranda's directorial debut tick, tick...Boom!, and Steven Spielberg’s version of West Side Story. Joining that group is one that may not be as familiar to American audiences, Everybody’s Talking About Jamie.

Set in Sheffield, England, the film tells the story of Jamie (Max Harwood), an out-and-proud high school student. While it's a known fact around town that he's gay, he does harbor one secret: His dream of becoming a drag queen. With encouragement from his mom, Margaret (Sarah Lancashire), and his best friend Pritti (Lauren Patel), Jamie pursues his dream, finding help from local costume store owner Hugo Battersby (Richard E. Grant), who just so happens to be a drag queen who goes by the name of Loco Chanelle.

Jamie’s dream doesn’t go unchallenged, though. His father, Wayne (Ralph Ineson), has essentially been absent from his life following a divorce from Margaret, with his mom doing her best to hide Wayne’s disdain for who his son is. Jamie also has a teacher, Miss Hedge (Sharon Horgan) who seems to undercut his ambitions at every turn, and a classmate, Dean Paxton (Samuel Bottomley), who takes every opportunity to bully and make fun of him.

The original stage production team of writer/lyricist Tom MacRae and director Jonathan Butterell occupy the same roles for the movie. They do a good job in general in their roles, but their closeness with the project may have hindered their ability to translate it effectively from stage to screen. While broad characters and situations can work well in a theater setting, a movie usually requires more nuance, especially when telling a story like this.

As the title would seem to indicate, the only person we get to know well is Jamie, although his mom is also showcased to a good degree. Everyone else is given only surface-level examination, which is especially troublesome when it comes to the antagonists of the story. Each comes across as either over-the-top or ridiculously unreasonable, personalities that weaken the message of the film as a whole. Most viewers will already want Jamie to succeed; there’s no need to stack the deck in his favor so egregiously.

On the flip side, Jamie is not always a fully sympathetic character, which would be great if those scenes were treated in a believable manner. But just like those who don’t like him, Jamie acting in a petulant way over not getting exactly what he wants rings false based on what we know about him otherwise. His arc is also utterly predictable, which, given the relative uniqueness of his life, shouldn’t be the case.

MacRae’s lyrics touch many of the right notes when it comes to conveying the sentiments of the story, but the songs themselves are a bit generic. Musical theater fans will find themselves with a sense of déjà vu throughout the film, as nearly every song sounds exactly like ones that have been doled out on stage for decades. The only song that stands out is “This Was Me,” with Hugo singing about being a drag queen and living through AIDS epidemic. Curiously, this is also the only song that was not in the original stage musical.

Harwood, who’s making his film debut here, does a great job of embodying his character and has a nice voice. He could’ve modulated his performance better at times, but for the most part he succeeds. Grant and Horgan are the two best-known actors in the cast, with Grant rising above his thinly written character more than Horgan. Lancashire and Patel are both winning in their supporting roles.

It’s fantastic that Everybody’s Talking About Jamie features a young gay character whose challenges lie beyond merely coming out to his friends and family. But the generic songs and broad stereotypes do the story no favors, making it into a musical that’s not for the ages.

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Everybody's Talking About Jamie will open in select theaters on September 10; it will premiere on Amazon Prime Video on September 17.

Max Harwood and cast of Everybody's Talking About Jamie.

Max Harwood and cast of Everybody's Talking About Jamie
Photo courtesy of Amazon Studios
Max Harwood and cast of Everybody's Talking About Jamie.
movies
news/entertainment

RIP, Frank

Frank Beard, drummer of legendary Texas rock band ZZ Top, dies at 77

Associated Press
Aug 18, 2026 | 5:15 pm
Dickies 500
Photo by Jonathan Ferrey/Getty Images
He kept the tempo for the band’s biggest hits like 'Sharp Dressed Man,' 'Legs,' and 'Gimme All Your Lovin.'

NEW YORK (AP) — Frank Beard, the drummer for the Texas boogie-rock trio ZZ Top who kept the tempo for the band’s biggest hits like “Sharp Dressed Man,” “Legs,” and “Gimme All Your Lovin,’” has died. He was 77.

Beard was in hospice care when he died Tuesday, August 18 at his ranch in Richmond, Texas, near Houston, with family members at his side, according to publicist Bob Merlis. Band co-founder and guitarist Billy Gibbons, on tour with bassist Elwood Francis, hailed Beard in a statement.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas. His signature backbeat was key to keeping ZZ on top. The band of which he was part for six decades is going to keep on keeping on as he had wished,” Gibbons said.

