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    Movie Review

    Crazy night leads to some weird stuff in The Death of Dick Long

    Alex Bentley
    Sep 27, 2019 | 2:55 pm
    Crazy night leads to some weird stuff in The Death of Dick Long
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    Director Daniel Scheinert has been quoted as calling his new film, The Death of Dick Long, “the redneck Hangover,” but that’s a bit of misnomer. Yes, the plot does involve a group of guys getting into some wild stuff, thanks to the influence of drugs, alcohol, and peer pressure, but the film’s tone is about as non-comedic as you can get.

    Since the title gives it away, it’s no spoiler to say that Dick Long (Scheinert) dies soon after the opening sequence, which gives a brief glimpse into the crazy night he, Zeke Olsen (Michael Abbott Jr.), and Earl Wyeth (Andre Hyland) experience. Scared that they will be implicated in Dick’s death, the cause of which remains a mystery for much of the film, Zeke and Early do everything in their power to keep their involvement a secret.

    Unfortunately for them both, they are very bad at covering things up. An attempt at hiding blood evidence in a car leads to a tense situation with Zeke’s daughter. Zeke acts nothing but guilty in front of his wife, Lydia (Virginia Newcomb), as does Earl in front of his neighbor, Lake (Sunita Mani). And Zeke can’t seem to help attracting the attention of police officer Dudley (Sarah Baker) at every turn.

    Scheinert and writer Billy Chew play up the ineptitude of their characters to the nth degree, as almost nothing can seem to go right for them. While some of it is funny — a Pulp Fiction reference and some of the revelations among them — most of it is gut-churning bordering on tragic. Zeke and Earl are idiots, to be sure, but you still root for them to succeed. Consequently, every time they figuratively shoot themselves in the feet, it’s another moment of tension.

    Still, there’s a creeping feeling throughout that, no matter what secrets come out by the end of the film, the movie as a whole is spinning its wheels. The filmmakers seem to be held hostage by their own plot devices, and as twists slowly but surely start to come out, each one seems more underwhelming than the next. Even the ultimate revelation, as out-of-the-norm as it is, is delivered in a ho-hum way.

    The film’s main stars, Abbott and Hyland, are relative unknowns, but Scheinert (Swiss Army Man) filled supporting roles with semi-familiar faces like Newcomb, Mani, Baker, Jess Weixler, and Roy Wood Jr. The story may have some lacks, but each of the actors is given at least a scene or two in which to shine, and they all do well in their respective roles.

    The film is an interesting diversion for most of its running time, but it’s hard not to feel like the filmmakers could have done more with the concept. Its mixture of tones had the potential to pay dividends, but The Death of Dick Long comes up short.

    Daniel Scheinert, Andre Hyland, and Michael Abbott Jr. in The Death of Dick Long.

    Daniel Scheinert, Andre Hyland, and Michael Abbott, Jr. in The Death of Dick Long
    Photo courtesy of A24
    Daniel Scheinert, Andre Hyland, and Michael Abbott Jr. in The Death of Dick Long.
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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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