ZZ Top sold more than 50 million records and had six singles that reached No. 1 on Billboard’s Mainstream Rock Airplay chart. Seven of their albums have been in the Billboard 200’s Top 10 and they earned three Grammy Award nominations.

“I’ve found the people I was meant to play with,” Beard says in the 2019 documentary ZZ Top: That Little Ol’ Band from Texas. “I never wanted to quit, and never wanted to get fired.”

Band's early days
Beard, from the East Texas town of Frankston, met Gibbons in a band called The Moving Sidewalks and later introduced bassist and vocalist Dusty Hill, a Dallas native, who had been in several bands with Beard.

The trio formed ZZ Top in 1969, naming themselves in part after blues singer Z.Z. Hill and influenced by the British power trio Cream and Jimmy Reed. They maintained their original lineup for more than five decades. Their signature look — long, bushy beards on Gibbons and Hill, and dark sunglasses for all — didn’t change much, either.

When Rolling Stones guitarist Keith Richards helped induct the trio into the Rock & Roll Hall of Fame in 2004, he joked: “These cats know their blues and they know how to dress it up. When I first saw them, I thought, ‘I hope these guys are not on the run, because that disguise is not going to work.’”

ZZ Top songs — with their sly and humorous lyrics — were popular in Hollywood, which used “Gimme All Your Lovin’” in “Happy Feet,” “Sharp Dressed Man” in “Evan Almighty,” “Legs” in “Air,” “Sleeping Bag” in “I, Tonya,” “Tush” in “Dazed and Confused,” “Mexican Blackbird” in “From Dusk Till Dawn” and “La Grange” in “Armageddon.”

“The best way to describe ZZ Top is we’re interpreters of a great American art form,” Gibbons told The Dallas Morning News.

Their debut release, “ZZ Top’s First Album,” came out in 1970. Their sound was described as a hybrid mixing elements of rock, blues and funk into a steaming-hot Houston stew. They called themselves a “Little Ol’ Band From Texas.”

Breaking through
Three years later, they broke through commercially with “La Grange,” a funky blues song on the album “Tres Hombres” that paid tribute to the Chicken Ranch, a brothel outside of the Texas town of La Grange that operated from 1905 until 1973 and was immortalized in the Broadway show and the film, “The Best Little Whorehouse in Texas.” Gibbons has ascribed the power of “La Grange" to its simplicity — just two chords and a Robert Johnson-inspired guitar solo.

The band went on to have such hits as “Tush” and “Cheap Sunglasses.” But their 1983 “Eliminator” — named after one of Gibbons’ custom cars — added more production elements, synthesizers and drum machines to their stripped-down sound and yielded the hits “Gimme All Your Lovin’,” “Legs” and “Sharp-Dressed Man.” The band toured with a Texas-shaped stage, live rattlesnakes and a longhorn steer.

Long beards weren’t always part of the band’s look. Gibbons said it happened by accident: In 1976, the trio took a long break and scattered. Beard went to Jamaica, Hill went to Mexico and Gibbons went to France.

“Although we were speaking by phone, this was pre-video phone. And Dusty and I did not know that we had gotten so lazy that we had decided to forget to shave,” Gibbons told The Tribune in San Luis Obispo in 2010. “So after three years we returned and showed up, and lo and behold here was this sort of wacky-looking image. And it just kind of stuck with us.”

A boost from MTV
The band’s rock-chic cool played well on the nascent MTV crowd and their videos, featuring models in short skirts emerging from one of Gibbons’ custom roadsters, became a mainstay.

They kept the beards, hats and cheap sunglasses in the video trilogy of “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” made with director Tim Newman.

“ZZ Top reveled in the humor and ridiculousness of it all, busting their synchronized dance moves and spinning their white-fur guitars. These guys always got the joke, at a time when other bands were still just nervously lip-syncing in front of brick walls,” Rolling Stone said in 2021.

In 2012, superstar producer Rick Rubin helped update the trio’s sound with the band’s comeback album, “La Futura.” The album landed at No. 6 on the Billboard chart, their highest position since 1990's “Recycler,” some 22 years previously.

Hill died in 2021.

In March 2025, the band announced via Instagram that Beard would temporarily step away from the band’s tour to tend to foot and ankle problems. Beard died weeks after ZZ Top called off its August 5 concert at the Hollywood Bowl due to his health issues.

Beard is survived by his wife, Debbie Meredith, and three children.

obituary celebrities zz top deaths
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